48 Paintings by Giovanni Bellini

The Agony in the Garden is an early painting by the Italian Renaissance master Giovanni Bellini, who painted it around 1459–65. It is in the National Gallery, London.

The Four Allegories is a series of four small panel paintings in the Gallerie dell'Accademia, Venice, Italy by the Italian Renaissance master Giovanni Bellini, whose date has been variously argued as different points in the range 1490–1504. They all measure 34 (Perseverance) or 32 × 22 cm in size.

The Annunciation is a c.1500 two-part oil on canvas painting by Giovanni Bellini and his studio assistants. Each of the two canvases measures 224 by 105 cm and they are both now in the Gallerie dell'Accademia in Venice. They were produced to be the external doors or covers to the organ at Santa Maria dei Miracoli, Venice – on their reverses were St Peter and St Paul (lost).

The Assassination of Saint Peter Martyr is a 67 by 100 cm oil and tempera on wood painting by Giovanni Bellini. It was painted around 1507 and is now in the National Gallery, London, whilst a workshop version of around 1509 is now in the Courtauld Gallery. They both show the murder of saint Peter Martyr.

Baptism of Christ is a tempera painting on panel by Giovanni Bellini, dating to 1500–1502, and now located in the Chiesa di Santa Corona in Vicenza. It is signed IOANNES / BELLINVS on a rock in the lower left.

The Barbarigo Altarpiece or Enthroned Madonna and Child with Angel Musicians and Saint Mark, Saint Augustine and Doge Agostino Barbarigo is a 1488 oil painting on panel by Giovanni Bellini, now in the church of San Pietro Martire in Murano.

The Blood of the Redeemer is a 1460–1465 tempera on panel painting, now in the National Gallery, London.

Christ Blessing is a tempera on panel painting by Giovanni Bellini. It is usually dated to the early 1460s, that is, in the middle of Bellini's Mantegnese phase. It is now in the Louvre in Paris.

Circumcision of Christ is a c.1500 oil on panel painting by the studio of Giovanni Bellini. It is now in the National Gallery, London, to which it was presented by George Howard, 9th Earl of Carlisle in 1895. It shows the Circumcision of Christ, a common subject in 16th and 17th century Venetian painting. It is attributed to Bellini's studio although it bears his signature on a cartouche on the base of the altar. Several later painters used the composition as a model.

The Continence of Scipio or An Episode from the Life of Publius Cornelius Scipio is a painting in oils on canvas by Giovanni Bellini, dating to 1507–08 and now in the National Gallery of Art in Washington, D.C..

Crucifixion is a painting by the Italian Renaissance painter Giovanni Bellini, created around 1455–1460. It is housed in the Museo Correr in Venice.

Pietà or Dead Christ Supported by Angels is a tempera on panel painting by Giovanni Bellini, now in the city museum of Rimini. It is dated to around 1470, making it one of his early mature works, around the same time as another of his Pietà (Brera).

Pietà or The Dead Christ Supported by the Virgin Mary and St John the Evangelist is a tempera on panel painting by Giovanni Bellini, now in the Pinacoteca di Brera in Milan.

Dead Christ Supported by Two Angels is a tempera on panel painting by Giovanni Bellini, now in the Gemäldegalerie, Berlin. It is dated to 1465–1470, as shown by similarities to his 1464 San Vincenzo Ferrer Polyptych, an early mature work.

Dead Christ Supported by Two Angels is a painting by Italian Renaissance painter Giovanni Bellini, created around 1460. It is housed in the Museo Correr in Venice.

Deposition or Lamentation over the Dead Christ is a painting by Giovanni Bellini and his workshop, dating to 1515–16 and thus one of his last works. It measures 4.44 m by 3.12 m and is in oils on canvas. It was commissioned for the Santa Maria dei Servi church in Venice, which is now demolished; it is now in the Gallerie dell'Accademia in that city.

Drunkenness of Noah is a painting by the Italian artist Giovanni Bellini. It was finished about 1515. It is kept in the Museum of Fine Arts and Archeology of Besançon, France.

The Feast of the Gods is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".

