22 1871 paintings

The Apotheosis of War is a mid 19th century painting by Russian war artist Vasily Vereshchagin. Following his completion of the painting, Vereshchagin dedicated his work "to all great conquerors, past, present and to come". Done in oil on canvas, the painting depicts a pile of skulls outside the walls of a city in Central Asia. It is considered part of Vereshchagin's Turkestan Series.

The Arch of Titus is an 1871 oil painting on canvas. It was a collaboration between three American painters: George Peter Alexander Healy, Frederic E. Church, and Jervis McEntee. It depicts the Arch of Titus in Rome, with the Colosseum in the background, and includes portraits of Henry Wadsworth Longfellow and his daughter Edith, and the three artists. The painting is currently on display in the Newark Museum in Newark, New Jersey.

Breton Brother and Sister is a mid 19th-century painting by French artist William Bouguereau. Done in oil on canvas, the painting depicts a Breton brother and sister in traditional costume. The work - though created in 1871 - was created on the basis of sketches Bouguereau made in the late 1860s while vacationing in Brittany. The work is in the collection of the Metropolitan Museum of Art.

Cattleya Orchid and Three Hummingbirds (1871) is an oil on mahogany panel picture by Martin Johnson Heade acquired by the National Gallery of Art in 1982. Inspired perhaps by the works of Charles Darwin and Frederic Edwin Church, Heade planned to produce a deluxe book in the 1860s depicting Brazilian hummingbirds in tropical settings, and, to that end, created a series of 40 small pictures called The Gems of Brazil. The project was abandoned, but Heade retained his interest in hummingbirds and continued to paint them in combination with orchids and jungle backgrounds through the 1870s. The NGA describes the work: "Lichen covers dead branches; moss drips from trees; and, a blue-gray mist veils the distant jungle. An opulent pink orchid with light-green stems and pods dominates the left foreground." On the right, two green-and-pink Brazilian Amethysts hover about a nest while a red-tailed Sappho Comet perches nearby.

Dante's Dream is a painting from 1871 by the English Pre-Raphaelite painter Dante Gabriel Rossetti. It hangs in the Walker Art Gallery, Liverpool, Merseyside, England.

A Home on the Mississippi is an 1871 rendering commissioned by the United States government as part of a documentary program on the Mississippi River. The scene is an original work by Alfred Waud depicting Woodland Plantation, an antebellum mansion in West Pointe à la Hache, Louisiana.

Houses on the Achterzaan is an 1871 painting by French artist Claude Monet. Done in oil on canvas, the work depicts riverside garden houses on the west shore of the Achterzaan river in Zaandam, the Netherlands. He painted it from the dam in the Zaan, facing northwest. The painting is in the collection of the Metropolitan Museum of Art.

Japanese woman is an 1871 painting by Hungarian artist Bertalan Székely.

Max Schmitt in a Single Scull is an 1871 painting by Thomas Eakins, Goodrich catalogue #44. It is in the permanent collection of the Metropolitan Museum of Art. Set on the Schuylkill River in Philadelphia, Pennsylvania, it celebrates the victory of Eakins's friend Max Schmitt in the October 5, 1870, single sculls competition.

The Mermaids is an 1871 oil on canvas by the Russian artist Ivan Kramskoi. It depicts nineteen rusalki, who, according to Slavic mythology, were river or lake spirits who appeared at night in the form of young women. Some versions of the myths describe them as spirits who had died unbaptised or unmarried, or had drowned themselves following an unrequited love. They would emerge from the water at night, to sing and dance. They fulfilled a similar folkloric role to sirens; often enchanting young men before luring them to their deaths at the bottom of the water.

Nocturne: Blue and Silver – Chelsea is a painting. It is the earliest of the London Nocturnes by James McNeill Whistler. It was conceived on the same August evening as Variations in Violet and Green. The two paintings were exhibited together at the Dudley Gallery.

The Old Stagecoach is an 1871 painting by American painter Eastman Johnson. Occasionally written as The Old Stage Coach or The Old Stage-Coach, the painting is considered one of Johnson's finest and best known works, second only to his Antebellum masterpiece Negro Life at the South.

The Parthenon is a large 1871 painting by American artist Frederic Edwin Church which is in the collection of the Metropolitan Museum of Art, New York City.

Prayer in the Mosque is a mid-19th century painting by French artist Jean-Léon Gérôme. Done in oil on canvas, the painting depicts the interior of an Egyptian mosque in which worshipers are praying. The orientalist painting is in the collection of the Metropolitan Museum of Art.

Repose is a c.1871 oil on canvas painting by Édouard Manet, now in the Rhode Island School of Design Museum.

Salon D'Or, Homburg, is an 1871 oil painting by William Powell Frith. It is held by the Rhode Island School of Design Museum in Providence, Rhode Island.

Still-Life with Fruits is a series of still life paintings produced between 1871 and 1872 by Gustave Courbet, marking his return to painting after the silence forced on him by the Franco-Prussian War, the Paris Commune, imprisonment and illness.

Victory O Lord! is an 1871 painting by John Everett Millais depicting Moses, Aaron and Hur during the Battle of Rephidim against the Amalekites. Along with his landscape Chill October it represented a major turning point in Millais career.

Water Willow is an 1871 oil painting by Dante Gabriel Rossetti. It depicts Jane Morris in the river landscape near Kelmscott Manor, with the manor in the left background and Kelmscott Church below the hill to the right.

Arrangement in Grey and Black No.1, best known under its colloquial name Whistler's Mother, is a painting in oils on canvas created by the American-born painter James McNeill Whistler in 1871. The subject of the painting is Whistler's mother, Anna McNeill Whistler. The painting is 56.81 by 63.94 inches, displayed in a frame of Whistler's own design. It is held by the Musée d'Orsay in Paris, having been bought by the French state in 1891. It is one of the most famous works by an American artist outside the United States. It has been variously described as an American icon and a Victorian Mona Lisa.

Windmill at Zaandam or Windmill and Boat at Zaandam is an 1871 oil painting by Claude Monet. Since 1986 it has been in the Ny Carlsberg Glyptotek.

Woman with Parakeet is a painting by Pierre-Auguste Renoir created in 1871. It is in the holdings of the Solomon R. Guggenheim Museum in New York as part of the Thannhauser Collection. The painting portrays model Lise Tréhot, who posed for Renoir in over twenty paintings during the years 1866 to 1872.