37 Portraits by Rembrandt

Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh is a 1632 portrait painting painted by Rembrandt. It shows an elderly woman with a small and sober millstone collar. It is in the collection of the Museum of Fine Arts, Boston.

Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. It shows a young woman with a very large and impressive millstone collar. It is in a private collection.

Portrait of Jeremias de Decker is a 1655 oil on panel painting by Rembrandt of the poet Jeremias de Decker. It is now in the Hermitage Museum.

Portrait of Gerard de Lairesse is a 1665–67 portrait painting by Rembrandt. It shows the painter Gerard de Lairesse holding a paper. It is in the collection of the Metropolitan Museum of Art.

Portrait of Herman Doomer is a 1640 oil on oak panel portrait of an Amsterdam businessman by Rembrandt, now in the Metropolitan Museum of Art, to which it was left in 1929 by Louisine Havemeyer.

Portrait of Jacob de Gheyn III is a 1632 oil on canvas portrait by Rembrandt of the engraver Jacob de Gheyn III, now in Dulwich Picture Gallery. It is smaller than most of Rembrandt's works, measuring only 29.9 by 24.9 centimetres. It has been stolen numerous times and its size is one factor that has contributed to its numerous thefts.

The Girl in a Picture Frame is a 1641 oil on panel painting by the Dutch artist Rembrandt. It is also known as The Jewish Bride and The Girl in a Hat. With The Scholar at the Lectern and Landscape with the Good Samaritan, it is one of only three Rembrandt paintings in Polish collections. It is currently located at the Royal Castle in Warsaw.

Adriaantje Hollaer was a Netherlands woman known for her portrait by Rembrandt, currently in a private collection.

Portrait of Catharina Hooghsaet (1607–1685) is a 1657 painting by the Dutch Golden Age painter Rembrandt.

Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is in the collection of the Metropolitan Museum of Art.

Portrait of a Man Holding Gloves is a 1648 oil on mahogany panel portrait by Rembrandt, now in the Metropolitan Museum of Art in New York.

Man in a Plumed Beret is a c.1659-1661 oil on canvas painting attributed to Rembrandt.It is now in the National Gallery of Denmark in Copenhagen.

Portrait of a Man Rising from His Chair is a painting by the Dutch painter Rembrandt, painted in 1633. It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil on canvas portrait measures 124 by 99 centimetres. It is signed and dated 1633, and there is no doubt of its authenticity.

Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario, and measures 107.4 cm by 87.0 cm.

Portrait of a Man, possibly a member of the Beresteyn family is a 1632 portrait painting by Rembrandt. It shows a man with a lace collar, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to Portrait of a Woman, probably a Member of the Van Beresteyn Family, and both are in the collection of the Metropolitan Museum of Art.

Portrait of Baertje Martens is a 1640 oil on oak panel portrait by Rembrandt, now in the Hermitage Museum after being acquired in Paris by Dmitri Alekseyevich Gallitzin for Catherine II of Russia. It is the pendent to the same artist's Portrait of Herman Doomer.

Pendant Portraits of an Old Man and an Old Woman refers to two 1654 oil on canvas pendant portraits by Rembrandt, Portrait of an Old Man and Portrait of an Old Woman, usually identified as a single pair. Signed and dated by the artist, both works were in the collection of Heinrich von Brühl, whose heirs sold them to Catherine II of Russia in 1769. They are both now in the Pushkin Museum in Moscow, to which they were transferred from the Hermitage Museum in 1930.

Oval Portrait of a Woman is a 1633 portrait painting painted by Rembrandt. It shows a woman with a millstone collar and diadem cap. It is in the collection of the Metropolitan Museum of Art.

A Polish Nobleman is a 1637 painting by Rembrandt depicting a man in a costume of Polish szlachta (nobility). The identity of the subject of the painting is unclear, and has given rise to several different interpretations. The view that the figure's dress is clearly Polish is not universally held and it may have been a self-portrait.

The Polish Rider is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection in New York. When the painting was sold by Zdzisław Tarnowski to Henry Frick in 1910, there was consensus that the work was by the Dutch painter Rembrandt. This attribution has since been contested, though this remains a minority view.

