Ambitus (music)W
Ambitus (music)

Ambitus is a Latin term literally meaning "the going round", and in Medieval Latin means the "course" of a melodic line, most usually referring to the range of scale degrees attributed to a given mode, particularly in Gregorian chant. In Gregorian chant specifically, the ambitus is the range, or the distance between the highest and lowest note. Different chants vary widely in their ambitus. Even relatively florid chants like Alleluias may have a narrow ambitus. Earlier writers termed the modal ambitus "perfect" when it was a ninth or tenth, but from the late fifteenth century onward "perfect ambitus" usually meant one octave, and the ambitus was called "imperfect" when it was less, and "pluperfect" when it was more than an octave.

Bamberg CodexW
Bamberg Codex

The Bamberg Codex is a manuscript containing two treatises on music theory and a large body of 13th-century French polyphony.

Cancioneiro da VaticanaW
Cancioneiro da Vaticana

The Cancioneiro da Vaticana is a compilation of troubadour lyrics in Galician-Portuguese. It was discovered c. 1840 in the holdings of the Vatican Library and was first transcribed by D. Caetano Lopes de Moura in 1847, sponsored by Viscount of Carreira, and again by Ernesto Monaci in 1875.

CornamuseW
Cornamuse

The cornamuse is a double reed instrument dating from the Renaissance period. It is similar to the crumhorn in having a windcap over the reed and cylindrical bore. In Syntagma musicum II (1619), Michael Praetorius writes: "Die CornaMuse sind gleich aus/und nicht mit doppelten/sondern mit einer einfachen Röhre/gleich den Bassanelli" This statement differentiates it from double bore instruments of the period like the sordun, kortholt and curtal. Praetorius did not include a woodcut of the cornamuse, but his depiction of the bassanello has a single bore and double reed. Another clue to its appearance is given in his description of the schryari: Assertions by some modern writers about the cornamuse having a single reed stem from the misreading of "Röhre" as "Rohr" (reed).

Estampie (band)W
Estampie (band)

Estampie is a German music group, founded in 1985 by Sigrid Hausen, Michael Popp and Ernst Schwindl. The band plays primarily medieval music, with some modern influences from world and minimalist music.The group is not connected to the Leeds-based British ensemble Estampie which recorded Under the Greenwood Tree for Naxos.

Khaz (notation)W
Khaz (notation)

Khaz is an Armenian neume, one of a set of special signs constituting the traditional system of musical notation that has been used to transcribe religious Armenian music since the 8th century.

Laudario di CortonaW
Laudario di Cortona

The Laudario di Cortona is a musical codex from the second half of the 13th Century containing a collection of laude.

MensurstrichW
Mensurstrich

Mensurstrich is a German term used in musical notation to denote a barline that is drawn between staves, but not across them. It is typically seen in modern editions of Medieval and Renaissance vocal polyphony, where it is intended to allow modern performers the convenience of barlines without having them interfere with the music, which was originally written without barlines. In most cases note values are allowed to cross over a Mensurstrich without requiring a tie.

Pluteo 29.1W
Pluteo 29.1

Pluteo 29.1, also known as Pluteus 29.1, or simply the Florence Manuscript, is an illuminated manuscript in the Laurentian Library of Florence.

Robertsbridge CodexW
Robertsbridge Codex

The Robertsbridge Codex (1360) is a music manuscript of the 14th century. It contains the earliest surviving music written specifically for keyboard.

SpruchdichtungW
Spruchdichtung

Spruchdichtung or Sangspruchdichtung is the German term for a genre of Middle High German sung verse. An individual work in this genre is called a Spruch, literally a "saying", and may consist of one or more strophes.