18 1922 paintings

Anzac, the landing 1915 is a painting by Australian artist George Washington Lambert, composed between 1920 and 1922. The painting depicts the landing at Anzac Cove by the Australian and New Zealand Army Corps on 25 April 1915 during the Gallipoli Campaign during World War I. The painting is part of the collections of the Australian War Memorial and "an active agent in promulgating one of Australia’s most dominant and enduring memories – that of the Gallipoli campaign."

Cabaret Scene (1922) is a painting by the Spanish surrealist Salvador Dalí. It was a unique cubist experiment that came between Dalí's early impressionist work and the classic surrealist technique he would later develop. Dalí was inspired by Pablo Picasso after he got expelled from the School of Fine Arts in Spain. His inspiration was shown in his paintings, such as this one.

Daybreak is a painting by American artist Maxfield Parrish made in 1922. Daybreak is regarded as the most popular art print of the 20th century, based on number of prints made: one for every four American homes. According to the National Museum of American Illustration, it has outsold Andy Warhol's Campbell's Soup Cans and Da Vinci's Last Supper. It is still in print.

The Farm is an oil painting made by Joan Miró between the summer of 1921 in Mont-roig del Camp and winter 1922 in Paris. It is a kind of inventory of the masia owned by his family since 1911 in the town of Mont-roig del Camp. Miró himself regarded this work as a key in his career, describing it as "a summary of my entire life in the countryside" and "the summary of one period of my work, but also the point of departure for what was to follow." It is preserved in the National Gallery of Art in Washington DC, where it was given in 1987 by Mary Hemingway, coming from the private collection of American writer Ernest Hemingway, who had described it by saying, “It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things.”

General Officers of World War I is an oil painting by John Singer Sargent, completed in 1922. It was commissioned by South African financier Sir Abraham Bailey, 1st Baronet to commemorate the generals who commanded British and British Empire armies in the First World War.

My Shanty, Lake George is a 1922 painting by Georgia O'Keeffe. From 1918 to 1934, Georgia O'Keeffe spent part of the year at Alfred Stieglitz's family estate in Lake George. The depicted shanty was O'Keeffe's studio, which was painted in subdued tones in response to criticism from Stieglitz' circle—Arthur Dove, John Marin, Charles Demuth, Marsden Hartley, and Paul Strand. O'Keeffe said of the painting: "The clean, clear colors were in my head, but one day as I looked at the brown burned wood of the Shanty I thought, "I can paint one of those dismal-colored paintings like the men. I think just for fun I will try—all low-toned and dreary with the tree beside the door." My Shanty was the first painting by O'Keeffe purchased by the Duncan Phillips.

Pafama, short for Papierfarbenmalerei, is a 1922 painting by Croatian painter Josip Seissel. This painting is the first known abstract composition in Croatian art. It is currently in the collection of the Museum of Contemporary Art, Zagreb.

Primeiros Sons do Hino da Independência, also known as Hino da Independência, is painting by Augusto Bracet. It was made in 1922.The artwork is of the genre historical painting, and is on the National Historical Museum of Brazil. It portrays, among others, Pedro I of Brazil and Evaristo da Veiga, in 1822.

Sessão do Conselho de Estado is an artwork of the genre historical painting made by Georgina de Albuquerque in 1922. It portrays the session of 2 September 1822 of the State Council of Brazil, preceding Brazilian independence. The artwork is part of the collection in exposition of the National Historical Museum of Brazil, in the city of Rio de Janeiro.

Still Life with Candlestick is an oil painting created in 1922 by the French artist Fernand Léger.

A Storm, a 1922 pastel painting by Georgia O'Keeffe, shows lightning over a lake and the reflection of the moon, while alluding to a feminine body shape. The medium is pastel on paper, mounted on illustration board. The painting is part of a collection of work depicting sea- and landscapes of Maine or Lake George, and were created by O'Keeffe between 1921 and 1922. The technique and style of A Storm reflects O'Keeffe's earlier preference for charcoal as a medium. It was donated to the Metropolitan Museum of Art by a private collector in 1981.

Twittering Machine is a 1922 watercolor and pen and ink oil transfer on paper by Swiss-German painter Paul Klee. Like other artworks by Klee, it blends biology and machinery, depicting a loosely sketched group of birds on a wire or branch connected to a hand-crank. Interpretations of the work vary widely: it has been perceived as a nightmarish lure for the viewer or a depiction of the helplessness of the artist, but also as a triumph of nature over mechanical pursuits. It has been seen as a visual representation of the mechanics of sound.