36 Bearsville Records albums

Adventures in Utopia is the fourth studio album by Utopia.

Air Pocket is the second album by American keyboardist Roger Powell released on Bearsville Records in 1980. It includes 11 tracks all written, performed, and sung by the artist, and features Todd Rundgren on ebow guitar on one track. Other credits include John Holbrook, Cleve Pozar, and Mark Styles. Voted the #1 album of 1980 by a reader poll in Keyboard Magazine.

Boogie Motel is the eighth studio album by rock band Foghat, released in 1979. It was recorded at the Boogie Motel Studios in Port Jefferson, NY, and was certified gold in the US.

Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to The Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper". The first track, "I Just Want to Touch You", was written by Todd Rundgren for the Roadie soundtrack. It was rejected by the movie's producers for fear of legal action because it sounded so much like the Beatles. The original pressing was made to look like an early 1960s Beatles release, with custom inner sleeve advertising their previous three albums even down to the way the vinyl was mastered with wide bands of silence between each song.

Energized is the third album by the English hard rock band Foghat. It was released in January 1974 and certified as an RIAA Gold Record in the United States. The album also peaked at #34 on the Billboard 200.

The Ever Popular Tortured Artist Effect is Todd Rundgren's tenth studio album, released in 1982. The album is a return to the pop sound for which Rundgren is generally most lauded by critics. Considering it a contractual obligation, he spent little time working on Tortured Artist. However, the album was generally well-received, and Rundgren scored a hit with the novelty song "Bang the Drum All Day".

Faithful is Todd Rundgren's seventh album, released in 1976.

Foghat is the debut album by the band Foghat. The first of their two self-titled albums, it was released in 1972 on Bearsville Records.

Foghat is the second album, as well as the second self-titled album by the English rock band Foghat. It was released in March 1973, and is generally known by fans as Rock 'n' Roll, because of its cover picture depicting a rock and bread roll.

Fool for the City is the fifth studio album by English rock band Foghat, released on September 15, 1975. This was their first platinum album and features, along with the title track, their signature song "Slow Ride". This was also the first album the band recorded after the departure of founding member, Tony Stevens, and featured producer Nick Jameson on bass and keyboards, who also co-wrote the album's closing track, "Take It or Leave It", with Dave Peverett. Although featured in the photograph on the back cover of the album, Jameson is not known to have toured with Foghat in support of the album. Bassist Craig MacGregor was recruited shortly after the album's release, although Jameson would continue to produce and record intermittently with the band over the next couple decades.

A Fool's Paradise is the second studio album by the American band Lazarus. It was released in January 1973 by Bearsville Records, distributed by Warner Bros. Records. All of the songs were written by Bill Hughes with the exception of "Oklahoma Boy" written by Carl Keesee. The album was produced by Peter Yarrow and Phil Ramone. It received significant national airplay on leading progressive FM stations.

Girls to Chat & Boys to Bounce is the tenth studio album by blues rock band Foghat, released in 1981. It is the first with new guitarist Erik Cartwright. The album peaked at No. 92 on the Billboard 200, making it a slight improvement over the group's previous record, Tight Shoes. In addition, the album's single "Live Now, Pay Later" bubbled under the Billboard Hot 100 at No. 102 and also hit No. 15 on the Mainstream Rock chart.

Healing is Todd Rundgren's ninth studio album, released in 1981. The album's themes are spirituality and the human condition, something Rundgren had touched on many times in earlier works but never with the consistency exhibited here as every track explores a different aspect. The back cover image of the album shows the caduceus and a Qabalistic Tree of Life each overlaid by a treble clef, reflecting Rundgren's linking of his spirituality and music.

Hermit of Mink Hollow is the eighth album by American musician Todd Rundgren, released May 1978 on Bearsville Records. All of the instruments and vocals were performed solely by Rundgren. He intended the songs on the album to be performed on piano with minimal arrangements, apart from the bass, drums and voices, and for the material to showcase his newly refined singing ability.

In the Mood for Something Rude is the eleventh studio album by British hard rock band Foghat, released in 1982. All eight tracks on the album were penned by outside writers, and the record is something of a covers album in which the band applies its bluesy rock and roll style over a collection of R&B and country tunes.

Initiation is the sixth album by American musician Todd Rundgren, released May 23, 1975 on Bearsville Records. With this album, Rundgren fully embraced the synthesized prog sound he had begun exploring in more depth in his work with his band Utopia. However, unlike Utopia, in which Rundgren had limited himself to playing guitar, most of the synthesizers on Initiation were played and programmed by Rundgren himself.

Lazarus is the self-titled debut studio album by Texas band Lazarus. It was produced by Peter Yarrow and Phil Ramone, released in 1971 on the Bearsville Records label, and distributed by Warner Bros. Records. "Warmth of Your Eyes" was released as the first single in 1972. The album is considered one of the early albums of the Contemporary Christian movement.

Like This is the third studio album by the American power pop band the dB's, released in 1984 via Bearsville Records. The band recorded as a trio following the departure of Chris Stamey. The album includes a re-mixed version of "Amplifier", the lead single from their previous album, Repercussion.