Nicolaes Ruts (1573-1638) was born in Cologne and became an Amsterdam Mennonite merchant who frequently traded with the Russian colony at Arkhangelsk. He is notable for having been the subject of a well-known portrait by Rembrandt Harmenszoon van Rijn in 1631, at the age of 58. The painting of him was done in oil on a mahogany panel, and measures 46 x 34 in. In it, Ruts is depicted in a sable-lined tabbaard, translucent neck ruff, and Russian ushanka hat, holding an illegible note in his ungloved left hand and looking directly at the viewer, his right resting on the back of a red chair. The portrait is stored in the Frick Collection. It is one of Rembrandt's earliest commissioned pieces and helped launch his career as a portrait painter.

The Sampling Officials, also called Syndics of the Drapers’ Guild, is a 1662 oil painting by Rembrandt. It is currently owned by the Rijksmuseum in Amsterdam. It has been described as his "last great collective portrait".

The Scholar at the Lectern or The Father of the Jewish Bride is a 1641 oil on panel painting by the Dutch artist Rembrandt. With The Girl in a Picture Frame and Landscape with the Good Samaritan, it is one of only three Rembrandt paintings in Polish collections. It is currently located at the Royal Castle in Warsaw.

The Shipbuilder and his Wife is a 1633 painting by Rembrandt. The sitters were identified in 1970 as Jan Rijcksen (1560/2–1637) and his wife Griet Jans Rijcksen. Rijcksen was a shareholder in the Dutch East India Company, and became its master shipbuilder in 1620. The painting has been in the Royal Collection since 1811.

Portrait of Jan Six is a 1654 painting by the Dutch painter Rembrandt van Rijn. Having been handed down many generations, via the direct descendants of the portrait's subject, Jan Six, the work remains in the Six Collection in Amsterdam.

Portrait of Floris Soop or The Standard Bearer is a 1654 oil on canvas portrait by Rembrandt, now in the Metropolitan Museum of Art, New York.

Titus at a Lectern or Titus at his Desk is a 1655 portrait by Rembrandt of his son Titus van Rijn, which has been in the Museum Boijmans Van Beuningen since 1939.

Portrait of Maria Trip (c.1639) is an oil on panel painting by the Dutch painter Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.

The Portrait of Dirck van Os is a later painting by Rembrandt (1606-1669), created circa 1658. It is currently in the permanent collection of the Joslyn Art Museum in Omaha, Nebraska.

Portrait of a Woman Wearing a Gold Chain is a 1634 portrait painted by Rembrandt. It shows a smiling woman with a triple lace collar. It is in the collection of the Museum of Fine Arts, Boston.

Portrait of a Woman, possibly a member of the Beresteyn family is a 1632 portrait painting by Rembrandt. It shows a woman with an unusually large millstone collar, pendant to Portrait of a Man, probably a Member of the Van Beresteyn Family. It is in the collection of the Metropolitan Museum of Art.

Portrait of Johannes Wtenbogaert is a 1633 oil on canvas portrait by Rembrandt of the Remonstrant preacher and writer Johannes Wtenbogaert, now in the Rijksmuseum.

Portrait of a Young Gentleman is a 1635-1635 painting attributed to the Dutch painter Rembrandt. The painting has not yet been catalogued as by Rembrandt, but was sold as "circle of Rembrandt" by Christie's in London for GBP 137,000.

Portrait of a Young Man with a Gold Chain is an oil painting usually attributed to the Dutch painter Rembrandt. Signed and dated 1635, it was traditionally regarded as a self-portrait, although contemporary criticism tends to challenge this hypothesis.

Portrait of a Young Woman or Bust of a Young Woman is a 1632 oil on canvas painting by Rembrandt, signed and dated by the artist.

Portrait of a Young Woman with a Fan is a 1633 portrait painting by Rembrandt. It shows a woman holding a fan, pendant to Portrait of a Man Rising from His Chair. It is in the collection of the Metropolitan Museum of Art.

Young Woman with a Lapdog is a c. 1665 painting of an unknown young woman by Rembrandt. It is now in the Art Gallery of Ontario, to which it was bequeathed in 1955 by the philanthropist Frank Peter Wood. It was previously identified as Rembrandt's daughter-in-law Magdalena van Loo (1641–1669), but the subject is now held to be unknown.