36 1530 paintings

The Madonna of the Rabbit, The Aldobrandini Madonna, The Virgin and Child with the Infant Saint John and a Female Saint or Donor or The Virgin and Child with the Infant Saint John and Saint Catherine is an oil on canvas painting by Titian dating to around 1530 and now held in the National Gallery in London. There are studio copies in the Galleria Palatina in Florence and in the Kunsthistorisches Museum in Vienna.

The Assassination of Saint Peter Martyr was a 1528-1529 oil painting by Titian, originally painted on panel and later transferred to canvas. It was destroyed in a fire at Santi Giovanni e Paolo, Venice in 1867, though a 1691 copy by Johann Carl Loth hangs in its place.

The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.

The Assumption of the Virgin is a fresco by the Italian Late Renaissance artist Antonio da Correggio decorating the dome of the Cathedral of Parma, Italy. Correggio signed the contract for the painting on November 3, 1522. It was finished in 1530.

Boy with a Finger in His Mouth is a c.1530 oil on panel painting by Parmigianino, now in a private collection. In his right hand he holds a tablet with his ABC. Arturo Quintavalle argued it was a copy after Parmigianino, but most other art historians argue it to be an autograph work.

The Chess Game is a c.1530 painting by Giulio Campi, a Renaissance painter from Cremona. Since 1970, it has been in the Museo civico d'arte antica in Turin.

The Crucifixion with Pietà or Crucifixion is a painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1529–1534 and housed in the church of Santa Maria della Pietà in Telusiano, Monte San Giusto, province of Macerata, region of Marche, Italy.

The Female Portrait is a painting by German Renaissance master Lucas Cranach the Elder, dating from around 1530, now housed in the Uffizi Gallery of Florence, Italy.

Portrait of Cecilia Gozzadini is an oil painting attributed to Parmigianino, dated to around 1530 and now held at the Kunsthistorisches Museum in Vienna.

Holy Family with Saints Anne and John the Baptist is a c.1530 oil on panel painting by Bernardino Luini. It was previously in the collection of cardinal Federico Borromeo, who recorded his acquisition of it in his writings and gave it to the new Biblioteca Ambrosiana in Milan in 1618, where it still hangs. The work was seized in 1796 by occupying French troops and taken to Paris, where it hung in the Louvre until being returned to Milan in 1815.

Lament over the Dead Christ is a 1526–1530 oil on canvas painting by Moretto da Brescia, now in the National Gallery of Art in Washington. Two copies of the work are in Italian private collections, whilst a third is in the parish church of San Giovanni Battista in Coccaglio in the Province of Brescia.

Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530 but now only surviving in copies and variants. The work depicted the Greek myth of Leda and the Swan.

Madonna and Child with Saint George is an oil on panel painting by Correggio dating to around 1530 and now in the Gemäldegalerie in Dresden.

Madonna and Child with Saint Martin and Saint Catherine is a c.1530 oil on canvas painting by Moretto da Brescia, now on the high altar in the church of San Martino in Porzano, Province of Brescia. It is the painter's first mature work and forms an important step towards his Coronation of the Virgin Altarpiece.

Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.

Madonna della Scodella is an oil painting on board of Antonio da Correggio, dated from 1528 to about 1530 and preserved at the Galleria nazionale di Parma.

The Madonna of the Rabbit is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and - due to its whiteness - of Mary's purity and the mystery of the Incarnation, and is also a symbol of her Virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in them being able to give birth seemingly without having been impregnated.

Madonna of the Roses is a c.1530 oil on panel painting by Titian, now in the Uffizi in Florence. As well as the Madonna and Child it also shows Anthony the Great. and a young John the Baptist. It is signed "Ticianus f.", but this may be a later addition.

The Nativity is a painting finished around 1529–1530 by the Italian painter Antonio da Correggio. It is housed in the Gemäldegalerie Alte Meister, Dresden.

The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.

Portrait of a Halberdier, The Halberdier or Man with a Halberd is a 1529-1530 or 1537 oil painting by Pontormo, originally painted on panel and later transferred to canvas. It is now in the Getty Museum in Los Angeles. A preparatory drawing now in Florence's Gabinetto dei Disegni e delle Stampe shows the figure in a more frontal and less contraposto pose.

Portrait of a Young Man is a c.1530 oil on panel painting by Parmigianino, now in the Uffizi in Florence, whose collection it entered on 27 October 1682. Three copies survive in the Museo di Capodimonte, Rome's Accademia di San Luca and the Galleria nazionale di Parma.

