
Amsterdam is the second album by The Lofty Pillars, released on September 18, 2001 through Atavistic Records.

Anhedoniac is the fourth studio album by rock musician Jarboe. It was released independently in 1998.

The Conduit is the eighth studio album by the rock artist Jarboe. It was released in 2005 on Atavistic Records.

Destroy All Nels Cline is an album by American guitarist Nels Cline which was released in April 2001 on the Atavistic label.

Dutch Harbor – Where the Sea Breaks Its Back is an album by post-rock/ambient musical collective Boxhead Ensemble, released on March 11, 1997 through Atavistic Records. It consists of an alternative live soundtrack for the 1998 documentary film Dutch Harbor.

Köln is the fourth live album by the free jazz group Last Exit, released in 1990 by ITM Records.

The Last Place to Go is a live album by Boxhead Ensemble, released on October 20, 1998 through Atavistic Records.

Machine Gun is the second album by German avant-garde jazz saxophonist Peter Brötzmann, originally released on his BRÖ label in 1968.

The Men Album is the sixth solo studio album by Jarboe, released on October 17, 2005 by Atavistic Records.

Michael Krassner is the eponymously titled debut solo album of composer Michael Krassner, released on May 18, 1999 through Atavistic Records.

Nipples is a 1969 album by free jazz saxophonist Peter Brötzmann, originally released on the Calig record label. The title track is performed by a sextet comprising Brötzmann, Evan Parker, Derek Bailey (guitar), Fred Van Hove (piano), Han Bennink (drums), and Buschi Niebergall (bass). The other track featured, "Tell a Green Man", is performed by a quartet made up of Brötzmann, Van Hove, Niebergall, and Bennink.

Pieces of Light is an album by mult-instrumentalist and composer Joe McPhee with John Snyder on synthesizer recorded in 1972 and originally released on the CjR label, then reissued by Atavistic in 2005.

Quartets is the second album by Boxhead Ensemble, released on October 7, 2003 through Atavistic Records.

Real Time is an album by American jazz reedist Ken Vandermark, which was released in 1997 on Eighth Day Music and reissued in 2000 with new artwork by Atavistic. He leads the quartet Steam with pianist Jim Baker, bassist Kent Kessler and drummer Tim Mulvenna. The band was formed in part to dip into the repertoire of the post-changes jazz tradition, playing live covers of tunes by Anthony Braxton, Sun Ra, Ornette Coleman and Eric Dolphy. On their debut, the group chose exclusively to deal with its own pieces: six by Vandermark and three by Baker.

Secrets of the Sun is an album by the American Jazz musician Sun Ra and his Solar Arkestra. The album is considered one of the more accessible recordings from his 'Solar' period. Originally released on Ra's own Saturn label in 1965, the record was unavailable for many years before being reissued on compact disc by Atavistic in 2008. 'Marking a transition in its development between the advanced swing of the early Chicago-era recordings and the increased free-form experimentation of its New York tenure, this album also reveals the first recorded versions of two Ra standards, "Friendly Galaxy" and "Love in Outer Space." Accessible, yet segueing into vanguard territory, this album highlights a fertile period in the Arkestra's history. Looser and more aggressive than its Chicago recordings, these pieces find the Arkestra pushing at the limits of harmony and tonality.' Troy Collins

Simpatico is an album by American jazz reedist Ken Vandermark, which was recorded in 1998 and released on Atavistic. It was the third recording of the Vandermark 5, the first with Dave Rempis replacing former saxophonist Mars Williams.

Single Piece Flow is an album by American jazz reedist Ken Vandermark, which was recorded in 1996 and released on Atavistic. It was the debut of the Vandermark 5, which features Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.

Some Blues But Not the Kind That's Blue is an album by jazz composer, bandleader and keyboardist Sun Ra and his Arkestra recorded in 1977, originally released on Ra's Saturn label in 1977, and rereleased on CD on Atavistic's Unheard Music Series in 2008.

Soundtracks for the Blind is the tenth studio album by Swans. It was released as a double CD in 1996, through Young God Records. Soundtracks for the Blind was intended, as suggested by the title, to function as a sort of "soundtrack for a non-existent film." It was the last studio album released by the band until 2010's My Father Will Guide Me up a Rope to the Sky. A reissue of the album was released on July 20, 2018, marking the first time Soundtracks for the Blind was released on vinyl.

Straight Lines is an album by American jazz reedist Ken Vandermark, which was recorded in 1998 and released on Atavistic. The Joe Harriott Project, a pianoless quartet with four members of the Vandermark 5, plays the music of the Jamaican saxophonist Joe Harriott, transcribed and arranged by Vandermark. Three tunes are from the album Free Form and four from Abstract.

Strange Strings is an album by the American Jazz musician Sun Ra and his Astro Infinity Arkestra. Recorded in 1966, the album was released by 1967 on Sun Ra's own Saturn label. The record was reissued on compact disc by Atavistic in 2007. Strange Strings is a somewhat legendary album from the mid-'60s. "Worlds Approaching" is a great tune, anchored by a bass ostinato and timpani and featuring several fantastic solos... Off and on throughout the tune, Bugs Hunter applies near-lethal doses of reverb, giving the piece a very odd but interesting sound. "Strange Strings" is one of those songs that is likely to inspire some sort of "you call that music?" comment from your grandmother, or even from open-minded friends. It sounds like they raided the local pawnshop for anything with strings on it, then passed them out to the bandmembers. It's difficult to tell if some of these instruments have been prepared in some way, or if they're simply being played by untutored hands. There are also lots of drums and some viola playing from Ronnie Boykins that is also treated heavily with reverb. Despite the cacophony, there is a definite ebb and flow to the piece and what seem like different movements or themes. Whatever you think of the music contained, there's no denying that it produced some of the most remarkable sounds of the mid-'60s. If you don't like "out," stay clear of this one.' Sean Westergaard

Target or Flag is an album by American jazz reedist Ken Vandermark, which was recorded in 1997 and released on Atavistic. It was the second recording of the Vandermark 5, which features Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.

Two Brothers is the debut studio album of Boxhead Ensemble, released on August 21, 2001 through Atavistic Records.

We People Space with Phantoms is the second album recorded by the Chicago-based No wave band, The Scissor Girls. The album was recorded with the original Scissor Girls lineup, which at the time included, Azita Youssefi on bass guitar and vocal, SueAnne Zollinger on guitar, and Heather Melowic on drums. This was the final recording which included founding member SueAnne Zollinger, who left the band following the album's second recording session due to internal conflicts with band members. The album sat unreleased for two years before the Scissor Girls were able to find a label willing to release the material. Finally, in 1996 the Atatvistic record label agreed to issue the album. Kurt Kellison of Atavistic then offered the Scissor Girls a chance to record two further albums for the indie label, an offer which Youssefi and Melowic accepted, but which Kuvo declined.

When We Were Lost is the debut album of The Lofty Pillars, released on July 18, 2000, through Atavistic Records.

Zulutime is an album by guitarists Caspar Brötzmann and Page Hamilton, released in November 1996 through Atavistic Records.