W20th Century Masters – The Millennium Collection: The Best of Phil Ochs is a brief compilation of Phil Ochs later works on A&M Records. Focusing heavily on his debut for the label, Pleasures Of The Harbor, offering five of its eight tracks, it only offered two tracks from his other three studio albums and only one from his 1974 live album. These selections tend to de-emphasize the folk leanings of those later albums while embracing the more experimental leanings.
WAmerican Troubadour is a 1997 British 2-CD set that presented a portrait of singer-songwriter Phil Ochs' later career, featuring selections from each of the five albums he recorded for A&M Records, from various non-album single sides and from a performance Ochs gave on March 13, 1969, in Vancouver, British Columbia. It is notable for the inclusion of Ochs' post-1970 single sides, otherwise unavailable on compact disc and for the inclusion of a cover of Chuck Berry's "School Days", a previously unavailable outtake from Ochs' infamous March 27, 1970, concert at Carnegie Hall.
WThe Broadside Tapes 1, alternatively known as Broadside Ballads, Vol. 14, was a compilation of demo recordings done by Phil Ochs for Broadside magazine in the early-to-late 1960s. Of the sixteen songs that appeared, ranging from the humorous to the depressing, all were new to listeners. It also included a song about the Profumo affair and it closed with a live cover of The Beatles' "I Should Have Known Better" featuring Eric Andersen on harmony vocals and harmonica.
WChords Of Fame was a 2-LP compilation of folksinger Phil Ochs' career, compiled by his brother shortly after Ochs' death in 1976. Released on A&M Records, it compiled tracks Ochs had recorded for both that label and Elektra Records. The compilation included several rarities:An electric version of "I Ain't Marching Anymore", released as a single in the UK in 1966 Both sides of a 1974 single: "Power and the Glory", recorded with a fife and drum corps "Here's to the State of Richard Nixon", a revision of "Here's to the State of Mississippi", taped live at Max's Kansas City An acoustic version of "Crucifixion" recorded at Carnegie Hall on March 27, 1970, at the show that had produced Gunfight at Carnegie Hall
WCross My Heart: An Introduction to Phil Ochs is a British best-of compilation of the U.S. folk singer's A&M recordings. The CD features three tracks each from Pleasures Of The Harbor, Tape From California, and Rehearsals For Retirement as well as two from Greatest Hits and one from Gunfight At Carnegie Hall, with the thirteenth track the B-side to his 1973 Africa-only single, "Niko Mchumba Ngobe." Overall, this is a more diverse collection than 2002's 20th Century Masters: The Millennium Collection: The Best of Phil Ochs, which tips the balance more heavily toward Pleasures of the Harbor.
WThe Early Years is a compilation of seven recordings Phil Ochs made for a Vanguard compilation in 1964 and twelve made at three Newport Folk Festivals in 1963, 1964 and 1966, the latter tracks previously released on the 1996 compilation Live at Newport.
WFarewells & Fantasies is the 1997 posthumous box set of the work of singer/songwriter Phil Ochs, chronicling his life and career in music from 1964 through 1970. With its non-chronological running order, it plays like three separate albums, each showcasing a different side of Ochs. The compilation was produced by Gary Stewart, Michael Ochs and Meegan Lee Ochs. Liner notes include a foreword by Meegan Lee Ochs, "The Sound of Freedom Callin'" by Michael Ventura and "Song of a Soldier: The Life and Times of Phil Ochs" by Mark Kemp, track-by-track explanations by Ben Edmonds, discography, selected bibliography, and many photographs, some of which are from the family's private collections. The box set is dedicated to a friend, co-writer, and inspiration to Phil Ochs, Bob Gibson, who died while the box set was in production. Its title comes from the back of Ochs' LP Tape from California.
WLive at Newport is a 1996 compilation on Vanguard Records of folk singer Phil Ochs' three appearances at the Newport Folk Festival, in 1963, 1964 and 1966. Presenting twelve tracks that also appear on his first, second, third, fourth and fifth albums, Ochs is at his peak as a folk singer throughout, singing anti-war songs alongside those espousing civil rights and worker's rights, and showcasing some more introspective numbers that would be dramatically rearranged on the fourth and fifth albums.
WSings For Broadside, alternatively known as Broadside Ballads, Vol. 10, was a 1976 compilation of songs that Phil Ochs had recorded for Broadside Magazine as demonstration recordings or at benefit shows for them. Initially, Ochs had hoped for the magazine to release one single concert, but when the material he presented to them came up far too short for a full LP and not featuring several of his best and well-known numbers, he suggested they splice on whatever they desired. The result was this album, which featured tracks recorded between about 1965 and about 1973.
WThere but for Fortune was a 1989 compilation that summed up the three albums that Phil Ochs recorded for Elektra Records between 1964 and 1966. The album drew heavily from the third, presenting ten of its eleven tracks, and presenting six and five respectively from the first and second.
WA Toast to Those Who Are Gone is a 1986 compilation album of recordings that Phil Ochs made in the early to mid-1960s, mostly between his contracts with Elektra Records and A&M Records. In line with recordings made on the former, Ochs espouses his left-leaning views on civil rights on songs like "Ballad of Oxford", "Going Down To Mississippi" and "Colored Town", his views on worker's rights on "No Christmas in Kentucky", his attack on the American Medical Association on "A.M.A. Song", and the unwilling hero on the title track.
WThe War Is Over: The Best of Phil Ochs is a 1988 compilation album of Phil Ochs' works on A&M Records recorded between 1967 and 1970. With varying amounts of tracks from the albums, between two and five, from each album except Gunfight At Carnegie Hall, it paints a portrait of Ochs' later works that does not emphasize his folk songs, instead presenting the more introspective and/or experimental tracks. It did feature a live version of "I Ain't Marching Anymore" later reissued as a part of the 1991 album that presented the entire concert from which it was culled, There And Now: Live in Vancouver 1968.