Portrait of a Young Man or Portrait of a Gentleman in his Study is a c.1530 painting by Lorenzo Lotto, now in the Gallerie dell'Accademia of Venice, whose collections it entered from a private collection in 1930. It is known in Italian as Giovane malato, literally The Ill Young Man - the flower with leaves is thought to be a symbol of disappointment in love or an illness, perhaps melancholy. The subject also turns his back on worldly pleasures. More so than in other works produced around the same time by the artist such as his Portrait of Andrea Odoni, it shows Lotto moving beyond the influence of Titian with preciser definition of details and contours.

The Portrait of Andrea Doria as Neptune is an oil painting on canvas completed by Bronzino for a private collection in either the 1530s or 1540s. It is now in the Pinacoteca di Brera in Milan, Italy. An oil painting on canvas, it measures 199.5 centimetres (78.5 in) by 149 centimetres (59 in). In a conscious revival of the convention in classical sculpture of showing important political figures in heroic nudity, it depicts the Genoan admiral, Andrea Doria, posing as the classical god of the sea, Neptune.

The Rest on the Flight into Egypt, also called The Rest on the Return from the Flight into Egypt is a circa 1530 oil painting by the Venetian Renaissance painter Paris Bordone. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 176.

The Risen Christ in Glory is a 1528-1530 oil on panel painting by Rosso Fiorentino, now in the Diocesan Museum in the Città di Castello. It shows the risen Christ with Mary Magdalene, the Virgin Mary, Saint Anne and Mary of Egypt.

Saint Dominic in Soriano was a portrait of Saint Dominic (1170–1221) which was from 1530 an important artefact in the Dominican friary at Soriano Calabro in southern Italy. It was believed to be of miraculous origin, and to inspire miracles. It was the subject of a Roman Catholic feast day celebrated on 15 September from 1644 to 1913. Its miraculous origin was the subject of several 17th-century paintings. Several ecclesiastical buildings have been named after it. The painting may no longer exist.

The Sant'Eufemia Altarpiece is a 1526-1530 oil on panel painting by Moretto da Brescia, originally on the high altar of Sant'Afra in Brescia and now in the Pinacoteca Tosio Martinengo in the town. The Sant'Afra Reliquary was also based on the painting. The painting's lower register shows saints Benedict of Nursia, Euphemia, Justina and Paterius.

Self-Portrait is a c. 1525–1530 oil painting by Domenico Beccafumi, using a support of card pasted onto canvas. It forms part of the collection of artist's self-portraits at the Uffizi in Florence, Italy - it entering the gallery in 1682 by which time it had been expanded on all four sides to fit a frame or to make it a pendent to another work.

St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.

St Justina of Padua with a Donor is a c.1530 oil on panel painting by Moretto da Brescia, now in the Kunsthistorisches Museum in Vienna, to which it was transferred in the late 19th century soon after the Museum's opening. It shows Justina of Padua.

St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.

The Ten Thousand Martyrs is a c.1529-1530 oil on panel painting by Pontormo, produced for the monks of Florence's Spedale degli Innocenti and now in the city's Galleria Palatina. It shows the martyrdom of the eponymous martyrs alongside saint Maurice. A copy of the left hand side of the work in the Uffizi is attributed to a young Bronzino.

Transfiguration is a c.1530 oil on panel painting by Giovanni Gerolamo Savoldo. It is now in the Uffizi in Florence, which also holds a preparatory drawing for the work. Another study for the work is in the Pontus de la Gardia collection in Switzerland, whilst a late 16th century copy of the painting by Lomazzo is now in the Pinacoteca Ambrosiana.

The Triple Portrait of a Goldsmith is a c.1530 oil on canvas painting by Lorenzo Lotto, now held in the Kunsthistorisches Museum in Vienna. It has previously been attributed to other artists such as Titian until documentary evidence was found linking it to a painting of the same description in various collection inventories. In 1627 it was in the collection of Vincenzo II Gonzaga, who sold it to Charles I of Great Britain, upon whose execution it was auctioned to Philip IV of Spain. It eventually entered the Habsburg collections in Austria via inheritance - inventories show it has been in Vienna since at least 1733.

Triumph of Chastity is a c.1530 oil on canvas allegorical painting by Lorenzo Lotto, now in the Rospigliosi Pallavicini collection in Rome. It is signed at bottom right "Laurentius Lotus" and shows a female personification of Chastity (left) driving away Cupid and Venus - the Venus is based on that on an ancient Roman sarcophagus now in the Vatican Museums.