Night Shift is the sixth studio album by the rock band Foghat. It was released in 1976 by Bearsville Records.

Norma Jean is the debut, and only, solo studio album by American R&B singer Norma Jean Wright, released on Bearsville Records in 1978. The album was produced by Bernard Edwards and Nile Rodgers of the band Chic, and was the project directly following the band's successful self-titled debut album Chic, which featured Wright on vocals.

Oops! Wrong Planet is the third studio album by American rock band Utopia. It delivers a markedly trimmed down, pop-oriented direction for the band following the progressively influenced previous album, Ra.

Ra is the second studio album and third release by Utopia on Bearsville Records, released in 1977. Rundgren planned on releasing the LP in 1976 on his own label "Ethereal Records" as the new 4 piece line up was not signed to Bearsville. Replete with an elaborate $250,000 stage show featuring a 22-foot-tall (6.7 m) pyramid and golden sphinx which took 18 months of prep, Ra was Rundgren's most ambitious live undertaking.

Rock and Roll Outlaws is the fourth album by Foghat, released in October 1974. The album cover shows a picture of the band near a Learjet in the Mojave Desert. Though the airplane displayed the band's logo, it did not belong to them; instead, the band simply borrowed it and stuck on the logo.

Runt is the self-titled debut album of the band Runt, commercially released September 1970. Runt was a trio consisting of Todd Rundgren, Hunt Sales (drums), and Tony Fox Sales (bass). The entire album was written and produced by Rundgren, formerly of Nazz, and he performed most of the instruments. Many regarded Runt as Rundgren's debut solo album, and later reissues credit the album to Rundgren rather than to the group.

Runt. The Ballad of Todd Rundgren is the second album by American singer-songwriter/musician Todd Rundgren, released in 1971. Most of the album's 12 tracks are piano-led ballads, with the only exceptions being the rock tunes "Bleeding" and "Parole" and the anthem "Chain Letter". As with his first album, this album was initially credited to "Runt". Rundgren himself wrote, arranged, and produced every tune on The Ballad of Todd Rundgren, as well as handling all the guitars, keyboards, and vocals.

Sparks, originally titled Halfnelson, is the debut album by the Los Angeles rock band Sparks. The album was first released as Halfnelson, the band's original name, and reissued a year later under the group’s new name.

Stone Blue is the seventh studio album by English hard rock band Foghat, released in May 1978 on Bearsville Records. "Stone Blue" paired Foghat with producer Eddie Kramer, who had previously engineered recordings for Jimi Hendrix and Led Zeppelin. Kramer and Foghat did not collaborate smoothly, but the tension in the studio may have helped to give the album an added edge. Besides the title track, "Stone Blue" contained a ferocious cover of Robert Johnson's "Sweet Home Chicago," reasserting the band's blues credentials.

Swing to the Right is the sixth studio album by Utopia. It followed the Beatles parody-homage Deface the Music. Swing to the Right moves into hard-edged commentary on corporate raiders, warmongers, political villains, and despicable music industry moguls. There is little in the way of progressive rock on this album, which is limited to its title track.

Tight Shoes is the ninth studio album by the classic rock band Foghat. It was released in 1980 on Bearsville Records. This was also the last release Rod Price participated on until 1994's Return of the Boogie Men.

Todd is the fifth album and second double album by American musician Todd Rundgren, released in February 1974 on Bearsville Records. It is the follow-up to the previous year's A Wizard, a True Star and features a comparatively heavier reliance on guitar playing and synthesizers. About half of the tracks were performed by Rundgren alone, with the other half recorded with varying configurations of musicians. In the US, the album peaked at number 54, while lead single "A Dream Goes On Forever" reached number 69.

Todd Rundgren's Utopia is the debut album by the American band Todd Rundgren's Utopia. Rundgren had decided to delve into progressive rock. Putting together several musicians, including three keyboardists, the album covers a variety of styles including funk, jazz, classical and even avant-garde music.

Warmer is the debut album by American singer-songwriter Randy VanWarmer.

Windy City Breakdown is the first solo album by the keyboard player and guitarist Jonathan Cain.

A Wizard, a True Star is the fourth album by American musician Todd Rundgren, released March 2, 1973 on Bearsville Records. It marked a departure from his previous, Something/Anything? (1972), with its lesser reliance on straightforward pop songs, a development he attributed to his experimentation with psychedelic drugs and his realization of "what music and sound were like in my internal environment, and how different that was from the music I had been making."

A Woofer in Tweeter's Clothing is the second studio album by the American rock band Sparks. It was released in 1973 and includes the single "Girl from Germany". It was the last release by the original five-member incarnation of Sparks.

Zig-Zag Walk is the twelfth studio album by British hard rock band Foghat, released in 1983. Unlike the previous year's In the Mood for Something Rude, which consisted of all outside material, lead singer Dave Peverett wrote five of the album's ten songs, with guitarist Erik Cartwright contributing a sixth. A few of the songs are given a rockabilly treatment augmenting the blues rock the band is better known for. It would be the band's last album for over a decade until their comeback album, Return of the Boogie Men, in 1994.