WAnxiety is an oil-on-canvas painting created by the expressionist artist Edvard Munch in 1894. It is now in the Munch Museum in Oslo, Norway. Many art critics feel that Anxiety is closely related to Munch’s more famous piece, The Scream (1893). The faces show despair and the dark colors show a depressed state. Many critics also believe it’s meant to show the emotions of heartbreak and sorrow.
WCaricature Portrait of Tulla Larsen is an oil on canvas painting by Edvard Munch. It is in the collection of the Munch Museum in Oslo.
WChristmas in the Brothel is an oil-on-canvas painting by Norwegian painter Edvard Munch. The Expressionist painting was completed in 1903–04 and is housed at the Munch Museum in Oslo.
WJealousy is a painting by Norwegian artist Edvard Munch. Munch returned to this image throughout his whole life - he completed no less than 11 painted versions of Jealousy. The first painting was executed in 1895, and the last was made during the 1930s. Munch also created four lithograph versions and one drypoint of Jealousy.
WThe Kiss is an oil painting on canvas completed by the Norwegian symbolist artist Edvard Munch in 1897. Part of his Frieze of Life, which depicts the stages of a relationship between men and women, The Kiss is a realization of a motif with which he had experimented since 1888/89: a couple kissing, their faces fusing as one in a symbolic representation of their unity. Exhibited as early as 1903, this work is held at the Munch Museum in Oslo.
WLove and Pain is an 1895 painting by Edvard Munch; it has also been called Vampire, though not by Munch. The painting depicts a man and woman embracing, with the woman appearing to be either kissing or biting the man on his neck. Munch painted six different versions of the same subject between 1893 and 1895. Three versions are in the collection of the Munch Museum in Oslo, one is held by the Gothenburg Museum of Art, one is owned by a private collector, and the final work is unaccounted for. Munch painted several additional versions and derivatives of the work later in his career.
WModel by the Wicker Chair is a 1919–1921 painting by the Norwegian artist Edvard Munch that is in the collection of the Munch Museum in Oslo.
WThe Scream is the popular name given to a composition created by Norwegian Expressionist artist Edvard Munch in 1893. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition.
WSelf-Portrait. Between the Clock and the Bed is a 1940-1943 self-portrait painting by Edvard Munch, and is one of his last major works. He depicts himself as an unhappy, aging older man. Behind him is a bright room full of light and past paintings, but he has placed his current self between a clock and a bed, symbolizing the inevitable passing of time and where he will eventually lay down for the final time.
WThe Sick Child is the title given to a group of six paintings and a number of lithographs, drypoints and etchings completed by the Norwegian artist Edvard Munch between 1885 and 1926. All record a moment before the death of his older sister Johanne Sophie (1862–1877) from tuberculosis at 15. Munch returned to this deeply traumatic event repeatedly in his art, over six completed oil paintings and many studies in various media, over a period of more than 40 years. In the works, Sophie is typically shown on her deathbed accompanied by a dark-haired, grieving woman assumed to be her aunt Karen; the studies often show her in a cropped head shot. In all the painted versions Sophie is sitting in a chair, obviously suffering from pain, propped by a large white pillow, looking towards an ominous curtain likely intended as a symbol of death. She is shown with a haunted expression, clutching hands with a grief-stricken older woman who seems to want to comfort her but whose head is bowed as if she cannot bear to look the younger girl in the eye.