
The subject of the Adoration of the Magi was treated at least four times by the Dutch or Flemish painter Matthias Stom:Adoration of the Magi, c.1633-1639, produced during his time in Naples, showing ten figures, now in the Nationalmuseum, Stockholm Adoration of the Magi, c.1633-1639, produced during his time in Naples, showing eight figures, now in the Musée des Augustins, Toulouse Adoration of the Magi, c.1640s, possibly produced on Sicily, horizontal format, bought in 1965 by Brian Sewell and sold at the Bonhams London auction of 5 December 2018 at which Brian Sewell's collection was posthumously sold Adoration of the Magi, later than the Sewell version, horizontal format, now in the Musée des Beaux-Arts de Rouen

Adoration of the Shepherds may refer to several works by the Dutch artist Matthias Stom:Adoration of the Shepherds, c.1640-1645, Museo di Capodimonte, Naples Adoration of the Shepherds, now in the Palazzo Madama, Turin Adoration of the Shepherds, now in the North Carolina Museum of Art, Raleigh, North Carolina, United States Adoration of the Shepherds, now in the Musée d'Arts de Nantes, France

The Incredulity of Saint Thomas is an oil painting on canvas of 1640–1649 by Matthias Stom in the Museo del Prado, Madrid. Another version of the subject by the same artist is in the Baron Scotti collection in Bergamo; both were produced during the artist's time on Sicily. The Prado version's composition is influenced by those of Hendrick ter Brugghen's Doubting Thomas of c. 1621–1623 and Rubens's Incredulity of Saint Thomas of 1613–1615.

Isaac Blessing Jacob is a c.1635 oil on canvas painting by Matthias Stom, produced whilst the artist was on Sicily. It is now in the Barber Institute of Fine Arts, which purchased it in 1994. The sniffing dog indicates the work can also be read as an allegory of the five senses.

The Judgement of Solomon is a c.1640 oil on canvas painting by Matthias Stom of the Judgement of Solomon. Previously owned by Principe Carcafa d'Andria of Naples, it is now in the Museum of Fine Arts Houston, whose purchase of it in 1970 was funded by the Laurence H. Favrot Bequest.

The Judgement of Solomon is a c.1640 oil on canvas painting by Matthias Stom of the Judgement of Solomon, now in the Currier Museum of Art in Manchester, New Hampshire, which purchased it from the J.E. Safra collection at Sotheby's on 5 July 2017 for £428,750. Its palette, style and drapery are similar to other works painted by the artist on Sicily such as The Stoning of St Stephen, now in the Palazzo Alliata Villafranca in Palermo - the artist settled on the island around 1640.

King David is a c.1633-1639 oil on canvas painting by Matthias Stom, now in the Musee des Beaux-Arts de Marseille. It is thought to have belonged to a set of four paintings of Old Testament kings. This group was itself part of a larger group of twelve works which also included the four Fathers of the Church and the four Evangelists, of which St Mark, St John and St Ambrose are now in the Musee des Beaux-Arts de Rennes.

Man Blowing on an Ember is an undated work by Matthias Stom, one of several the 17th-century Dutch artist produced on Sicily. Recorded in the Ruffo collection in Messina, it is now in the Palazzo Abatellis in Palermo

Saint Jerome is an oil-on-canvas painting by Matthias Stom. It was completed c.1635 and is now in the Musee des Beaux Arts de Nantes, France, which bought it in 1810. Painted in a tenebrist style, it depicts Saint Jerome at a table in a darkened space. Before him are a Bible, a rosary, a crucifix, and a skull. Jerome gazes in the direction of light which falls from the upper left.

Salome Receives the Head of John the Baptist is an oil on canvas painting by Matthias Stom, probably painted around 1630–1632 in Rome. It is now in the National Gallery, London, to which it was presented by the Trustees of Sir Denis Mahon's Charitable Trust via the Art Fund in 2013.
Salome with the Head of John the Baptist is an oil on canvas painting by the 17th century painter Matthias Stom. It is now in the Palazzo Bianco of the Musei di Strada Nuova in Genoa, to whose collections it was left in 1926 by E. L. Peirano. Typically of the painter's style, it combines Flemish attention to detail with the lessons he had learned from Caravaggio's work.

Supper at Emmaus is an undated oil on canvas painting by the Dutch painter Matthias Stom. It was bought by the town of Grenoble in 1826 and now hangs in Grenoble Museum.