The Frari Triptych or Pesaro Triptych is a 1488 oil on panel triptych painting by Giovanni Bellini. It is signed and dated 1488 on the centre of the Virgin Mary's throne, though it may have taken several years to produce, meaning he started it in 1485. On the reverse is a label dating its completion more precisely, to 15 February 1488. It is in the basilica di Santa Maria Gloriosa dei Frari in Venice.

The head of St. John the Baptist is a tondo painting by the Italian Renaissance master Giovanni Bellini. It is now housed in the Civic Museum of Pesaro.

Head of the Redeemer is a 33×22 cm oil on panel painting of the head of Christ by Giovanni Bellini, dating to 1500–1502 and now in the Gallerie dell'Accademia in Venice. It is a fragment of a larger scene of the Transfiguration; another fragment from the same work bears a scroll with the signature IOANNES BELLINUS ME PINXIT.

The Holy Allegory is a painting by the Italian Renaissance master Giovanni Bellini, dating from c. 1490 to 1500. It is in the Uffizi gallery in Florence, Italy.

The Infant Bacchus or Young Bacchus is a 1505–1510 painting of the Roman god Bacchus as a boy by Giovanni Bellini. Originally painted on panel, it was later transferred to canvas.

Lamentation over the Dead Christ is a c.1500 tempera on panel painting by Giovanni Bellini. It is in chiaroscuro and may have been intended as a studio exemplar for his pupils or the uncompleted underdrawing of a full painting. It was given to Ferdinand III, Grand Duke of Tuscany by doge Alvise Giovanni Mocenigo in return for a gold, diamond and pietra dura snuffbox. The Grand Duke later gave it to the Uffizi Gallery on 22 October 1798; it is still in its collection.

The Martinengo Pietà is an oil painting on panel of c. 1505 by Giovanni Bellini, signed on the rock to the left of the Virgin. It was previously in the collections of the Martinengo family and of Donà delle Rose and is now in the Gallerie dell'Accademia in Venice.

Naked Young Woman in Front of a Mirror is an oil on poplar panel painting by Giovanni Bellini. Dating to 1515, it was one of his last works, showing him responding to the tonalism introduced by Giorgione. It was acquired by James Hamilton, 1st Duke of Hamilton in 1638 and remained with his family until 1659, when it was acquired in Brussels by Leopold William of Austria. It is now in the Kunsthistorisches Museum in Vienna.

The Nativity Triptych is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of the Nativity measures 127 by 48 cm, its lunette of the Holy Trinity flanked by Augustine and Dominic 59 by 170 cm and its side panels of Francis of Assisi and Victor 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.

The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera on panel painting by Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons of the 'imago pietatis', of which there were many examples throughout Venice, and of 'Ritratti di Passione' or 'portraits of the Passion', in which the dead Christ invites the viewer to contemplate his wounds. The crossed arms are drawn from a famous Roman mosaic-icon from Santa Croce in Gerusalemme basilica which was held to be miraculous and had according to legend been commissioned by pope Gregory the Great based on a vision during a mass.

Pietà is a c.1455–1460 tempera on panel painting by Giovanni Bellini, now in the Museo Poldi Pezzoli in Milan. One of his earliest works, it is the prototype for his long series of other Pietas such as Pietà (Bergamo).

The Presentation at the Temple is a painting of the Presentation of Jesus at the Temple by the Italian master Giovanni Bellini, dating to c. 1460. It is housed in the Fondazione Querini Stampalia, in Venice, Italy.

Resurrection of Christ is a 1475–1479 painting by Giovanni Bellini. It was produced for the Marino Zorzi chapel in the mortuary church of San Michele di Murano in Venice. It has previously been attributed to Cima da Conegliano, Previtali, Bartolomeo Veneto and Marco Basaiti. It was acquired by the Gemäldegalerie, Berlin in 1903 and a full restoration shortly afterwards confirmed its attribution to Bellini.

Nunc Dimittis or Sacred Conversation is a 1505–1510 oil on panel painting by Giovanni Bellini. It measures 62 cm by 83 cm and is now in the Museo Thyssen-Bornemisza in Madrid. It belongs to the sacra conversazione genre and shows Anna and Simeon with the Madonna and Child.

