An Egyptian Pot Seller at GizehW
An Egyptian Pot Seller at Gizeh

An Egyptian Pot Seller at Gizeh is one of several paintings of Oriental women by Polish-Danish painter Elisabeth Jerichau-Baumann. It is considered one of her best works.

Arab Horses Fighting in a StableW
Arab Horses Fighting in a Stable

Arab Horses Fighting in a Stable is an 1860 Orientalist painting by Eugène Delacroix, signed and dated by the artist and now in the musée d'Orsay.

Arab Rider ChargingW
Arab Rider Charging

Arab Rider Charging is a small 1832 Orientalist oil on canvas painting by Eugène Delacroix, dated and signed by the artist. It is now in a private collection It shows an Arab rider charging at the gallop.

The Combat of the Giaour and HassanW
The Combat of the Giaour and Hassan

The Combat of the Giaour and Hassan is the title of three works by Eugène Delacroix, produced in 1826, 1835 and 1856. They all show a scene from Lord Byron's 1813 poem The Giaour, with the Giaour ambushing and killing Hassan, the Pasha, before retiring to a monastery. Giaour had fallen in love with Leila, a slave in Hassan's harem, but Hassan had discovered this and had her killed.

Convulsionists of TangiersW
Convulsionists of Tangiers

Convulsionists of Tangiers is an 1837–38 painting by the French Romantic visual artist Eugène Delacroix. It is held by the Minneapolis Institute of Art.

El Khasné, Petra (painting)W
El Khasné, Petra (painting)

El Khasné, Petra is an 1874 oil painting by American landscape artist Frederic Edwin Church. It is a depiction of the Al-Khazneh temple in the historical city of Petra, Jordan, which Church visited during an extended trip to the Middle East and Europe in 1867 and 1868. He visited the tomb with American missionary D. Stuart Dodge in February 1868 and made sketches there. The painting is located at Olana State Historic Site, the preserved homestead where Church lived in his later years. It may be the last canvas that he painted entirely with his right hand, owing to worsening rheumatoid arthritis.

The Kaïd, A Moroccan ChiefW
The Kaïd, A Moroccan Chief

The Kaïd, A Moroccan Chief is an 1837 Orientalist oil on canvas painting by the French artist Eugène Delacroix, signed and dated by the painter himself and now in the Musée d'Arts de Nantes It is also known as Offering Milk, Arab Chief Among His Tribe and The Halt, or The Kaïd Accepting the Shepherds' Hospitality

Odalisque with SlaveW
Odalisque with Slave

Odalisque with Slave is an 1839 painting by Jean-Auguste-Dominique Ingres commissioned by Charles Marcotte. Executed in oil on canvas, it depicts a nude odalisque, a musician, and a eunuch in a harem interior. The painting is in the Fogg Art Museum in Cambridge, Massachusetts. It is a classic piece of Orientalism in French painting.

Salomé (Henri Regnault)W
Salomé (Henri Regnault)

Salomé is a 19th-century painting by French artist Henri Regnault. Done in oil on canvas, the work depicts the biblical character Salome. The work debuted in the Paris salon of 1870, several months before Regnault was killed in the Franco-Prussian War. The work is currently in the collection of the Metropolitan Museum of Art.

Warrior by a TombW
Warrior by a Tomb

Warrior by a Tomb, Arab by a Tomb or The Arab by the Tomb is an 1838 oil on canvas painting by Eugène Delacroix, now in the Hiroshima Museum of Art. It was inspired by his trip to Morocco as an official painter, but was refused by the jury of the Paris Salon.

Women of AlgiersW
Women of Algiers

Women of Algiers in their Apartment is the title of two oil on canvas paintings by the French Romantic painter Eugène Delacroix.

The Wounded MontenegrinW
The Wounded Montenegrin

The Wounded Montenegrin is the title of four nearly identical compositions by the artist Paja Jovanović depicting a wounded youth surrounded by peasants in traditional clothing, likely during the Montenegrin–Ottoman War of 1876–78.