WThe Agony in the Garden is a small painting by William Blake, completed as part of his 1799–1800 series of Bible illustrations commissioned by his patron and friend Thomas Butts. The work illustrates a passage from the Gospel of Luke which describes Christ's turmoil in the Garden of Gethsemane before his arrest and Crucifixion following Judas's betrayal. In Blake's painting a brilliantly coloured and majestic angel breaks through the surrounding darkness and descends from a cloud to aid and physically support Jesus in his hour of agony. The work is dominated by vertical lines, formed both from the trees and from the two arms of the angel. Two inner lines converge on Christ's palms, evoking the nails driven through him during his crucifixion.
WThe Book of Ahania is one of the English poet William Blake's prophetic books. It was published in 1795, illustrated by Blake's own plates.
WAmerica a Prophecy is a 1793 prophetic book by the English poet and illustrator William Blake. It is engraved on eighteen plates, and survives in fourteen known copies. It is the first of Blake's Continental prophecies.
WThe Ancient of Days is a design by William Blake, originally published as the frontispiece to the 1794 work Europe a Prophecy. It draws its name from one of God's titles in the Book of Daniel and shows Urizen crouching in a circular design with a cloud-like background. His outstretched hand holds a compass over the darker void below. Related imagery appears in Blake's Newton, completed the next year. As noted in Alexander Gilchrist's 1863 book, Life of William Blake, the design of The Ancient of Days was "a singular favourite with Blake and as one it was always a happiness to him to copy." As such there are many versions of the work extant, including one completed for Frederick Tatham only weeks before Blake's death.
WThe Descriptive Catalogue of 1809 is a description of, and prospectus for, an exhibition by William Blake of a number of his own illustrations for various topics, but most notably including a set of illustrations to Chaucer's Canterbury Tales, this last being a response to a collapsed contract with dealer Robert Cromek.
WEurope a Prophecy is a 1794 prophetic book by the British poet and illustrator William Blake. It is engraved on 18 plates, and survives in just nine known copies. It followed America a Prophecy of 1793.
WThe Four and Twenty Elders Casting their Crowns before the Divine Throne is a pencil drawing and watercolour on paper by the English poet, painter and printmaker William Blake. Created circa 1803–1805, the drawing has been held in London's Tate gallery since 1949. It is likely a visionary and hallucinatory summary of scenes from Chapters 4 and 5 of the Book of Revelation when the throne of God was presented to the prophet Saint John the Divine.
WThe Ghost of a Flea is a miniature painting by the English poet, painter and printmaker William Blake, held in the Tate Gallery, London. Measuring only 8.42 by 6.3 inches, it is executed in a tempera mixture with gold, on a mahogany-type tropical hardwood panel. It was completed between 1819 and 1820, as part of a series depicting "Visionary Heads" commissioned by the watercolourist and astrologist John Varley (1778–1842). Fantastic, spiritual art was popular in Britain from around 1770 to 1830, and during this time Blake often worked on unearthly, supernatural panels to amuse and amaze his friends.
WThe Great Red Dragon Paintings are a series of watercolour paintings by the English poet and painter William Blake, painted between 1805 and 1810. It was during this period that Blake was commissioned to create over a hundred paintings intended to illustrate books of the Bible. These paintings depict 'The Great Red Dragon' in various scenes from the Book of Revelation.And behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads. And his tail drew the third part of the stars of heaven, and did cast them to the earth.
WWilliam Blake drew and painted illustrations for John Milton's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil.
WWilliam Blake's Illustrations of the Book of Job primarily refers to a series of twenty-two engraved prints by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject. The engraved Illustrations are considered to be Blake's greatest masterpieces in the medium of engraving, and were also a rare commercial and critical success for Blake.
WJerusalem, subtitled The Emanation of the Giant Albion, is the last, longest and greatest in scope of the prophetic books written and illustrated by the English poet, artist and engraver William Blake. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake’s lifetime and the book, like all of Blake’s works, was all but ignored by his contemporaries.
WThe Book of Los is a 1795 prophetic book by the English poet and painter William Blake. It exists in only one copy, now held by The British Museum. The book is related to the Book of Urizen and to the Continental prophecies; it is essentially a retelling of Urizen from the point of view of Los. The book has been described as a rewriting of the ancient myth of creation that equates fall with the loss of spiritual vision brought about by selfhood.
WThe Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs. Like his other books, it was published as printed sheets from etched plates containing prose, poetry and illustrations. The plates were then coloured by Blake and his wife Catherine.
