Black CircleW
Black Circle

Black Circle is a 1924 oil on canvas painting by the Kiev-born Russian artist Kazimir Malevich, founder of the Russian Suprematism movement. From the mid-1910s, Malevich abandoned any trace of figurature or representation from his paintings in favour of pure abstraction.

Cemetery, New Mexico (Marsden Hartley)W
Cemetery, New Mexico (Marsden Hartley)

Cemetery, New Mexico is an early 20th century painting by American artist Marsden Hartley. Done in oil on canvas, the painting depicts a cemetery in Taos Pueblo, New Mexico. The work is in the collection of the Metropolitan Museum of Art.

Dempsey and FirpoW
Dempsey and Firpo

Dempsey and Firpo is a 1923–1924 oil canvas painting by George Bellows, depicting the September 14, 1923 boxing match between American Jack Dempsey and Argentine Luis Firpo. As time passed by it has become Bellows' most famous painting. The work has been in the collection of the Whitney Museum of Art since the museum's opening in 1931.

Miss CollinsW
Miss Collins

Miss Collins is a 1924 portrait painting by Australian artist William Beckwith McInnes. The painting depicts Miss Gladys Neville Collins, the daughter of J.T. Collins, lawyer, Victorian State Parliamentary draughtsman, and trustee of the Public Library, Museums and National Gallery of Victoria.

The New AdamW
The New Adam

The New Adam is a painting by the Hungarian artist Sándor Bortnyik from 1924.

Portrait of Ambroise Vollard with a CatW
Portrait of Ambroise Vollard with a Cat

Portrait of Ambroise Vollard with a Cat is a painting by Pierre Bonnard, executed c. 1924. It is housed now in the Petit Palais in Paris.. Bonnard often painted its subject, the art dealer Ambroise Vollard.

The Squatter's Daughter (Lambert)W
The Squatter's Daughter (Lambert)

The Squatter's Daughter is a 1924 painting by Australian artist George Washington Lambert. It is part of the collection of the National Gallery of Australia in Canberra.

The Tilled FieldW
The Tilled Field

The Tilled Field is a 1923–1924 oil-on-canvas painting by Catalan painter Joan Miró, depicting a stylised view of his family's farm at Mont-roig del Camp in Catalonia. The painting shows development from Miró's earlier works, such as The Farm, and is considered to be one of his first Surrealist works, created around the same time as the more abstracted Catalan Landscape . It is held by the Solomon R. Guggenheim Museum in New York.