
Adoration of the Shepherds is a c.1534 oil on canvas painting by Lorenzo Lotto, signed "Lottus" and now in the Pinacoteca Tosio Martinengo in Brescia. Its dating is based on stylistic motifs such as the naturalistic details similar to those of the Recanati Annunciation. It also shows similarities to nativities painted around the same time by Girolamo Savoldo, whom Lotto met in Venice. It seems to have been commissioned by Braccio II and Sforza Baglioni, two noblemen from Perugia, who were the models for the two shepherds. They may have met the artist in the Marche during a pilgrimage to Loreto. A ring on Mary's right hand is probably an allusion to the Holy Ring, a relic in Perugia Cathedral, which supports the idea that the work was produced for that city. This provenance is solely based on an account from 1824 by the art-dealer who that year sold it to Paolo Tosio, a count from Brescia.

Allegory of Chastity is a c.1505 oil on panel painting by Lorenzo Lotto.
The Allegory of Virtue and Vice is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Gallery of Art in Washington, DC, United States.

The Asolo Altarpiece is a 1506 oil on panel altarpiece by Lorenzo Lotto. For a long time it was displayed in the Santa Caterina Oratory in Asolo but it is thought to have originally been painted for the Battuti confraternity's side-chapel in Asolo Duomo, where it now hangs. It is signed "Laurent[ius] Lotus / Junio[r] M.D.VI" on a cartouche in the lower centre. It dates to the end of his time in Treviso.

Christ Bearing the Cross is a 1526 painting by Lorenzo Lotto, now in the Louvre. It is signed and dated "Laur. Lotus / 1526" on the crossbeam of the cross at the lower right.

Christ Taking Leave of his Mother is an oil on canvas painting by Lorenzo Lotto, dated to 1521 and now in the Gemäldegalerie, Berlin. It has several similarities with the small Christ Taking Leave of his Mother by Correggio now in London.
The Crucifixion with Pietà or Crucifixion is a painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1529–1534 and housed in the church of Santa Maria della Pietà in Telusiano, Monte San Giusto, province of Macerata, region of Marche, Italy.

The Entombment of Christ is a 1513–1516 oil on canvas painting by Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It originally formed the central predella panel to the artist's Martinengo Altarpiece at the church of Santi Bartolomeo e Stefano. The other predellas were Saint Dominic Reviving Napoleone Orsini and The Stoning of St Stephen.

Holy Trinity is a c.1519-1520 oil on canvas painting by Lorenzo Lotto. It was produced as a high altarpiece for the Trinità church in Bergamo, then sited in front of the church of Santo Spirito. There it was sited near Lotto's Pietà with Saint Joseph and a Female Saint. The church was suppressed in 1808 and demolished, with the painting acquired by the local curate Giovanni Battista Conti. It was later inherited by Giuseppe, a friar, who in 1818 gave it to the church of Sant'Alessandro della Croce, its present owner. It is currently temporarily stored at the Museo Adriano Bernareggi in Bergamo.

Lament over the Dead Christ is a c.1522 oil on canvas painting by Lorenzo Lotto, now in the sacristy of Sant'Alessandro in Colonna on via Sant'Alessandro in Bergamo. The work was restored in 1548, 1702, 1880 and 1998, not always respecting the original tones and colours and thus rendering it difficult to recognise Lotto's traditional characteristics..

Life of the Virgin or Scenes from the Life of the Virgin Mary is a 1525 cycle of frescoes by Lorenzo Lotto in the chapel to the left of the Cappella Maggiore in San Michele al Pozzo Bianco in Bergamo - it was the last work the artist produced in the city. Outside the chapel is a work showing The Visitation, whilst the main four paintings of the cycle show The Birth of the Virgin, The Presentation in the Temple, Betrothal of the Virgin and The Annunciation. Above these are a dome and four pendentives showing the Evangelists.

Mystic Marriage of Saint Catherine is a 1506-1508 oil on panel painting by Italian Renaissance artist Lorenzo Lotto, signed on Catherine of Alexandria's broken wheel "Laurent.[ius] Lotus F.[ecit]". It is known to have moved from the Würzburg Residence to the Hofgartengalerie in 1804 and then to its present home in the Alte Pinakothek in Munich.

Mystical Marriage of St Catherine and Saints is an oil painting by Lorenzo Lotto, signed, now in the Collections of the Galleria Nazionale d'Arte Antica, Rome, Italy.

Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi is an oil painting by Lorenzo Lotto in the Collections of the Accademia Carrara, Bergamo, Italy.

Pietà is an oil on canvas painting by Lorenzo Lotto, signed "Laurentio Lotto". It is mentioned in Lotto's account books as being commissioned in 1538 for the altar dedicated to the Pietà in the Dominican church of San Paolo in Treviso. The account books also mention that the work was completed in 1545. That church was suppressed under the Napoleonic regime late in the 18th century and in 1811 the painting was bought for 12 ducats by the Pinacoteca di Brera in Milan, where it still hangs.

