WMichael Bennett was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven.
WJack Cole was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance".
WKatherine Dunham was an African-American dancer, choreographer, creator of the Dunham Technique, author, educator, anthropologist, and social activist. Dunham had one of the most successful dance careers in African-American and European theater of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."
WRobert Louis Fosse was an American dancer, musical-theatre choreographer, actor and theatre and filmmaker. He directed and choreographed musical works on stage and screen, including the stage musicals The Pajama Game (1954), Damn Yankees (1955), How to Succeed in Business Without Really Trying (1961), Sweet Charity (1966), Pippin (1972), and Chicago (1975). He is also is known as a filmmaker having directed such films as Sweet Charity (1969), Cabaret (1972), Lenny (1975), and All That Jazz (1979).
WEugene Curran Kelly was an American actor, dancer, singer, filmmaker, comedian and choreographer. He was known for his energetic and athletic dancing style, his good looks, and the likable characters that he played on screen. He starred in, choreographed, or co-directed some of the most well-regarded musical films of the 1940s and 1950s, until they fell out of fashion in the late 1950s.
WCatherine Joy "CJ" Perry is an American professional wrestler, professional wrestling manager, actress, dancer, model, and singer. She is signed to the professional wrestling promotion WWE, where she performs on the Raw brand under the ring name Lana.
WMia Michaels Melchiona is an American choreographer and judge on the television show So You Think You Can Dance. She has worked with Tom Cruise, Celine Dion, Gloria Estefan, Madonna, Ricky Martin, Prince, and Catherine Zeta-Jones. In 2005 she choreographed Cirque du Soleil's world tour Delirium and Celine Dion's A New Day, for which she received an Emmy Award nomination. In 2007 she won a Primetime Emmy Award for Outstanding Choreography for her routine on "Calling You" during season two of So You Think You Can Dance. She won another Emmy Award during season five in 2010. She was a judge during season 7 with Adam Shankman and Nigel Lythgoe. She choreographed the dance sequence for "Get Happy" in the episode "Bombshells" of the television series House.
WMichael Douglas Peters was an African American choreographer and director who is best known for his innovative choreography in music videos.
WJerome Robbins was an American choreographer, director, dancer, and theater producer who worked in classical ballet, on stage, film, and television. Among his numerous stage productions were On the Town, Peter Pan, High Button Shoes, The King and I, The Pajama Game, Bells Are Ringing, West Side Story, Gypsy, and Fiddler on the Roof. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for West Side Story.
WVera-Ellen was an American dancer and actress. She is remembered for her solo performances as well as her work with partners Fred Astaire, Gene Kelly, Danny Kaye, and Donald O'Connor. She is best known for her starring roles in On the Town with Kelly and White Christmas (1954) with Kaye.
WGwyneth Evelyn "Gwen" Verdon was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and served as an uncredited choreographer's assistant and specialty dance coach for theater and film. With flaming red hair and a quaver in her voice, Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s. Having originated many roles in musicals she is also strongly identified with her second husband, director–choreographer Bob Fosse, remembered as the dancer–collaborator–muse for whom he choreographed much of his work and as the guardian of his legacy after his death.