
Anne Bogart is an American theatre and opera director. She is currently one of the Artistic Directors of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Concentration and is the author of three books of essays on theater making: A Director Prepares; And Then, You Act; and What's the Story. She is a co-author, with Tina Landau of The Viewpoints Book, a "practical guide" to Viewpoints training and devising techniques. Conversations with Anne, a collection of interviews she has conducted with various notable artists was published in March 2012.

Esser Leopold Breuer was an American playwright, theater director, academic, educator, filmmaker, poet, and lyricist. Breuer taught and directed on six continents.

Frank Castorf is a German theater director and was the artistic director of the Volksbühne am Rosa-Luxemburg-Platz from 1992 to 2015. His work is often associated with postdramatic theatre.

Richard Foreman is an American avant-garde playwright and the founder of the Ontological-Hysteric Theater.

Arvind Gaur is an Indian theatre director known for innovative, socially and politically relevant plays in India. Gaur's plays are contemporary and thought-provoking, connecting intimate personal spheres of existence to larger social political issues. His work deals with Internet censorship, communalism, caste issues, feudalism, domestic violence, crimes of state, politics of power, violence, injustice, social discrimination, marginalisation, and racism. Arvind is the leader of Asmita, Delhi's "most prolific theatre group", and is an actor trainer, social activist, street theatre worker and story teller.

C. J. Hopkins is an American playwright, novelist, and political satirist. Among his works are the plays Horse Country, screwmachine/eyecandy and The Extremists.

Sarah Kane was an English playwright, screenwriter and theatre director. She is known for her plays that deal with themes of redemptive love, sexual desire, pain, torture—both physical and psychological—and death. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form and, in her earlier work, the use of extreme and violent stage action.

Young Jean Lee is an American playwright, director, and filmmaker. She was the Artistic Director of Young Jean Lee's Theater Company, a not-for-profit theater company dedicated to producing her work. She has written and directed ten shows for Young Jean Lee's Theater Company and toured her work to over thirty cities around the world. Lee was called "the most adventurous downtown playwright of her generation" by Charles Isherwood in The New York Times and "one of the best experimental playwrights in America" by David Cote in Time Out New York. With the 2018 production of Straight White Men at the Hayes Theater, Lee became the first Asian American woman to have a play produced on Broadway.

Heiner Müller was a German dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre.

Suzan-Lori Parks is an American playwright, screenwriter, musician and novelist. Her 2001 play Topdog/Underdog won the Pulitzer Prize for Drama in 2002; Parks was the first African-American woman to receive the award for drama.

Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be live, through documentation, spontaneously or written, presented to a public in a Fine Arts context, traditionally interdisciplinary. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant garde art.

The Saratoga International Theater Institute is an ensemble-based theater company based in New York City and Saratoga Springs, New York. It three components are supporting the creation of new work, training young theater artists, and committing to international collaboration.

Robert Wilson is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist.'" He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.