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Isaac and Jacob is a 1637 painting by Jusepe de Ribera, which since 1918 has been in the Prado Museum.

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Rebecca and Eliezer at the Well is an oil painting by Italian artist Carlo Maratta, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It shows the story of Abraham's servant Eliezer giving Rebecca jewels to seal her betrothal to Isaac, after she had demonstrated the kindness foreseen by Abraham in offering water to Eliezer's camels.

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The Return of the Dove to the Ark is a painting by Sir John Everett Millais, completed in 1851. It is in the Thomas Combe collection at the Ashmolean Museum, Oxford.

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Scene from the Great Flood or The Great Flood is an 1826 painting of Noah's flood by Joseph-Désiré Court. It was first exhibited at the Paris Salon on 4 November 1827 although - as a laureate of the Prix de Rome - he could not compete for the awards of that Salon. The French state purchased the work for 3000 francs and it is now in the Museum of Fine Arts of Lyon.

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The Tower of Babel was the subject of three paintings by Pieter Bruegel the Elder. The first, a miniature painted on ivory, was painted while Bruegel was in Rome and is now lost. The two surviving paintings, often distinguished by the prefix "Great" and "Little", are in the Kunsthistorisches Museum, Vienna and the Museum Boijmans Van Beuningen in Rotterdam respectively. Both are oil paintings on wood panels.

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The Trinity is an icon created by Russian painter Andrei Rublev in the 15th century. It is his most famous work and the most famous of all Russian icons, and it is regarded as one of the highest achievements of Russian art. Scholars believe that it is one of only two works of art that can be attributed to Rublev with any sort of certainty.

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The Villa La Pelucca frescoes are a 1520-1523 cycle of frescos by Bernardino Luini, commissioned by the Milanese nobleman Gerolamo Rabia for his villa near Monza, known as 'La Pelucca'. Most of the surviving fragments are in the Pinacoteca di Brera in Milan, though others are in the Wallace Collection in London, the Louvre in Paris, the Musée Condé in Chantilly and other private collections. Stylistically they shown the influence of Bramantino - Women Bathing the figure's shoulders is a homage to the Trivulzio Tapestries, particularly February from that cycle.