Bellanti MadonnaW
Bellanti Madonna

The Bellanti Madonna is a c.1515 oil on canvas painting. Long attributed to Girolamo del Pacchia, Vigni reattributed it as a youthful work by Domenico Beccafumi in 1936, an attribution accepted by most other later art historians. Heavily influenced by Michelangelo, its oval format is also influenced by Raphael's Madonnas, as are other Beccafumi works of the period such as the Madonna and Child in his Saint Paul Enthroned. Previously in the Bellanti collection, it is now one of several works by Beccafumi in the Pinacoteca Nazionale in Siena, including another Madonna and Child from 1514.

The Choice of Hercules (Beccafumi)W
The Choice of Hercules (Beccafumi)

The Choice of Hercules or Hercules at the Crossroads is a c.1520-1525 oil on canvas painting by Domenico Beccafumi, now in the Museo Bardini in Florence. It is strongly influenced by Baldassarre Peruzzi's frieze at the Villa Farnesina, placing it after Beccafumi's possible trip to Rome around 1512.

Coronation of the Virgin (Beccafumi)W
Coronation of the Virgin (Beccafumi)

Coronation of the Virgin is an oil on canvas painting by Domenico Beccafumi, executed c. 1539, now in the Pinacoteca nazionale in Siena.

Descent into Limbo (Beccafumi)W
Descent into Limbo (Beccafumi)

Descent into Limbo or Descent into Hell is a 1530-1535 oil on panel painting by Domenico Beccafumi, now in the Sienese Grand Masters room in the Pinacoteca Nazionale in Siena. With the Saint Martin Nativity and Holy Family with the Infant John the Baptist it is one of the last works commissioned from the artist by the Beccafumi Marsili family for their family chapel at the Basilica of San Francesco in Siena. Damaged by a fire in 1655, the painting was seen by Giorgio Vasari, who praised it for the uniqueness of its figures, prefiguring Mannerism.

Deucalion and Pyrrha (Beccafumi)W
Deucalion and Pyrrha (Beccafumi)

Deucalion and Pyhrra is an oil painting on panel of c. 1520–1525 by Domenico Beccafumi, now in the Museo Horne in Florence.

Holy Family with the Infant John the Baptist and a DonorW
Holy Family with the Infant John the Baptist and a Donor

Holy Family with the Infant John the Baptist and a Donor is an oil painting on panel of c. 1528 by Domenico Beccafumi, now in the Museo Horne in Florence.

Holy Family with the Infant Saint John the Baptist (Beccafumi, Alte Pinakothek)W
Holy Family with the Infant Saint John the Baptist (Beccafumi, Alte Pinakothek)

Holy Family with the Infant Saint John the Baptist is a c.1521–1522 oil on canvas painting by Domenico Beccafumi, now in the Alte Pinakothek in Munich, which it entered in 1850. It was previously acquired from the casa Marsili in Siena in 1816 for 975 scudi for prince Ludwig.

Holy Family with the Infant Saint John the Baptist (Beccafumi, Galleria Palatina)W
Holy Family with the Infant Saint John the Baptist (Beccafumi, Galleria Palatina)

Holy Family with the Infant Saint John the Baptist is a c.1521–1522 oil on canvas painting by Domenico Beccafumi, now in the Galleria Palatina in Florence. The painting's composition is strongly influenced by Raphael. The seraphim in the four corners of the work are thought to be later additions by a Sienese artist, possibly at the end of the 16th century – Judey attributes them to an artist in the circle of Correggio and Sanminiatelli to a generic Baroque-influenced Sienese artist.

Holy Family with the Infant Saint John the Baptist (Beccafumi, Uffizi)W
Holy Family with the Infant Saint John the Baptist (Beccafumi, Uffizi)

Holy Family with the Infant Saint John the Baptist is a c.1514–1515 oil on canvas painting by Domenico Beccafumi, now in the Uffizi in Florence.

Marcia (painting)W
Marcia (painting)

Marcia is a 1519 oil on canvas painting by Domenico Beccafumi, showing Marcia, wife of Cato Uticensis. It and Tanaquil originally formed part of a series of paintings of noted women from Roman antiquity.

