
The Canadian Historical Dinner Service, originally called the Cabot Commemorative State Dinner Service, is 204-piece eight-course dinner service with 24 place settings of hand-painted porcelain. It was created in 1896–97 to commemorate the 400th anniversary of the first visit to Canada by a European, John Cabot. The illustrations all have Canadian subjects, and no two pieces are the same.

The china service of the Lincoln administration generally refers to a set of purple-banded china (porcelain) dishes used for serving and eating food at the White House, home of the President of the United States. Also known as the Lincoln solferino china service, it was purchased in April 1861 by First Lady Mary Todd Lincoln. The porcelain was manufactured by Haviland & Co. in France, and some of the decoration of the china was made overseas. Additional decoration was made by the American firm of E. V. Haughwout & Co., which sold the china to Mrs. Lincoln.

This covered jar with a carp design is a piece of porcelain from the Jiajing period of the Ming Dynasty in China, currently located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Created between 1522 and 1566, it is exceptionally large and elaborate and would have been a source of great prestige for its owner.

The Double Peacock Service is a royal dining service made of fine quality hard-paste porcelain. Produced on demand in China in the 18th century, it was brought to Europe and sold by the East India Company. Technically, it is very characteristic of the Chinese Export Porcelain dinner services made in China to be used in Europe.

The Fonthill Vase, also called the Gaignières-Fonthill Vase after François Roger de Gaignières and William Beckford's Fonthill Abbey, is a bluish-white Qingbai Chinese porcelain vase dated to 1300-1340 AD. It is the earliest documented Chinese porcelain object to have reached Europe. The vase was made in Jingdezhen, China, and comes from the final years of Qingbai ware in Jingdezhen before it was replaced by the new blue and white porcelain, which started in earnest after 1320. It is an unusual "experimental" vase with applied relief decoration in the medallions, in the usual monochrome blueish-white Qingbai glaze.

The Kakiemon elephants are a pair of 17th century Japanese porcelain figures of elephants in the British Museum. They were made by one of the Kakiemon potteries, which created the first enamelled porcelain in Japan, and exported by the early Dutch East India Company. These figures are thought to have been made between 1660 and 1690 and are in the style known as Kakiemon. They were made near Arita, Saga on the Japanese island of Kyūshū at a time when elephants would not have been seen in Japan.
The Londonderry Vase is a hard-paste porcelain vase, standing at 54 inches tall. It is decorated with polychrome enamels, gilding and gilt bronze mounts. It bears the Sèvres mark, two intersecting Ls with a letter in the center denoting its creation year (1813-1815) and a crown over the L's to mark it as hard-paste. The vase was commissioned by Napoleon around 1805 to be created by the Sèvres Manufactory. The vase is currently on display at the Art Institute of Chicago.

The Möllendorff Dinner Service of Meissen porcelain was designed in about 1762 by Frederick II the Great, King of Prussia (1712–86), in collaboration with Karl Jacob Christian Klipfel, a Meissen artist and musician. Some of the figures were modelled by Johann Joachim Kändler (1706–75). The factory's renown was in great part due to the ingenuity of Kändler, a court sculptor who became chief modeller for Meissen and worked there for 42 years. The service, which originally consisted of over 960 pieces, was presented to the Prussian Major-General Wichard Joachim Heinrich von Möllendorf (1724–1816), as a reward for his military achievements during Frederick II's Seven Years' War (1756–63) against Austria for possession of Silesia.

The Porcelain Tower of Nanjing, part of the former Great Bao'en Temple, is a historical site located on the south bank of external Qinhuai River in Nanjing, China. It was a pagoda constructed in the 15th century during the Ming dynasty, but was mostly destroyed in the 19th century during the course of the Taiping Rebellion. A modern life size replica of it now exists in Nanjing.

Pot pourri à vaisseau or pot pourri en navire is the shape used for a number of pot-pourri vases in the form of masted ships, first produced between the late 1750s to the early 1760s by the Sèvres manufactory near Paris. The colours and details of the painted decoration vary between examples, as is typical of Sèvres porcelain, and one example is on a later gilt wood stand. The openwork lid lifts off to allow refilling of the pot-pourri. The shape was eventually produced in two or three versions, at slightly different sizes. It was first designed in 1757, probably by Jean-Claude Duplessis, the artistic director of the factory. The first surviving finished example dates to 1759. Another name for them is vaisseau à mat.

The Swan Service is a large service of baroque Meissen porcelain which was made for the First Minister of the Electorate of Saxony and favourite of king Augustus III of Poland, Heinrich von Brühl. Augustus had made Brühl the Supervisor of the Meissen works in 1733, then in August 1739 its director. The Swan Service has been called "the most famous high baroque production in Meissen porcelain", "a triumph of modelling and firing", and "the most fabulous tableware conceived in porcelain". After earlier work with prototypes, the Meissen designers and modellers Johann Joachim Kändler, Johann Friedrich Eberlein and Johann Gottlieb Ehder created the service, which consists of over 2,200 individual pieces, between 1737 and 1741 or 1742.
The Sydney punchbowls, made in China during the Jiaqing Emperor's reign (1796–1820) over the mid-Qing dynasty, are the only two known examples of Chinese export porcelain hand painted with Sydney scenes and dating from the Macquarie era. The bowls were procured in Canton about three decades after the First Fleet's arrival at Port Jackson where the British settlement at Sydney Cove was established in 1788. They also represent the trading between Australia and China via India at the time. Even though decorated punchbowls were prestigious items used for drinking punch at social gatherings during the 18th and 19th centuries, it is not known who originally commissioned these bowls or what special occasion they were made for.

Metropolitan Museum of Art has an early 19th century Chinese export porcelain tureen in its collection. The porcelain tureen was produced in Qing dynasty china for export to the United States as part of the Old China Trade; as such, the work features both Chinese depictions of leaves, greenery and an eagle bearing a shield, olive branch, and arrows. The tureen was originally part of a service.
This vase with a nine peach design is part of the Chinese collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It is a fine piece of Jingdezhen porcelain with overglaze decoration dating from the Qianlong period of the Qing dynasty, so it was made between 1736 and 1795.

The White House china refers to the various patterns of china (porcelain) used for serving and eating food in the White House, home of the president of the United States. Different china services have been ordered and used by different presidential administrations. The White House collection of china is housed in the White House China Room. Not every administration created its own service, but portions of all china services created for the White House are now in the China Room collection. Some of the older china services are used for small private dinners in the President's Dining Room on the Second Floor.