WThe Allegory of Isabella d'Este's Coronation is a painting by the Italian Renaissance painter Lorenzo Costa the Elder, dating to about 1505–1506. It is displayed in the Louvre Museum of Paris, France.
WThe Death of Chione is a 1622 painting by Nicolas Poussin, his first known surviving work. He produced it during a stay in Lyon and in February 2016 it was acquired by that city's Museum of Fine Arts. It shows the death of Chione, lover of both Hermes and Apollo - she had compared her beauty to that of Apollo's sister Artemis, who hunted her down and killed her by shooting an arrow through her tongue.
WThe Destruction of the Children of Niobe is a painting by Richard Wilson, created in 1760. It depicts the Greek myth of the murder of Niobe's daughters by the goddess Artemis and her sons by Apollo. The painting won acclaim for Wilson, who obtained many commissions from British landowners seeking classical portrayals of their estates.
WDiana is a painting from 1867 by the French painter Pierre-Auguste Renoir. It depicts the painter's lover Lise Tréhot as the Roman goddess Diana.
WDiana is a 1637 painting of Diana by Simon Vouet. It was produced in Paris and sent to England as part of the dowry of Louis XIII's sister Henrietta Maria of France on her marriage to Charles I of England. It is still in the Royal Collection and now hangs in the Cumberland Gallery at Hampton Court Palace.
WDiana and a Nymph Surprised by a Satyr is a 1622-1627 oil on canvas painting resulting from a collaboration between Anton van Dyck and Frans Snyders. It entered the Spanish royal collections and was first recorded at the new Palacio Real de Madrid, next to Guardajoyas. It remained there until 1747, when it moved to infante don Luis's room at the Palacio del Buen Retiro.
WDiana and Actaeon is a painting by the Italian Renaissance master Titian, finished in 1556–1559, and is considered amongst Titian's greatest works. It portrays the moment in which the hunter Actaeon bursts in where the goddess Diana and her nymphs are bathing. Diana is furious, and will turn Actaeon into a stag, who is then pursued and killed by his own hounds, a scene Titian later painted in his The Death of Actaeon.
WDiana and Callisto is a painting completed between 1556 and 1559 by the Italian late Renaissance artist Titian. It portrays the moment in which the goddess Diana discovers that her maid Callisto has become pregnant by Jupiter. The painting was jointly purchased by the National Gallery and the Scottish National Gallery for £45 million in March 2012. Along with its companion painting Diana and Actaeon it is displayed on an alternating basis between London and Edinburgh. There is a later version by Titian and his workshop in the Kunsthistorisches Museum in Vienna.
WDiana and Callisto is an oil on canvas painting by Flemish painter Paul Bril. Probably painted in the early 1620s, it was acquired by the National Gallery, London, in 1924.
WDiana and Callisto is a painting by J.M.W. Turner, painted c. 1796.
WDiana and Callisto is a painting produced by Peter Paul Rubens between 1637 and 1638. It was one of a number of paintings commissioned from the artist by Philip IV of Spain for his new hunting lodge, the Torre de la Parada. It measures 202 by 303 cm and is now in the Museo del Prado. It shows Diana and Callisto.
WDiana and Endymion is a painting by Francesco Solimena undertaken from 1705 until 1710. The painting depicts the Roman goddess Diana, one of the twelve Gods and Goddesses of Olympus, falling in love with Endymion, a symbol of timeless beauty. The story tells of Diana's love for the beautiful youth Endymion. The painting is hosted at the National Museums Liverpool, that purchased the painting in 1966, and holds it as one of the museums highlights.
WDiana and Her Companions is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with some art historians placing it before Christ in the House of Martha and Mary and some after.
WDiana Bathing or Diana Getting out of her Bath is a painting of 1742 in oils on canvas by François Boucher, depicting the Roman goddess Diana. It was acquired in 1852 by the Louvre, where it now hangs.
WDiana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van Rijn. It is now on show in the Salm-Salm princely collection in the Wasserburg Anholt in Anholt, Germany.
WDiana Returning from the Hunt, Diana's Return from the Hunt or Diana After the Hunt is a 1745 oil on canvas painting by François Boucher, now in the musée Cognacq-Jay in Paris. It shows Diana and three of her nymphs refreshing themselves by a stream, with the rabbits and birds they have just hunted piled to the left.
WDiana the Huntress is an oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana. It is in the Louvre, which acquired it in 1840.
WThe Rocca Sanvitale, or Sanvitale Castle, is a fortress residence in the centre of the town of Fontanellato, near Parma, northern Italy. Construction of the moated block, accessible through a drawbridge, was begun in the 13th century, mostly completed by the 15th century, with embellishments continuing through to the 18th century. It is prototypical of the urban castle-houses of the turbulent medieval communes of Northern Italy. Until the 1930s it was the home of the descendants of the Count of Sanvitale.
WThe Triumph of the Virtues is a painting by the Italian Renaissance painter Andrea Mantegna, executed in 1502. It is housed in the Musée du Louvre of Paris.