WThe Assassination of Saint Peter Martyr is a 67 by 100 cm oil and tempera on wood painting by Giovanni Bellini. It was painted around 1507 and is now in the National Gallery, London, whilst a workshop version of around 1509 is now in the Courtauld Gallery. They both show the murder of saint Peter Martyr.
WA Bar at the Folies-Bergère is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London.
WThe Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place. Cézanne also completed numerous drawings and studies in preparation for The Card Players series.
WChrist and the Woman Taken in Adultery is a small panel painting in grisaille by the Netherlandish Renaissance printmaker and painter Pieter Bruegel the Elder. It is signed and dated 1565.
WThe Conversion of Saint Paul is a painting by Peter Paul Rubens, now in the Courtauld Gallery in London. It shows the conversion of Saint Paul and was produced between 1610 and 1612. Between around 1612 and 1614, The Defeat of Sennacherib was produced by the artist as a pendant to it.
WLe Déjeuner sur l'herbe – originally titled Le Bain – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The work is now in the Musée d'Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London.
WSir John Luttrell is an allegorical portrait in oils by the London-based Flemish artist Hans Eworth painted in 1550, of Sir John Luttrell, an English soldier, diplomat, and courtier under Henry VIII and Edward VI.
WLandscape with the Flight into Egypt is a 1563 oil on wooden board painting by Pieter Bruegel the Elder, showing the biblical Flight into Egypt of Mary and Joseph with the infant Jesus. It measures 37.1 by 55.6 centimetres and is displayed at the Courtauld Gallery in London.
WLa Loge is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London.
WMont Sainte-Victoire with Large Pine is an oil on canvas painting by the French artist Paul Cézanne. It is owned by the Courtauld Institute of Art and on display in the Gallery at Somerset House. It belongs to a series of oil paintings of Mont Sainte-Victoire that Cézanne painted throughout his career.
WNativity or Rest on the Flight into Egypt is a c.1521-1522 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London.
WSeated Nude is a 1916 oil on canvas painting by Amedeo Modigliani, now in the Courtauld Gallery. The painting is one of a famous series of nudes that Modigliani painted between 1916-1918, which include many of his most famous works. Its model was Beatrice Hastings, then the artist's lover.
WSelf-Portrait with Bandaged Ear is an 1889 self-portrait by Dutch, Post-Impressionist artist Vincent van Gogh. The painting is now in the collection of the Courtauld Institute of Art and on display in the Gallery at Somerset House.
WVirgin and Child is an unfinished c.1527-1528 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London. As it is usually identified with one which Giorgio Vasari sketched in Bologna and later bought for himself, it is sometimes also known as the Vasari Madonna. The work passed through unknown hands after Vasari, eventually ending up in Lord Kinnard's collection, from whose successors Antoine Seilern acquired it via Colnaghi in 1965 before bequeathing it to its present owners in 1978.
WYoung Woman Powdering Herself is an oil on canvas painting executed between 1889–90, by the French painter Georges Seurat. The work, one of the leading examples of pontillism, depicts the artist's mistress Madeleine Knobloch. It is in the collection of the Courtauld Institute of Art and on display in the Gallery at Somerset House.