
This is a complete list of paintings by Edvard Munch a Norwegian symbolist painter, printmaker and an important forerunner of expressionist art. His best-known composition, The Scream (1893), is part of a series The Frieze of Life, in which Munch explored the themes of love, fear, death, melancholia and anxiety.

Anxiety is an oil-on-canvas painting created by the expressionist artist Edvard Munch in 1894. It is now in the Munch Museum in Oslo, Norway. Many art critics feel that Anxiety is closely related to Munch’s more famous piece, The Scream (1893). The faces show despair and the dark colors show a depressed state. Many critics also believe it’s meant to show the emotions of heartbreak and sorrow.

Ashes is an oil on canvas painting by the Norwegian symbolist painter Edvard Munch. Painted in 1894-95 it is now in the collection of the National Gallery of Norway in Oslo.

Caricature Portrait of Tulla Larsen is an oil on canvas painting by Edvard Munch. It is in the collection of the Munch Museum in Oslo.

Christmas in the Brothel is an oil-on-canvas painting by Norwegian painter Edvard Munch. The Expressionist painting was completed in 1903–04 and is housed at the Munch Museum in Oslo.

The Dance of Life or Life's Dance is an 1899–1900 expressionist painting by Edvard Munch, now in the National Museum of Art in Norway. The arch of life spans from white young virgin in white over the pair with red wife to an old widow in black.

Inger on the Beach is a painting by the Norwegian artist Edvard Munch. It was created in the summer of 1889, at Åsgårdstrand and is a portrait of Munch's youngest sister Inger.

Jealousy is a painting by Norwegian artist Edvard Munch. Munch returned to this image throughout his whole life - he completed no less than 11 painted versions of Jealousy. The first painting was executed in 1895, and the last was made during the 1930s. Munch also created four lithograph versions and one drypoint of Jealousy.

The Kiss is an oil painting on canvas completed by the Norwegian symbolist artist Edvard Munch in 1897. Part of his Frieze of Life, which depicts the stages of a relationship between men and women, The Kiss is a realization of a motif with which he had experimented since 1888/89: a couple kissing, their faces fusing as one in a symbolic representation of their unity. Exhibited as early as 1903, this work is held at the Munch Museum in Oslo.

The Kiss by the Window or Kissing by the Window is an 1892 oil on canvas painting by Edvard Munch, now in the National Gallery of Norway. It forms part of his series known as The Frieze of Life, which treats the cycle of life, death and love and was produced between 1893 and 1918.

Love and Pain is a painting by Edvard Munch, It has also been called Vampire, though not by Munch. Munch painted six different versions of the subject in the period 1893–1895; three versions are at the Munch Museum in Oslo, one is at the Gothenburg Museum of Art, one is owned by a private collector and the last one is unaccounted for. He also painted several versions and derivatives in his later career.

Madonna is the usual title given to several versions of a composition by the Norwegian expressionist painter Edvard Munch showing a bare-breasted half-length female figure produced between 1892 and 1895 using oil paint on canvas. He also produced versions in print form.

Melancholy is a painting by the Norwegian artist Edvard Munch. Munch painted multiple variant versions of the expressionist work in oil on canvas during the period 1891–1893. The painting depicts a man with his head resting in his hand in a pensive mood at the edge of a shoreline.

Model by the Wicker Chair is a 1919–1921 painting by Edvard Munch.
Morning Yawn is a 1913 painting by the Norwegian artist Edvard Munch.

Puberty is an 1894–95 painting created by Norwegian artist Edvard Munch. Puberty is an example of expressionism, a movement in which Munch was pivotal. The painting was also done as a lithograph and an etching by Munch.

The Scream is the popular name given to a composition created by Norwegian Expressionist artist Edvard Munch in 1893. The original German title given by Munch to his work was Der Schrei der Natur, and the Norwegian title is Skrik (Shriek). The agonised face in the painting has become one of the most iconic images of art, seen as symbolising the anxiety of the human condition.
Self-Portrait. Between the Clock and the Bed is a 1940-1943 self-portrait painting by Edvard Munch, and is one of his last major works. He depicts himself as an unhappy, aging older man. Behind him is a bright room full of light and past paintings, but he has placed his current self between a clock and a bed, symbolizing the inevitable passing of time and where he will eventually lay down for the final time.

The Sick Child is the title given to a group of six paintings and a number of lithographs, drypoints and etchings completed by the Norwegian artist Edvard Munch between 1885 and 1926. All record a moment before the death of his older sister Johanne Sophie (1862–1877) from tuberculosis at 15. Munch returned to this deeply traumatic event repeatedly in his art, over six completed oil paintings and many studies in various media, over a period of more than 40 years. In the works, Sophie is typically shown on her deathbed accompanied by a dark-haired, grieving woman assumed to be her aunt Karen; the studies often show her in a cropped head shot. In all the painted versions Sophie is sitting in a chair, obviously suffering from pain, propped by a large white pillow, looking towards an ominous curtain likely intended as a symbol of death. She is shown with a haunted expression, clutching hands with a grief-stricken older woman who seems to want to comfort her but whose head is bowed as if she cannot bear to look the younger girl in the eye.
Starry Night is an oil-on-canvas painting created by the Expressionist artist Edvard Munch in 1893. This night landscape represents the coastline at Åsgårdstrand, a small beach resort south of Oslo in Norway, where Edvard Munch had spent his summers since the late 1880s. In this painting Munch shows the view from the hotel window, where he fell in love for the first time.
