44 Paintings by Roy Lichtenstein

Artist's Studio—Look Mickey is a 1973 painting by Roy Lichtenstein. It is one of five large-scale studio interior paintings in a series. The series is either referred to as the Artist's Studio series or more colloquially as the Studios and sometimes is described as excluding the other 1973 painting, reducing the series to four.

As I Opened Fire is a 1964 oil and magna on canvas painting by Roy Lichtenstein. The work is hosted at the Stedelijk Museum in Amsterdam. The source of the subject matter is Jerry Grandenetti's panels from "Wingmate of Doom," in All American Men of War, no. 90, DC Comics.

Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the Bedroom in Arles series of paintings by Vincent van Gogh. He painted it in July 1992. It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection.

Big Painting No. 6 is a 1965 oil and Magna on canvas painting by Roy Lichtenstein. Measuring 235 cm × 330 cm, it is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush. It set a record auction price for a painting by a living American artist when it sold for $75,000 in 1970. The painting is in the Kunstsammlung Nordrhein-Westfalen collection.

Blam is a 1962 painting by Roy Lichtenstein falling within the pop art idiom. It is one of his military comic book derivatives and was one of the works presented at his first solo exhibition. The work is in the collection at the Yale University Art Gallery

Bratatat! is a 1963 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon.

Brattata is a 1962 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. The work is held in the collection at the Tehran Museum of Contemporary Art. It is one of several Lichtenstein works from All-American Men of War issue #89, but is a reworking of its source panel.

Brushstrokes is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is the first element of the Brushstrokes series of artworks that includes several paintings and sculptures. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism.

Crak! is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.

Crying Girl is the name of two different works by Roy Lichtenstein: a 1963 offset lithograph on lightweight, off-white wove paper and a 1964 porcelain enamel on steel.

Cubist Still Life with Lemons is a 1975 painting by Roy Lichtenstein.

Drowning Girl is a 1963 painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam!. One of the most representative paintings of the pop art movement, Drowning Girl was acquired by the Museum of Modern Art in 1971.

Engagement Ring is a 1961 pop art painting by Roy Lichtenstein. The work is based on the Winnie Winkle series, but Lichtenstein changed both the graphical description and the narrative accompaniment that he presents in a speech balloon. As with most of his early romance comics works, this consisted of "a boy and a girl connected by romantic dialogue and action".

Expressionist Head by pop artist Roy Lichtenstein is the name associated with several 1980s works of art. It is widely associated with a set of six identical sculptures but is also associated with a series of paintings.

Girl in Mirror is a 1964 porcelain-enamel-on-steel pop art painting by Roy Lichtenstein that is considered to exist in between eight and ten editions. One edition was part of a $14 million 2012 lawsuit regarding a 2009 sale, while another sold in 2010 for $4.9 million. Although it uses Ben-Day dots like many other Lichtenstein works, it was inspired by the New York City Subway rather than directly from a panel of a romance comics work.

Girl with Ball is a 1961 painting by Roy Lichtenstein. It is an oil on canvas Pop art work that is now in the collection of the Museum of Modern Art, after being owned for several decades by Philip Johnson. It is one of Lichtenstein's earliest Pop art works and is known for its source, which is a newspaper ad that ran for several decades and which was among Lichtenstein's earliest works sourced from pop culture.

Golf Ball is a 1962 painting by Roy Lichtenstein. It is considered to fall within the art movement known as Pop art. It depicts "a single sphere with patterned, variously directional semi-circular grooves." The work is commonly associated with black-and-white Piet Mondrian works. It is one of the works that was presented at Lichtenstein's first solo exhibition and one that was critical to his early association with pop art. The work is commonly critiqued for its tension involving a three-dimensional representation in two dimensions with much discussion revolving around the choice of a background nearly without any perspective.

Grrrrrrrrrrr!! is a 1965 oil and Magna on canvas painting by Roy Lichtenstein. Measuring 68 in × 56.125 in, it was bequeathed to the Solomon R. Guggenheim Museum collection from Lichtenstein's estate. It depicts a head-on representation of an angry dog growling with the onomatopoeic expression "Grrrrrrrrrrr!!". The work was derived from Our Fighting Forces, which also served as the source for other military dog paintwork by Lichtenstein.

Happy Tears is a 1964 pop art painting by Roy Lichtenstein. It formerly held the record for highest auction price for a Lichtenstein painting.

Hopeless is a 1963 painting with oil paint and acrylic paint on canvas by Roy Lichtenstein. The painting is in the collection of the Kunstmuseum Basel.

