WAndromeda Chained to the Rocks (1630) is a 34 x 25 oil on panel painting by the Dutch Golden Age painter Rembrandt. It is now in the Mauritshuis, The Hague, Netherlands. Andromeda represents Rembrandt's first full length mythological female nude history painting and is taken from a story in Ovid's Metamorphoses.
WThe Apotheosis of Saint Thomas Aquinas is a 1631 altarpiece painting by Francisco de Zurbarán, now in the Museum of Fine Arts of Seville. It shows Thomas Aquinas ascending to heaven, surrounded by four other Doctors of the Church.
WPrince Balthasar Charles With a Dwarf is a 1631 portrait by Diego Velázquez of Balthasar Charles, Prince of Asturias and a court dwarf. It is now in the Museum of Fine Arts in Boston. It is the first of several portraits Velázquez painted of the young prince.
WChrist on the Cross is a 1631 oil on canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne.
WChrist with a Staff or St James the Less is a 1631 painting by Rembrandt, now in the Metropolitan Museum of Art. It was also known as Christ in 1854 and exhibited in 1933 as The Pilgrim.
WPortrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
WThe Crowning of Saint Catherine is an oil on canvas painting by Peter Paul Rubens, now in the Toledo Museum of Art. It portrays Catherine of Alexandria, an early 4th century martyr.
WDon Juan Mateos is an oil on canvas painting widely attributed to Diego Velázquez created circa 1632–3.
WThe Ildefonso Altarpiece is a triptych painting by Peter Paul Rubens, dating to between 1630 and 1631. It is now in the Kunsthistorisches Museum of Vienna.
WThe Last Supper (1630–1631) is an oil painting by Peter Paul Rubens. It was commissioned by Catherine Lescuyer as a commemorative piece for her father. Rubens created it as part of an altarpiece in the Church of St. Rombout (Rumbold) in Mechelen. The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous expression. Jesus is dressed in red and has a yellow halo surrounding his head with his face tilted upwards. Jesus is located centrally in the painting surrounded by his disciples with six on each side, and he holds a loaf of bread with a cup of wine in front of him. Out of all of the figures, he is the most in the light with the figures to the farthest left being the most in shadow. “The scene thus represents a perfect conflation of the theological significance of the Last Supper” meaning the conflation between the blessing of the bread and the wine while still being pivotal in the sense of revealing the betrayal.
WMagdalena Ventura with Her Husband and Son or The Bearded Lady is a 1631 oil on canvas painting by the Spanish artist Jusepe de Ribera. It is now part of the Fundación Casa Ducal de Medinaceli collection and displayed at the Museo Fundación Lerma in Toledo.
WOld Man with a Gold Chain is a portrait by Rembrandt, painted around 1631 and now in the Art Institute of Chicago.
WThe Pala della Peste or Pallione del Voto is a Baroque-style altarpiece by Guido Reni depicts the Madonna and Child in Glory with the Patron Saints of Bologna: Petronius, Francis, Ignatius, Francis Xavier, Proculus of Bologna, and Florian. The painting is oil on silk.
WThe Proposition is a genre painting of 1631 by Judith Leyster, now in the Mauritshuis in The Hague, who title it Man offering money to a young woman. It depicts a woman, sewing by candlelight, as a man leans over her, touching her right shoulder with his left hand. He is offering her coins in his right hand, but she is apparently ignoring the offer and concentrating intently upon her sewing.
WSaint Margaret of Antioch is a painting of 1631 by Francisco de Zurbarán in the National Gallery, London, which bought it in 1903.
WUnequal Love is a circa 1631 painting, by the Dutch Golden Age painter Judith Leyster. It is in the collection of the Galleria Nazionale d'Arte Antica, Rome.