52 Veronese painters

Vittorio Avanzi was an Italian painter, mainly of landscapes.

Antonio Badile was an Italian painter from Verona.

Marco Antonio Bassetti (1586–1630) was an Italian painter.

Francesco Benaglio was an Italian painter of the Renaissance period.

Luigi Benfatto known as Alvise dal Friso (1551–1611) was an Italian painter of the late-Renaissance period. He was born at Verona, was the nephew and pupil of Paolo Veronese. He painted Glory of the saint for the church of St. Nicholas and pictures of St. Marta for the Church of Santa Marta al Collegio Romano. He is also called Luigi Alvise dal Friso. A pupil of his was Maffeo Verona.

Francesco Bonsignori, also known as Francesco Monsignori, was an Italian painter and draughtsman, characterized by his excellence in religious subjects, portraits, architectural perspective and animals. He was born in Verona and died in Caldiero, a city near Verona. Bonsignori's style in early period was under the influence of his teacher Liberale da Verona. After becoming the portraitist and court artist to the Gonzaga family of Mantua in 1487, his style was influenced by Andrea Mantegna, who also worked for Francesco Gonzaga from the 1480s. They collaborated to execute several religious paintings, mainly with the theme of Madonna and Child. The attribution of the portrait of a Venetian Senator was debatable until the last century because of the similarity in techniques used by Bonsignori and his teacher Mantegna. During the phase of his career in Mantua, there is an undocumented period between 1495 and July 1506 with no official record regarding his activities by the court of Mantua. Bonsignori's late style was decisively influenced by Lorenzo Costa in terms of form and color. He produced his last monumental altarpiece the Adoration of the Blessed Osanna Andreasi in 1519 shortly before his death.

Fra Girolamo Bonsignori, was an Italian artist.

Simone Brentana was an Italian painter of the Baroque period, active in Verona. He was born in Venice to Domenico Brentana, but became orphaned by age nine. After a prolonged desultory education in various fields including music, he trained as a painter in Venice with Pietro Negri, frequenting the Accademia di Belle Arti, moving in 1685 to Verona, where most of his paintings are located.

Vincenzo Cabianca was an Italian painter of the Macchiaioli group.

Benedetto Caliari (1538–1598) was an Italian painter who was born into a family of artists. Benedetto’s father Gabriele Caliari was a stonecutter. Benedetto’s brother Paolo Caliari is better known as Veronese.

Carlo Cannovaro Caliari (1570–1596) was an Italian artist of the Renaissance period. He is also known as Carletto. The youngest son of Paolo Veronese, Caliari was active mainly in Venice, where he worked and inherited the studio of his far more famous father, and later worked along with his brother Gabriele and his uncle, Benedetto. His name is attached to several large pictures of banquets in Veronese's style. Alessandro Turchi worked briefly under him.

Gabriele Caliari (1568–1631) was an Italian of the late-Renaissance period. He was the eldest son of Paolo Veronese, was born in 1568, and died of the plague. After training in the workshop of his father, he seems to have painted few pictures of his own, and devoted himself chiefly to commerce.

Ercole Calvi was an Italian painter.

Carlo Canella was an Italian painter.

Giovanni Francesco Caroto was an Italian painter of the Renaissance active mainly in his native city of Verona.

Paolo Morando Cavazzola (1486–1522) was an Italian painter of the Renaissance, active mainly in his hometown of Verona. He appears to have been a pupil of one of the brothers Morone, likely Francesco Morone. He painted in a style resembling that of Giorgione.

Giambettino Cignaroli was an Italian painter of the Rococo and early Neoclassic period.

Angelo Dall'Oca Bianca was an Italian painter.

Saverio Dalla Rosa was an Italian painter, active mainly in Verona.

Guido Farina (1896–1957) was an Italian painter.

Paolo Farinati was an Italian painter of the Mannerist style, active in mainly in his native Verona, but also in Mantua and Venice.

Carlo Ferrari (1813–1871), called il Ferrarin, was an Italian painter.

Orlando Flacco or Fiacco was an Italian artist.

Bernardino India (1528–1590) was an Italian painter of the late Renaissance, born and mainly active in Verona. He is said to have trained with Domenico Riccio. He collaborated with Michele Sanmicheli in the Canossa palace and Pellegrini chapel in San Bernardino of Verona. He collaborated with Felice Brusasorci, Domenico's son in frescoes at Palazzo Fiorio Della Seta. He decorated Palladian villas such as Villa Pojana, Villa Foscari where Giovanni Battista Zelotti also worked, and the Palazzo Thiene in Vicenza. Orlando Flacco completed his most extensive work for the Sala Maggior di Consiglio in Verona.