WMilton is an epic poem by William Blake, written and illustrated between 1804 and 1810. Its hero is John Milton, who returns from Heaven and unites with Blake to explore the relationship between living writers and their predecessors, and to undergo a mystical journey to correct his own spiritual errors.
WNebuchadnezzar is a colour monotype print with additions in ink and watercolour portraying the Old Testament Babylonian king Nebuchadnezzar II by the English poet, painter and printmaker William Blake. Taken from the Book of Daniel, the legend of Nebuchadnezzar tells of a ruler who through hubris lost his mind and was reduced to animalistic madness and eating "grass as oxen".
WNewton is a monotype by the English poet, painter and printmaker William Blake first completed in 1795, but reworked and reprinted in 1805. It is one of the 12 "Large Colour Prints" or "Large Colour Printed Drawings" created between 1795 and 1805, which also include his series of images on the biblical ruler Nebuchadnezzar.
WThe Night of Enitharmon's Joy, often referred as The Triple Hecate or simply Hecate, is a 1795 work of art by the English artist and poet William Blake which depicts Enitharmon, a female character in his mythology, or Hecate, a chthonic Greco-Roman goddess of magic and the underworld. The work presents a nightmarish scene with fantastic creatures.
WThe Complaint: or, Night-Thoughts on Life, Death, & Immortality, better known simply as Night-Thoughts, is a long poem by Edward Young published in nine parts between 1742 and 1745.
WThe Notebook of William Blake was used by William Blake as a commonplace book from c. 1787 to 1818.
WOriginal Stories from Real Life; with Conversations Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness is the only complete work of children's literature by the 18th-century English feminist author Mary Wollstonecraft. Original Stories begins with a frame story that sketches out the education of two young girls by their maternal teacher Mrs. Mason, followed by a series of didactic tales. The book was first published by Joseph Johnson in 1788; a second, illustrated edition, with engravings by William Blake, was released in 1791 and remained in print for around a quarter of a century.
WPity is a colour print on paper, finished in ink and watercolour, by the English artist and poet William Blake, one of the group known as the "Large Colour Prints". Along with his other works of this period, it was influenced by the Bible, Milton, and Shakespeare. The work is unusual, as it is a literal illustration of a double simile from Macbeth, found in the lines:And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, hors'd Upon the sightless couriers of the air. - Macbeth (1.7.21–23)
WThe Song of Los is one of William Blake's epic poems, known as prophetic books. The poem consists of two sections, "Africa" and "Asia". In the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers. The book provides a historical context for The Book of Urizen, The Book of Ahania, and The Book of Los, and also ties those more obscure works to The Continental Prophecies, "Europe" and "America". The second section consists of Los urging revolution.
WThe Book of Urizen is one of the major prophetic books of the English writer William Blake, illustrated by Blake's own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the "First". The book takes its name from the character Urizen in Blake's mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the "primeaval priest" and tells how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma. Los and Enitharmon create a space within Urizen's fallen universe to give birth to their son Orc, the spirit of revolution and freedom.
WA Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue. This plan was dropped after the exhibition was cancelled, and the painting disappeared. Blake's notes for the Descriptive Catalogue describe various aspects of the work in a detailed manner, which allow the aspects of the painting to be known. Additionally, earlier designs that reveal similar Blake depiction of the Last Judgement have survived, and these date back to an 1805 precursor design created for Robert Blair's The Grave. In addition to Blake's notes on the painting, a letter written to Ozias Humphrey provides a description of the various images within an earlier design of the Last Judgement.
WThe Visionary Heads is a series of black chalk and pencil drawings produced by William Blake after 1818 by request of John Varley, the watercolour artist and astrologer. The subjects of the sketches, many of whom are famous historical and mythical characters, appeared to Blake in visions during late night meetings with Varley, as if sitting for portraits. The drawings are contained in three sketchbooks and there are a number of loose leaves indicating the existence of a fourth sketchbook. Like most of Blake's other works, they have been subject to academic scrutiny and study.
WThe prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described as forming "what is in proportion to its merits the least read body of poetry in the English language". While Blake worked as a commercial illustrator, these books were ones that he produced, with his own engravings, as an extended and largely private project.
WThe Wood of the Self-Murderers: The Harpies and the Suicides is a pencil, ink and watercolour on paper artwork by the English poet, painter and printmaker William Blake (1757–1827). The work was completed between 1824 and 1827 and illustrates a passage from the Inferno of the Divine Comedy by Dante Alighieri (1265–1321). The work is part of a series which was to be the last set of watercolours Blake worked on before his death in August 1827. It is held in the Tate Gallery, London.