WFinnmark, Winter is a painting by Norwegian artist Anna-Eva Bergman in 1966. The picture was made with metal foil on canvas and has dimensions of 150 x 300 cm.
WPeter Getting Out of Nick's Pool is an acrylic-on-canvas painting by the British pop art artist David Hockney, completed in 1966. It depicts the rear view of a naked man climbing out of a swimming pool outside a contemporary house. It is held at the Walker Art Gallery in Liverpool.
WThe Pink Lady was a short-lived painting on a rock face near Malibu, California in 1966. The painting was created by Lynne Seemayer (1936-2017), a paralegal from Northridge, California, and depicted a 60-foot (18m) tall, nude woman in a running position.
WPortrait of George Dyer Talking is an oil painting by Francis Bacon executed in 1966. It is a portrait of his lover George Dyer made at the height of Bacon's creative power. It depicts Dyer sitting on a revolving office stool in a luridly coloured room. His body and face are contorted, and his legs are tightly crossed. His head appears to be framed within a window or door. Above him is a naked hanging lightbulb, a favourite motif of Bacon's. The work contains a number of spatial ambiguities, not least that Dyer's body seems to be positioned both in the fore- and background.
WQuince and Teapot is a decorative still life of Russian painter Victor Kuzmich Teterin, which depicts the quince fruit and teapot on a silver tray.
WThree Studies of Muriel Belcher is an oil on canvas triptych painting by the Irish born English artist Francis Bacon, completed in 1966. It portrays Muriel Belcher, described by musician George Melly as a "benevolent witch", and the charismatic founder and proprietress of The Colony Room Club, a private drinking house at 41 Dean Street, Soho, London, where Bacon was a regular throughout the late 1940s to late 1960s. The two became friends soon after she opened the club in 1948, and Bacon helped her cultivate its reputation as a seedy but convivial meeting place for artists, writers, musicians, homosexuals and bohemians. At its height, regular patrons included Lucian Freud, Jeffrey Bernard, John Deakin and Henrietta Moraes.
WWho's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to Who's Afraid of Virginia Woolf?, the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons.
WWolfeboro I is a 1966 abstract painting by Frank Stella. It is currently in the collection of the San Francisco Museum of Modern Art.
WYellow and Green Brushstrokes is a 1966 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures. It is located at the Museum für Moderne Kunst in Frankfurt, Germany. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism. It is in the collection of the Museum für Moderne Kunst..