WLéon Bakst – born as Leyb-Khaim Izrailevich Rosenberg, Лейб-Хаим Израилевич (Самойлович) Розенберг was a Russian painter and scene and costume designer of Belarusian origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as "Carnaval" (1910), "Spectre de la rose" (1911), "Daphnis and Chloe" (1912), "The Sleeping Princess" (1921) and others.
WÉtienne Eugène Cicéri was a French painter, illustrator, engraver and theatrical designer.
WPierre Clayette was a French painter, etcher and lithographer, illustrator and scenographer. Active for five decades, much of his work was architectural in style.
WDaniel Flannery is an American artist, creative producer, theatre director, scenographer, film/television director, director of photography and lighting designer.
WKarl Wilhelm Gropius, also Carl Wilhelm Gropius, was a German set painter and scenic artist, working in the theatres of Berlin. He was also a printmaker and seller and a prolific caricaturist.
WSuzanne Jackson is an American visual artist, gallery owner, poet, dancer, and set designer with a career spanning five decades. Her work has been exhibited in museums and galleries around the world, including the Studio Museum in Harlem and the California African American Museum in Los Angeles. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
WPau Rigalt i Fargas was a Catalan painter and scenographer. He was one of the pioneers of Neoclassicism in Catalonia.
WAuguste Alfred Rubé was a French painter.
WNicola Vaccaro was an Italian painter, theatre director and opera librettist in Naples. He was known for his religious and allegorical paintings who created easel paintings as frescos. He was a specialist figure painter who regularly collaborated with specialist still life painters on decorative Baroque still lifes and garland paintings. Vaccaro attempted to adapt the stylistic features of 17th-century Neapolitan tradition to the new Classicist and Baroque trends towards increasing Arcadian tendencies. He proposed his own specific form of Academism, aimed at revitalizing the figurative culture in Naples.
WRobert Wilson is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist.'" He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.