Mystic Marriage of Saint Catherine (Beccafumi)W
Mystic Marriage of Saint Catherine (Beccafumi)

Mystic Marriage of Saint Catherine is a c.1528 oil on canvas painting by Domenico Beccafumi, now in the palazzo Chigi-Saracini in Siena. Along with the usual saints in such a scene, saint Peter and saint Paul are shown in the foreground and saint Sigismund, Saint Dominic, the infant John the Baptist and Bernardino of Siena in the background. Its tone is influenced by Raphael's Madonna of the Baldacchino and Fra Bartolomeo's works.

Oratory of the Compagnia di San BernardinoW
Oratory of the Compagnia di San Bernardino

The Oratory of the Compagnia di San Bernardino is a place of worship in the Piazza San Francesco in Siena. Elevated to minor basilica status in 1925 by pope Pius XI, it adjoins rooms housing the diocesan museum. It is notable for its frescoes by Sodoma and Domenico Beccafumi.

Palazzo Bindi SergardiW
Palazzo Bindi Sergardi

The Palazzo Bindi Sergardi, previously Agostini and later Casini-Casuccini is, from the outside, a non-descript urban building located on Via dei Pellegrini # 18 in central Siena, region of Tuscany, Italy. The site is best known for containing frescoes by the late-Renaissance painter Domenico Beccafumi and Cristoforo Roncalli.

Putti Bearing a Tondo showing the Drunkenness of NoahW
Putti Bearing a Tondo showing the Drunkenness of Noah

Putti Bearing a Tondo showing the Drunkenness of Noah is a painting of 1522–23 by Domenico Beccafumi. It was recorded in the Medici inventories in the 17th century and derives from an incomplete composition now in the Monte dei Paschi's collections in Siena. The work is now in the Museo Horne.

Saint Catherine of Siena Receiving the StigmataW
Saint Catherine of Siena Receiving the Stigmata

Saint Catherine of Siena Receiving the Stigmata is a c.1515 oil on canvas painting by Domenico Beccafumi, now in the Pinacoteca Nazionale di Siena.

San Niccolò al Carmine, SienaW
San Niccolò al Carmine, Siena

San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.

Saint Michael Defeats the Rebel Angels (Beccafumi)W
Saint Michael Defeats the Rebel Angels (Beccafumi)

Saint Michael Defeats the Rebel Angels or Fall of the Rebel Angels is a c.1524 oil on canvas painting by Domenico Beccafumi, now in the Pinacoteca Nazionale di Siena. It was begun for San Niccolò al Carmine, Siena, but left unfinished, with the artist completing another version for the same church in 1526. Vasari's Lives of the Artists mentions the work, stating the artist wished to create "a new invention to show the virtue and good conceits of his soul".

Saint Paul EnthronedW
Saint Paul Enthroned

Saint Paul Enthroned is an oil on canvas painting by Domenico Beccafumi, now in the Museo dell'Opera del Duomo in Siena. It is dated to c.1515 due to its style, before his St Catherine of Siena Receiving the Stigmata and after his trip to Rome, where he had come into contact with Sodoma and Florentine artists of the period - the figure of the saint draws on the prophets in Michelangelo's Sistine Chapel ceiling whilst those in the background draw on Dürer and Piero di Cosimo.

Palazzo PubblicoW
Palazzo Pubblico

The Palazzo Pubblico is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions.

San Martino NativityW
San Martino Nativity

The San Martino Nativity is a c.1524 oil on canvas painting by Domenico Beccafumi. It is named after the church of San Martino in Siena, where it still hangs over the altar in the funerary chapel of its commissioner Anastasia Marisli - she died in 1524.

Sarteano AnnunciationW
Sarteano Annunciation

The Sarteano Annunciation is a c.1546 oil on canvas painting by Domenico Beccafumi in the church of San Martino in Foro in Sarteano.

Self-Portrait (Beccafumi)W
Self-Portrait (Beccafumi)

Self-Portrait is a c. 1525–1530 oil painting by Domenico Beccafumi, using a support of card pasted onto canvas. It forms part of the collection of artist's self-portraits at the Uffizi in Florence, Italy - it entering the gallery in 1682 by which time it had been expanded on all four sides to fit a frame or to make it a pendent to another work.

The Story of PapiriusW
The Story of Papirius

The Story of Papirius is a c.1520-1530 painting by Domenico Beccafumi, now in the National Gallery, London, to which it was presented by George Salting in 1894

Trinity TriptychW
Trinity Triptych

The Trinity Triptych is a 1513 oil on panel painting by Domenico Beccafumi, now in the Pinacoteca Nazionale in Siena.