
Portrait of a Man is a c.1522 oil on panel painting by Rosso Fiorentino, now in the National Gallery of Art in Washington.

Portrait of a Man in Black or Man in Black in Profile is a c.1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence. Vasari's Life of Rosso Fiorentino briefly states that he saw several portraits by the artist in homes in Florence, probably produced before Rosso left for Volterra in 1521. How Man entered the Medici-Lorraine collections is unknown, since the first definite mention of the work is an 1815 inventory placing it in the Galleria's Sala dell'Iliade.

Portrait of a Young Man is a oil on wood painting by Rosso Fiorentino, executed c. 1517-1518, now in the Gemäldegalerie, Berlin.

Portrait of a Young Man holding a Letter is a oil on panel painting by Rosso Fiorentino, executed in 1518, now in the National Gallery, London. It is dated 22 June 1518 on the letter held by the unidentified young man in black hat and clothes.

Portrait of a Young Man in Black is a oil on panel painting by Rosso Fiorentino, executed c. 1520, now in the Uffizi in Florence. Its present attribution was assigned by Antonio Natali, director of the Uffizi, replacing a previous attribution to Domenico Puligo.

Portrait of a Young Man Seated on a Carpet is a c. 1525–1527 oil on panel painting by Rosso Fiorentino, now in the National Museum of Capodimonte. Its subject is unknown.

Portrait of a Young Man with a Helmet is a c.1520 oil on panel painting by Rosso Fiorentino, now in the Walker Art Gallery in Liverpool. It is signed "Rubeus faciebat" on the edge of the armrest. Its subject is unknown, but may be the count of Anguillara, in whose home Rosso probably stayed in summer 1524.

Portrait of a Young Woman is a c.1510 oil on canvas painting, usually attributed to Rosso Fiorentino, though Giovanni Larciani has also recently been suggested as its artist. It is now in the Uffizi in Florence. It is usually thought to be an early work by Rosso, produced before the frescos of the Chiostrino dei Voti at Santissima Annunziata, Florence, though its sharp style makes it hard to give a definite attribution to Rosso.