The Ponteranica Altarpiece is a six-panel oil on panel painting produced by Lorenzo Lotto in 1522, commissioned by the Scuola del Corpo di Cristo for the parish church of San Vincenzo e Sant'Alessandro in Ponteranica, where it still remains. It is signed and dated "L. Lotus / 1522". Its upper register shows the risen Christ flanked by an Annunciation scene, whilst below is John the Baptist flanked by saints Peter and Paul.

Presentation in the Temple is a c.1552-1556 oil on canvas painting of the presentation of Jesus at the Temple by Lorenzo Lotto, now in the Museo pinacoteca della Santa Casa in Loreto. It is recognised as Lotto's last surviving autograph work - he had become an oblate at the Holy House of Loreto and produced this and several other large canvases for the choir of the church there. Vasari's Lives of the Artists mentions Lotto planning a series of scenes from Christ's childhood for Loreto, of which Presentation is thought to be one.

The Recanati Annunciation is a painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1534 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy.

The Martinengo Altarpiece is a painting by the Italian High Renaissance painter Lorenzo Lotto, finished in 1516. It is housed in the church of Santi Bartolomeo e Stefano in Bergamo in northern Italy.

Saint Jerome in Penitence is a 1515 oil on canvas painting by Italian Renaissance artist Lorenzo Lotto, now in the Allentown Art Museum in Pennsylvania, USA. It is signed on the rock next to the saint.

Saint Jerome in Penitence is an oil on panel painting by Italian Renaissance artist Lorenzo Lotto. Its signature ("Lotus") is fully legible, but the final number of the date is illegible, though it is usually dated to around 1506. It is now in the Louvre.

Saint Jerome in Penitence is a signed c.1509 oil on panel painting by Italian Renaissance artist Lorenzo Lotto. It is now in the Museo nazionale di Castel Sant'Angelo in Rome, to which it was donated by a private collector in 1916.
Saint Jerome in Penitence is an oil on panel painting by Lorenzo Lotto, now in the Brukenthal Museum in Sibiu, Romania. It is signed at the bottom left "LAUREN/LOTUS". It is dated to c.1513-1514, early in his time in Bergamo, when he was still clearly influenced by Raphael and other painters active in Rome. It entered the collection of baron Samuel von Brukenthal and remained with his heirs before being confiscated in 1948 and placed in the National Museum of Art of Romania in Bucharest, where it remained until moving to its present location in 2006.

Saint Lucy Before the Judge is a mixed-medium panel painting by Lorenzo Lotto, signed and dated to 1532, consisting of a main work and a predella with three other scenes from saint Lucy's life. It is now in the Pinacoteca civica e galleria di arte contemporanea in Jesi in the province of Ancona.

Saint Nicholas in Glory is an altarpiece painting by Italian Renaissance artist Lorenzo Lotto, executed in 1527-1529 and located in the church of Santa Maria dei Carmini, Venice.

St Antoninus Giving Alms or The Alms of St Antoninus is a c.1540-1542 oil on canvas painting by Lorenzo Lotto. It shows Antoninus of Florence and is now in the basilica dei Santi Giovanni e Paolo in Venice.

The Suardi Chapel is an oratory or private chapel inside the villa in Trescore Balneario, Province of Bergamo owned by the Suardi counts. It is dedicated to Saint Barbara and Saint Brigid and was completely rebuilt by the cousins Giovan Battista and Maffeo Suardi. It is fully covered in 1524 frescoes commissioned by them from by Lorenzo Lotto of Christ the Vine and Lives of the Saints. In the 19th century count Gianforte Suardi built a corridor connecting the chapel to the villa and modified the chapel entrance - those entering had previously immediately found themselves in front of the north wall with its depiction of Christ the Vine.

Susanna and the Elders is a painting by the Italian Renaissance painter Lorenzo Lotto, dating from 1517. It is housed in the Uffizi Gallery of Florence.

Transfiguration is a signed 1510-1512 oil on panel painting by Lorenzo Lotto, produced for the church of Santa Maria di Castelnuovo and now in the Museo civico Villa Colloredo Mels in Recanati. It may originally have had a predella, part of which is Christ Leading the Apostles to Mount Tabor.

Triumph of Chastity is a c.1530 oil on canvas allegorical painting by Lorenzo Lotto, now in the Rospigliosi Pallavicini collection in Rome. It is signed at bottom right "Laurentius Lotus" and shows a female personification of Chastity (left) driving away Cupid and Venus - the Venus is based on that on an ancient Roman sarcophagus now in the Vatican Museums.
Venus and Cupid is a painting by Lorenzo Lotto in the collection of the Metropolitan Museum of Art. It probably dates to the mid-1520s, but has been dated as late as the 1540s.