WAesthetic Journalism: How to Inform Without Informing is a book by Italian writer, curator and artist Alfredo Cramerotti. Recognising the "blurring of margins between artistic and information practices" as a main feature in contemporary culture, Cramerotti sets out the Who, What, Where, When and How, and Why of Aesthetic Journalism.
WThe Aesthetic Mind: Philosophy and Psychology is a 2011 book edited by Elisabeth Schellekens and Peter Goldie. The contributors try to provide a new understanding of aesthetics and the experience of art based on philosophical reflections and evidence from empirical sciences.
WAesthetic Theory is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970. Although anchored by the philosophical study of art, the book is interdisciplinary and incorporates elements of political philosophy, sociology, metaphysics and other philosophical pursuits in keeping with Adorno's boundary-shunning methodology.
WAesthetics and Morality is a 2007 book by Elisabeth Schellekens, in which the author provides an account of the main ideas and debates at the intersection of aesthetics and moral philosophy.
WThe Critique of Judgment, also translated as the Critique of the Power of Judgment, is a 1790 book by the German philosopher Immanuel Kant. Sometimes referred to as the "third critique," the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788).
WThe Doors of Perception is a book by Aldous Huxley. Published in 1954, it elaborates on his psychedelic experience under the influence of mescaline in May 1953. Huxley recalls the insights he experienced, ranging from the "purely aesthetic" to "sacramental vision", and reflects on their philosophical and psychological implications. In 1956, he published Heaven and Hell, another essay which elaborates these reflections further. The two works have since often been published together as one book; the title of both comes from William Blake's 1793 book The Marriage of Heaven and Hell.
WInner Experience is a 1943 book by the French intellectual Georges Bataille. His first lengthy philosophical treatise, it was followed by Guilty (1944) and On Nietzsche (1945). Together, the three works constitute Bataille's Summa Atheologica, in which he explores the experience of excess, expressed in forms such as laughter, tears, eroticism, death, sacrifice and poetry.
WThe Invention of Art: A Cultural History (2001) is an art history book by Larry Shiner, Emeritus Professor of Philosophy, History, and Visual Arts at the University of Illinois, Springfield Shiner spent over a decade to finish the work of this book.
WThe Origin of the Work of Art is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing", marking the philosopher's first lectures on the notion of art.
WPhilosophy and Conceptual Art is a 2007 book edited by Elisabeth Schellekens and Peter Goldie. The contributors deal with the philosophical questions raised by conceptual art.
WThe Sense of Beauty is a book on aesthetics by the philosopher George Santayana. The book was published in 1896 by Charles Scribner's Sons, and is based on the lectures Santayana gave on aesthetics while teaching at Harvard University. Santayana published the book out of necessity, for tenure, rather than inspiration. In an anecdote retold by art critic Arthur Danto of a meeting with Santayana in 1950, Santayana was reported to have said that "they let me know through the ladies that I had better publish a book... on art, of course. So I wrote this wretched potboiler."