I Can See the Whole Room...and There's Nobody in It! is a 1961 painting by Roy Lichtenstein. It is a painting of a man looking through a peephole. It formerly held the record for highest auction price for a Lichtenstein painting.

I Know...Brad is a 1964 pop art painting by Roy Lichtenstein that uses his classic Ben-Day dots and a speech balloon. The work is located at the Ludwig Forum für Internationale Kunst in Aachen. It is an example of how Lichtenstein used his artistry to make significant changes to the original comics sources.

In the Car is a 1963 pop art painting by Roy Lichtenstein. The smaller, older of the two versions of this painting formerly held the record for highest auction price for a Lichtenstein painting. The larger version has been in the collection of the Scottish National Gallery of Modern Art in Edinburgh since 1980.

Jet Pilot is a 1962 pop art work done in graphite pencil by Roy Lichtenstein. Like many of Lichtenstein's works from this time period, it was inspired by a comic book image, but he made notable modifications of the source in his work.

Kiss II is a 1962 pop art painting by Roy Lichtenstein. It formerly held the record for highest auction price for a Lichtenstein painting.

Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that include several paintings and sculptures. It is located at the Whitney Museum of American Art in New York City. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of abstract expressionism.

Look Mickey is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death.

M-Maybe is a 1965 pop art painting by Roy Lichtenstein. It is one of his romance comics-based works.

Masterpiece is a 1962 pop art painting by Roy Lichtenstein that uses his classic Ben-Day dots and narrative content contained within a speech balloon. In 2017 the painting sold for $165 million.

Mr. Bellamy is a 1961 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. The work is regarded as one of the better examples of Lichtenstein's sense of humor. The work is held in the collection at the Modern Art Museum of Fort Worth.

Mural with Blue Brushstroke is a 1986 mural painting by Roy Lichtenstein that is located in the atrium of the Equitable Tower in New York City. The mural was the subject of the book Roy Lichtenstein: Mural With Blue Brushstroke. The mural includes highlights of Lichtenstein's earlier works.

Nurse is a painting by American pop art painter Roy Lichtenstein made in 1964.

Oh, Jeff...I Love You, Too...But... is a 1964 oil and magna on canvas painting by Roy Lichtenstein. Like many of Lichtenstein's works its title comes from the speech balloon in the painting.

Ohhh...Alright... is a 1964 pop art painting by Roy Lichtenstein. It formerly held the record for highest auction price for a Lichtenstein painting.

Okay Hot-Shot, Okay! is a 1963 pop art painting by Roy Lichtenstein that uses his Ben-Day dots style and a text balloon. It is one of several examples of military art that Lichtenstein created between 1962 and 1964, including several with aeronautical themes like this one. It was inspired by panels from four different comic books that provide the sources for the plane, the pilot, the text balloon and the graphic onomatopoeia, "VOOMP!".

Portrait of Madame Cézanne is a 1962 pop art painting by Roy Lichtenstein. It is a quotation of Erle Loran's diagram of one of Paul Cézanne's 27 portraits of his wife Marie-Hortense Fiquet, now in the Barnes Foundation, Philadelphia. It was one of the works exhibited at Lichtenstein's first solo exhibition in Los Angeles. The work became controversial in that it led to a reconsideration of what constitutes art.

Roto Broil is a 1961 pop art painting by Roy Lichtenstein. It was one of the consumer goods paintings made in the early 1960s that "made a splash, sold well and immediately polarized the critics."

Sleeping Girl is a 1964 oil and Magna on canvas pop art painting by Roy Lichtenstein. It held the record for the highest auction price for a Lichtenstein painting from May 2012 until May 2013.

Takka Takka is a 1962 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a story panel. This work is held in the collection of the Museum Ludwig. The title comes from the onomatopoeic graphics that depict the sound that comes from a machine gun.

Torpedo...Los! is a 1963 pop art oil on canvas painting by Roy Lichtenstein. When it was last sold in 1989, The New York Times described the work as "a comic-strip image of sea warfare". It formerly held the record for the highest auction price for a Lichtenstein work. Its 1989 sale helped finance the construction of the current home of the Museum of Contemporary Art, Chicago in 1991.

Varoom! is a 1963 pop art painting by Roy Lichtenstein that depicts an explosion and the onomatopoeic sound that gives it its name.

Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.

Woman with Flowered Hat is a 1963 pop art painting with Magna on canvas by Roy Lichtenstein. The work is based on a Pablo Picasso portrait of Dora Maar. In May 2013, it sold for a record price for a Lichtenstein work.

Yellow and Green Brushstrokes is a 1966 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures. It is located at the Museum für Moderne Kunst in Frankfurt, Germany. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism. It is in the collection of the Museum für Moderne Kunst..