Girolamo dai Libri was an Italian illuminator of manuscripts and painter of altarpieces, working in an early-Renaissance style.

Alessandro Marchesini was an Italian painter and art merchant of the late-Baroque and Rococo, active in Northern Italy and Venice. He first trained in Verona with Biagio Falcieri and then with Antonio Calza. He then moved to Bologna, to work in the studio of Carlo Cignani. He is described as gaining fame for his allegories with small figures. He painted in for the church of San Silvestro, Venice; and for the church of Santo Stefano, Verona. He is also remembered for recommending a young painter, Canaletto, to the Lucchese art collector Stefano Conti, stating that he was like Luca Carlevaris but with a sun shining. Among his pupils is Carlo Salis.

Marco Marcola (1740–1793) was an Italian painter, born and mainly active in Verona. He was initially apprenticed to his father Giovanni Battista Marcola. Among his pupils were Antonio Pachera, Bellino Bellini, and Domenico Zanconti. He is also known as Marco Marcuola. His sister Angela Marcola was also a painter.

The Master of the Antiphonal Q of San Giorgio Maggiore was an Italian painter of illuminated manuscripts active in the northern region, especially around Venice and possibly around Verona, between 1440 and 1470. His name is derived from a choir book decorated for the Benedictine monks of San Giorgio Maggiore in that city. Stylistically, he appears to have been aware of the work of Pisanello. His miniatures are highly naturalistic, although bound by formal and decorative restraints.

Francesco Montemezzano or Monte Mezzano was an Italian painter of the late-Renaissance or Mannerist period.

Battista del Moro was an Italian painter of the Renaissance period active in his native Verona, as well as in Mantua and Venice.

Domenico Morone was an Italian painter from Verona, painting in an early Renaissance style. Much of his work has not survived, notably his fresco cycles.

Francesco Morone was an Italian painter, active in his native city of Verona in a Renaissance style. He was the son of the Veronese painter Domenico Morone. The art biographer Vasari praised his frescoes (1505-7) for the cupola of the sacristy in Santa Maria in Organo, Verona. He also painted the organ shutters in that church. Paolo Cavazzola was said to have been a pupil, but may have more aptly worked with one of his family members.

Napoleone Nani (1841–1899) was an Italian painter, active in Venice, where he became professor of the Accademia di Belle Arti.

Pasquale Ottino or Ottini, was an Italian painter.

Odoardo Perini was an Italian painter of the late-Baroque period, active in Verona.

Santi Prunati was an Italian painter of the Baroque era, born and mainly active in Verona.

Domenico Riccio was an Italian painter in a Mannerist style from Verona, best known for frescos.

Felice Riccio (1542–1605) was an Italian painter of the late-Renaissance period, born and mainly active in Verona. He is also known as il Brusasorci or Brusasorzi or Felice Brusasorci. He was the son of the painter Domenico Riccio. He painted a Deposition for the church of Tombazosana in the town of Ronco all'Adige. He painted a canvas for the Sanctuary-Basilica of Santa Maria della Pace in Verona.

Claudio Ridolfi (1560–1644) was an Italian painter of the Renaissance period.

Francesco Torbido was an Italian painter of the Renaissance period, active mainly in Verona and Venice. He is also known as il Moro.

Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.

Agostino Ugolini was an Italian painter, active in a late-Baroque and early-neoclassic style.

Liberale da Verona (1441–1526) was an Italian painter of the Renaissance period, active mainly in Verona.

Maffeo Verona (1576–1618) was an Italian painter of the late Renaissance period.

Martino da Verona, also Marco del Buono Giamberti, was an Italian painter. His exact date of birth is not known.

Michele da Verona was an Italian painter of the Renaissance period. He is different but a near contemporary of Zenone Veronese.

Stefano da Verona was an Italian painter who was active in Verona.

Bonifacio Veronese, birth name: Bonifacio de' Pitati was an Italian Renaissance painter who was active in Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.

Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.

Sebastiano Vini, also known as Bastiano Veronese was an Italian painter of the Renaissance period, active mainly in Tuscany.

Giovanni Battista Zelotti was an Italian painter of the late Renaissance, active in Venice and her mainland territories.

Zenone Veronese was an Italian painter of the Renaissance period. He is different but a near-contemporary of Michele da Verona.