WThe 1472 Altarpiece was a tempera and oil on panel altarpiece by Carlo Crivelli, dated 1472 on the central panel. Also known as the Fesch Altarpiece or the Eckinson Altarpiece, it is now divided up between a number of galleries in the United States and Europe.
WThe 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.
WThe Buronzo Altarpiece is a 1514 tempera on panel painting by Gerolamo Giovenone, now in the Galleria Sabauda in Turin, to which it was given in 1836, only a few years after the gallery opened. It shows the Madonna and Child with Saints Abundius and Dominic presenting the work's commissioner Ludovica Buronzo and her sons Pietro and Gerolamo. It is signed and dated by the artist on a small scroll on the base of the throne. It was produced for the Sant'Abbondio chapel in San Paolo church in Vercelli, later passing onto the art market.
WThe Cortona Triptych is a Catholic Church depiction of the Madonna and Child with saints, painted by Fra Angelico. It is now kept at the Diocesan Museum in Cortona, Italy. The painting dates from 1436–1437.
WThe Croce al Tempio Lamentation is a 1436 or 1440 tempera on panel painting by Beato Angelico, now in the Museo nazionale di San Marco in Florence. It is named after its commissioner, the 'Compagnia di Santa Maria della Croce al Tempio'.
WThe Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.
WCrucifixion with Mourners and St Dominic is a c.1435 fresco fragment by Fra Angelico from the refectory of the Convent of San Domenico, Fiesole, now in the Louvre.
WMadonna and Child with Saint Dominic and Saint Martha of Bethany is a 1517-1520 oil on canvas painting by Andrea Previtali produced for the monastery of Santa Marta in Bergamo and since 2010 in the collections of the UBI Banca in Bergamo.
WMadonna and Child is a c.1435 fresco fragment by Beato Angelico in the sacra conversazione style. It was originally painted in the dormitory of the Convent of San Domenico, Fiesole. It was removed from the wall after the convent's suppression during the Napoleonic occupation of Italy and is now in the Hermitage Museum in St Petersburg.
WThe Mestre Altarpiece was a c.1500-1502 altarpiece by Cima da Conegliano. The side panels of Saint Roch and Saint Sebastian from the work are now in the Musée des Beaux-Arts in Strasbourg, whilst the central section showing St Catherine of Alexandria and the lunette of Madonna and Child between St Dominic and St Francis are both in the Wallace Collection in London. The central section is signed on a pedestal "JOANIS BABTISTE CONEGLANESIS OPUS".
WMystic Marriage of Saint Catherine is a c.1528 oil on canvas painting by Domenico Beccafumi, now in the palazzo Chigi-Saracini in Siena. Along with the usual saints in such a scene, saint Peter and saint Paul are shown in the foreground and saint Sigismund, Saint Dominic, the infant John the Baptist and Bernardino of Siena in the background. Its tone is influenced by Raphael's Madonna of the Baldacchino and Fra Bartolomeo's works.
WMystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510-1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. Its central group is a Metterza, with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
WThe Nativity Triptych is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of the Nativity measures 127 by 48 cm, its lunette of the Holy Trinity flanked by Augustine and Dominic 59 by 170 cm and its side panels of Francis of Assisi and Victor 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.
WThe Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
WSaint Dominic is a c.1565 painting of Saint Dominic by Titian, now in the Galleria Borghese in Rome.
WSaint Dominic in Soriano was a portrait of Saint Dominic (1170–1221) which was from 1530 an important artefact in the Dominican friary at Soriano Calabro in southern Italy. It was believed to be of miraculous origin, and to inspire miracles. It was the subject of a Roman Catholic feast day celebrated on 15 September from 1644 to 1913. Its miraculous origin was the subject of several 17th-century paintings. Several ecclesiastical buildings have been named after it. The painting may no longer exist.
WThe San Cassiano Altarpiece is a painting by the Italian Renaissance master Antonello da Messina, dating to 1475–1476. Commissioned for the church of San Cassiano in Venice, it was disassembled in the early 17th-century and the reunited central portion is now housed in the Kunsthistorisches Museum in Vienna. It was one of the most influential paintings in the Veneto area of the time.
WThe San Domenico di Pesaro Altarpiece is a 1524-1526 oil on panel painting by Giovanni Gerolamo Savoldo, now in the Pinacoteca di Brera in Milan. The work dates to the same period as Savoldo's Rest on the Flight into Egypt, also produced for San Domenico. It shows the Madonna and Child seated between two angel musicians, while in the lower register it shows Saint Peter, Saint Dominic, Saint Paul and Saint Jerome.
WThe San Giobbe Altarpiece is a c. 1487 oil painting by the Italian Renaissance master Giovanni Bellini. Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that this piece was designed in situ with the surrounding architecture of the church, and was one of the largest sacra conversazione paintings at the time. Although it was originally located in the Church of San Giobbe, Venice, it is now housed in the Gallerie dell'Accademia in Venice after having been stolen by Napoleon Bonaparte.
WThe San Marco Altarpiece is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443.
WThe St. Peter of Verona Triptych is a painting by the Italian early Renaissance master Fra Angelico, executed around 1428–1429. It is housed in the National Museum of San Marco, Florence, region of Tuscany, Italy.
WThe Suardi Chapel is an oratory or private chapel inside the villa in Trescore Balneario, Province of Bergamo owned by the Suardi counts. It is dedicated to Saint Barbara and Saint Brigid and was completely rebuilt by the cousins Giovan Battista and Maffeo Suardi. It is fully covered in 1524 frescoes commissioned by them from by Lorenzo Lotto of Christ the Vine and Lives of the Saints. In the 19th century count Gianforte Suardi built a corridor connecting the chapel to the villa and modified the chapel entrance - those entering had previously immediately found themselves in front of the north wall with its depiction of Christ the Vine.
WSt Dominic is a c.1475 tempera and gold on panel painting, now in the Uffizi Gallery in Florence.