
The Association of Polish Artists and Designers is an official association of professional artists in Poland, representing more than 8,500 learned artists working in the field of visual arts, including: painting, sculpture, graphic design, interior and set design, ceramics, fabric arts, as well as new media, and art restoration.

Bangladesh Cartoonist Association (BANCARAS) is an organization of the cartoonists of Bangladesh established in January 2011. The aim of the organization is to work as a common platform for countrywide cartoonists. BANCARAS keeps cartoonists connected by gathering with the work and thought of them. BANCARAS plans to arrange several cartoon exhibitions every year focusing different issues, as well as regular cartoon workshops.

The International Council of Design is an international organisation representing the professions of design. The Council was founded in London in 1963 and celebrated its 50th anniversary on 27 April 2013. It is a non-profit, non-partisan, "member-based network of independent organisations and stakeholders working within the multidisciplinary scope of design."

Kvindelige Kunstneres Samfund (KKS) or Society of Female Artists is a Danish organization which strives to enable women to work as professional artists on equal terms with their male counterparts. KKS was founded by the painters Marie Henriques and Helvig Kinch on 7 February 1916. With the support of the painter Anna Ancher and the sculptor Anne Marie Carl-Nielsen, 75 artists attended the inaugural meeting. Today the organization has over 250 members.

The Professional Picture Framers Association / PPFA is an international trade organization serving the art and framing community worldwide since 1971. Members include independent frame shop owners and staff, distributors and manufacturers of picture frame mouldings, supplies and equipment, art galleries, artists, and other businesses in the custom picture framing industry.

The Seattle Cartoonists' Club was an association in Seattle, Washington, of editorial cartoonists and caricaturists in the early 20th century. Working for different papers and companies associated with publishing, the men got together to produce joint works. The men were important for their role in documenting Seattle's culture and for their editorializing. Their books were works that blend the serious with the nonsensical.

The Society of Wood Engravers (SWE) is a UK-based artists’ exhibiting society, formed in 1920, one of its founder-members being Eric Gill. It was originally restricted to artist-engravers printing with oil-based inks in a press, distinct from the separate discipline of woodcuts. Today, its support extends to other forms of relief printmaking, and awards honorary membership to collectors and enthusiasts.