W"Amnesia" is the second single from Chumbawamba's album Tubthumper. The song's lyrics address the sense of betrayal that English leftists felt during the rise of New Labour. Released on 19 January 1998, the song was met with favorable reception from critics, who regarded the song as a highlight from Tubthumper.
W"Drip Drip Drip" is a song by British alternative band Chumbawamba, from their eighth studio album, Tubthumper.
WEnough Is Enough is an anti-fascist single from Chumbawamba & Credit to the Nation, on Chumbawamba's album Anarchy. It reached #56 on UK charts in 1993 and was supported by a music video, which can be seen here.
W"Her Majesty" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is a brief tongue-in-cheek music hall song. Although credited to the band, McCartney is the only Beatle to appear on the track. "Her Majesty" is the final cut on the album and appears 14 seconds after the previous song "The End," but was not listed on the original sleeve. As such, it is considered one of the first examples of a hidden track in rock music. The song is a music hall style number reminiscent of George Formby.
WReadymades is the tenth studio album by Chumbawamba. It also features vocal samples from contemporary and traditional folk artists, some of whom Chumbawamba would go on to work with in the future. The album's title refers to the use of everyday objects as art by Marcel Duchamp.
W"Homophobia" is a song by English rock band Chumbawamba from their sixth studio album Anarchy (1994). A remixed version of the song featuring the Sisters of Perpetual Indulgence, titled the "Sisters Mix" was released as the third single from the album in 1994. Concerning the topic of modern homophobia, the song remained a regular part of Chumbawamba's live set from its initial release in 1994 up to the band's retirement in 2012. Live recordings of the song are featured on Chumbawamba's two live albums Showbusiness! and Get On with It.
W"I Still Haven't Found What I'm Looking For" is a song by Irish rock band U2. It is the second track from their 1987 album The Joshua Tree and was released as the album's second single in May 1987. The song was a hit, becoming the band's second consecutive number-one single on the US Billboard Hot 100 while peaking at number six on the UK Singles Chart.
W"Jacob's Ladder " is a song by English rock band Chumbawamba. An earlier version of the song, criticizing Winston Churchill, was included on their 2002 studio album Readymades, but in response to the incipient Iraq War, the group rewrote the song as a broader criticism of war. It has been described as an anti-war song, and incorporates folk influences as well as sampling.
WUneasy Listening is a compilation album by anarcho-punk band Chumbawamba. It contains songs from the time of their first album Pictures of Starving Children Sell Records up to 1998.
WChumbawamba were an English rock band that formed in 1982 and disbanded in 2012. The band drew on genres such as punk rock, pop, and folk. Their anarcho-communist political leanings led them to have an irreverent attitude toward authority, and to espouse a variety of political and social causes including animal rights and pacifism and later regarding class struggle, Marxism, feminism, gay liberation, pop culture, and anti-fascism.
W"Revolution" is the first single released in vinyl format by the band Chumbawamba on their label Agit-Prop Records.
W"She's Got All the Friends That Money Can Buy" is the first single released from Chumbawamba's album WYSIWYG. The song's lyrics describe a wealthy socialite who's benefited from her parents' wealth. Upon its release, the song received mixed reviews from critics and was generally unsuccessful, failing to enter the UK Singles Chart or the Billboard Hot 100 and receiving very little airplay. The song's B-side, "Passenger List for Doomed Flight #1721", was subject to controversy upon its release, due to its lyrics' criticism of a number of prominent social figures.
W"Smash Clause 28! Fight the Alton Bill!" is a 1988 single from anarcho-punk band Chumbawamba on their Agit Prop Records label. It is a benefit record for the London Lesbian and Gay Switchboard and the Women's Reproductive Rights Campaign.
W"(Someone's Always Telling You How To) Behave" is a single from Chumbawamba, a different version than the song "Behave" from their album Shhh, with a faster tempo and no trumpet or samples.
W"Timebomb" is a single from Chumbawamba's album Anarchy. It reached #59 on UK Charts in 1993. The album version of "Timebomb" combined elements of both the main single version and the "Techno Timebomb" remix, which included as a B-side on this single.
W"Tony Blair" is a single by Chumbawamba which was made available exclusively to the United Kingdom mailing list as a Christmas present in December 1999.
W"Top of the World " is a stand-alone single from Chumbawamba. It was released in June 1998, and the single reached number 21 on the UK Singles Chart. It was also featured on the World Cup 1998 compilation album Music of the World Cup: Allez! Ola! Ole!. Their 1997 album Tubthumper was re-issued with this song on the album.
W"Tubthumping" is a song released by British rock band Chumbawamba from their eighth studio album, Tubthumper (1997). It is the band's most successful single, peaking at number two on the UK Singles Chart. It topped the charts in Australia, Canada, Ireland, Italy, New Zealand and hit number six on the US Billboard Hot 100. At the 1998 Brit Awards, "Tubthumping" was nominated for the Brit Award for Best British Single. It sold 880,000 copies in the UK.
W"Ugh! Your Ugly Houses!" is a song by Chumbawamba. Released in 1995, it served as the lead single from the group's seventh studio album, Swingin' with Raymond. It was later featured on the group's 1999 compilation, Uneasy Listening. The song criticizes the homes featured in celebrity gossip magazines such as Hello. Upon its release, the song attained modest chart success in the United Kingdom, where it became their fourth chart entry, spending one week in the top 100. It was generally well-received by critics, who praised its humorous lyrics and composition.