The Saint Vincent Ferrer Altarpiece is a tempera on panel painting by Giovanni Bellini, dating to 1464–1470 and still in on the altar dedicated to Saint Vincent Ferrer at Santi Giovanni e Paolo, Venice, for which it was originally commissioned. Ferrer was a Spanish Dominican who had only been canonised in 1455 and his order was continuing to promote his cult.

Saints Christopher, Jerome and Louis of Toulouse is a painting by the Italian Renaissance artist Giovanni Bellini, executed in 1513, and housed in the church of San Giovanni Crisostomo, Venice.

The San Giobbe Altarpiece is a c. 1487 oil painting by the Italian Renaissance master Giovanni Bellini. Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that this piece was designed in situ with the surrounding architecture of the church, and was one of the largest sacra conversazione paintings at the time. Although it was originally located in the Church of San Giobbe, Venice, it is now housed in the Gallerie dell'Accademia in Venice after having been stolen by Napoleon Bonaparte.

The San Lorenzo Triptych is a tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of Saint Lawrence measures 127 by 48 cm, its lunette of the Madonna and Child 59 by 170 cm and its side panels of John the Baptist and Antony of Padua 103 by 45 cm each. It is now in the Gallerie dell'Accademia in Venice.

The San Sebastiano Triptych is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of saint Sebastian measures 127 by 48 cm, its lunette of God the Father and the Annunciation 59 by 170 cm and its side panels of John the Baptist and Antony the Great 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.

The San Zaccaria Altarpiece is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice.

The Ecstasy of St. Francis is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. Bellini depicted the religious figure of St. Francis of Assisi in the landscape. In 1852, the painting was listed on June 19th at Christie's.This painting was part of the 1857 Manchester Art Treasures exhibition. Currently, the painting now located at Frick collection, New York City.

St. Jerome in the Desert is a c. 1450 egg tempera on wood painting by Giovanni Bellini, now in the Barber Institute of Fine Arts in Birmingham, England.

St. Jerome in the Desert or St. Jerome Reading in the Desert is a 1480 oil on panel painting by Giovanni Bellini, now in the Uffizi Gallery in Florence as part of the Contini Bonacossi collection, giving it its alternative title of The Contini Bonacossi St. Jerome.

St. Jerome in the Desert is a 1505 oil on canvas painting by Giovanni Bellini, now in the National Gallery of Art in Washington. Little remains of the signature on the first rock in the left foreground, but it has been confirmed as genuine during restoration and can be reconstructed as "[Johannes Bellinu]s. 1505". This is problematic, since the work's general style is linked to fashions no later than 1490, whereas Bellini's style of figures and landscapes had already begun to be influenced by Giorgione by 1500, with the backgrounds more fused and unified in terms of atmosphere. The composition makes it more analogous to his earlier works, such as the c. 1480 St. Jerome in the Desert. The Washington work may have been a collaboration, a work completed by a pupil in Bellini's studio or left incomplete and only finished by Bellini himself much later.

St Jerome Reading in the Countryside is an oil and tempera on panel painting by Giovanni Bellini or a follower, probably dating to between 1480 and 1485. One of several versions of the theme by the artist, it is now in the National Gallery, London.

St. Mark Preaching in Alexandria is an oil painting by Gentile and Giovanni Bellini, dated to 1504–07 and held in the Pinacoteca di Brera in Milan.

The 'Transfiguration is a 1454–1460 painting by Giovanni Bellini, now on display in the Museo Correr of Venice.

Transfiguration of Christ is a c.1480 oil on panel painting by the Italian Renaissance master Giovanni Bellini, now in the housed in the Capodimonte Museum in Naples, Italy.

The Triptych of the Madonna is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of a standing Madonna and Child measures 127 by 48 cm, its lunette of the Man of Sorrows flanked by angels 59 by 170 cm and its side panels of Jerome and Louis of Toulouse 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.

Virgin in Glory with Saints is a 1510-1515 oil on panel painting by Giovanni Bellini and probably also his studio, now in the Gallerie dell'Accademia in Venice. It measures 3.5 m by 2.25 m and shows the Assumption of Mary, which is usually shown witnessed by the apostles - here it is instead seen by saint Mark, John the Evangelist, saint Luke, Francis of Assisi with the stigmata, Louis of Toulouse as a young bishop, Anthony the Great, Augustine of Hippo and John the Baptist.