WThe Albinea Madonna or Madonna of Albinea is a lost painting by Correggio. The best surviving copy is a 16th-century one by Antonio Leto, from the church of San Rocco in Reggio Emilia and now in the Galleria Nazionale di Parma.
WBurial of Saint Lucy is a painting by the Italian artist Caravaggio. It is located in the church of Santa Lucia alla Badia located on the Piazza Duomo in Syracuse, Sicily.
WThe Lazara Altarpiece is a 1449-1452 five-panel tempera on panel altarpiece by Francesco Squarcione, signed by the artist and now in the Musei Civici of Padua. It and his Madonna and Child are his only two definitively confirmed works.
WMadonna and Child with Saints is a 1515 oil on panel painting by Cima da Conegliano, now in the Cleveland Museum of Art, Ohio.
WMadonna and Child with Saints is a c.1665 oil on canvas painting by Giovanni Marracci, now in Madonna del Carmine church in Pescaglia. It was commissioned by Paolino Galgani of Piazzanello in 1665. The saints are Paolino, Lucy, Philip Neri, Anthony the Great, Anthony of Padua and Elizabeth of Hungary.
WMadonna and Child with Saints is a 1540 oil on canvas painting by Moretto da Brescia, now displayed on an altar below the organ at the church of San Giorgio in Braida in Verona, Italy. It shows the female martyrs Catherine of Alexandria, Lucy, Cecilia, Barbara and Agnes. It was commissioned in 1540 by the canons of the San Giorgio Monastery and is still in its original location. It was first recorded in 1648 by Carlo Ridolfi, though he and later sources were not precise as to its location.
WOlera Altarpiece is an oil on panel nine-panel altarpiece by Cima da Conegliano, created c. 1486-1488, housed in the parish church in Olera.
WThe Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
WSan Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.
WThe Pieve di Sant'Andrea is an 11th-century pieve or rural church in Cercina, Tuscany, central Italy.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WSaint Lucy Before the Judge is a mixed-medium panel painting by Lorenzo Lotto, signed and dated to 1532, consisting of a main work and a predella with three other scenes from saint Lucy's life. It is now in the Pinacoteca civica e galleria di arte contemporanea in Jesi in the province of Ancona.
WSaint Nicholas in Glory is an altarpiece painting by Italian Renaissance artist Lorenzo Lotto, executed in 1527-1529 and located in the church of Santa Maria dei Carmini, Venice.
WThe St Peter Martyr Altarpiece or Minor San Domenico Altarpiece is a 1476 altarpiece in tempera and gold on panel by Carlo Crivelli. Its central panel of the Madonna and Child, signed "OPVS CAROLI CRIVELLI VENETI", is now in the Museum of Fine Arts in Budapest. The altarpiece's other panels were seen in Rome by Luigi Lanzi in 1789 before being moved to Florence with the Rinuccini family. In 1868 it moved from the Demidov collection to the National Gallery in London, where they still hang.
WSaints Roch, Anthony Abbot and Lucy or Three Saints is a 1513 oil on canvas painting by Cima da Conegliano, which is now in the collection of the Metropolitan Museum of Art in New York.
WThe San Cassiano Altarpiece is a painting by the Italian Renaissance master Antonello da Messina, dating to 1475–1476. Commissioned for the church of San Cassiano in Venice, it was disassembled in the early 17th-century and the reunited central portion is now housed in the Kunsthistorisches Museum in Vienna. It was one of the most influential paintings in the Veneto area of the time.
WThe San Ruffillo Madonna is a c.1514 fresco fragment by Pontormo, originally in the San Ruffillo church in Florence.
WThe San Zaccaria Altarpiece is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice.
WThe Santa Lucia de' Magnoli Altarpiece is a painting by the Italian painter Domenico Veneziano, dated to around 1445–1447. Once placed at the high altar of the church of Santa Lucia dei Magnoli, Florence, it is now in the Uffizi Gallery in the same city. The large panel had originally a predella, which has been divided between museums in Washington, Berlin and Cambridge.
WSant'Apollonia Altarpiece is a 1761 oil on canvas painting by Pietro Scalvini, still on its original site on a side altar in the church of San Giuseppe in Brescia. Its central figures are Saint Apollonia adoring the Madonna and Child, with Catherine of Alexandria and Saint Lucy at lower left and cherubs holding the palms and crowns of martyrdom at lower right.
WThe St John Chrysostom Altarpiece is a 1510–1511 oil on canvas painting by Sebastiano del Piombo, that is kept in San Giovanni Grisostomo, Venice. It belongs to the sacra conversazione genre.
WThe Suardi Chapel is an oratory or private chapel inside the villa in Trescore Balneario, Province of Bergamo owned by the Suardi counts. It is dedicated to Saint Barbara and Saint Brigid and was completely rebuilt by the cousins Giovan Battista and Maffeo Suardi. It is fully covered in 1524 frescoes commissioned by them from by Lorenzo Lotto of Christ the Vine and Lives of the Saints. In the 19th century count Gianforte Suardi built a corridor connecting the chapel to the villa and modified the chapel entrance - those entering had previously immediately found themselves in front of the north wall with its depiction of Christ the Vine.