WAmerica Eats Its Young is the fourth album by Funkadelic, released in May of 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S.(United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would later appear on the cover of the album Standing On The Verge Of Getting It On.
WBy Way of the Drum is the 14th studio album by the American funk band Funkadelic. It was recorded between 1983 and 1985, but shelved until its release in 2007 on Hip-O Select. The original sessions were produced by George Clinton, while Harry Weinger and Alan Leeds serve as compilation producers.
WConnections & Disconnections is the 12th Funkadelic studio album, recorded without the involvement of bandleader George Clinton by original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas. The album was released under the title 42.9% in 1980 in Germany and in 1981 in the United States. It was reissued by Rhino Records in 1992 with the title Who's a Funkadelic? The album was produced by Greg Errico, the former drummer for Sly and the Family Stone, Haskins, Simon, and Thomas.
WCosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
WThe Electric Spanking of War Babies is the 13th studio album by the American funk band Funkadelic, released in April 1981 on Warner Bros. Records. The title is an allusion to the Vietnam War and baby boomers. Sly Stone contributed to the recording sessions, singing lead vocals on "Funk Gets Stronger ".
WFirst Ya Gotta Shake the Gate is the 16th studio album by the funk band Funkadelic. The album was released by The C Kunspyruhzy in 2014 and consists of newly recorded material.
WFree Your Mind... and Your Ass Will Follow is the second studio album by American funk band Funkadelic, released in July 1970 by Westbound Records.
WFunkadelic is the debut album by the American funk band Funkadelic, released in 1970 on Westbound Records.
WHardcore Jollies is the ninth studio album by the funk band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's last album for Westbound Records, Tales of Kidd Funkadelic, which was made up tracks recorded at the same sessions.
WLet's Take It to the Stage is the seventh album by American funk/soul/rock band Funkadelic. It was released in April 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.
WFunkadelic Live: Meadowbrook, Rochester, Michigan 12th September 1971 is a 1996 live release featuring the only official in-concert recording from early in the career of Funkadelic. Westbound Records owner Armen Boladian had decided to record the show without the band's prior notice, for a possible official live album release. Boladian then decided not to go forward with the project. The soundboard recording resided with engineer Ed Wolfram until being unearthed in 1996. The album contains the entire live performance of September 12, 1971 minus approximately three minutes of between-song chatter.
WMaggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
WMotor City Madness is a compilation album by Funkadelic featuring songs recorded for Westbound Records during the band's career with that label from 1968 to 1976. The compilation first appeared overseas in 2003, and was released in the United States in 2006.
WMusic For Your Mother is a compilation album by Funkadelic featuring songs recorded for Westbound Records during the band's career with that label from 1968 to 1976. The compilation includes the A-sides and B-sides of every Funkadelic single released during Funkadelic's tenure at Westbound. Some of the tracks here originated as alternate versions of album tracks or as non-album B-sides, and some were previously unreleased. Two tracks, "I Miss My Baby" and "Baby I Owe You Something Good" were originally released by Westbound under the group name U.S. Music With Funkadelic, which was probably meant to denote "U.S. with music by Funkadelic" or simply "U.S. with Funkadelic." U.S. refers to the band United Soul that had been discovered and produced by George Clinton in 1971, and which contained future Parliament-Funkadelic members Garry Shider and Cordell Mosson.
WOne Nation Under a Groove is the tenth studio album by American funk and rock band Funkadelic, released on September 22, 1978 on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, Michigan, with one song recorded live on April 15, 1978 at the Monroe Civic Center in Monroe, Louisiana. The album was the first album to include keyboardist and frequent songwriter Walter "Junie" Morrison.
WStanding on the Verge of Getting It On is the sixth studio album by Funkadelic, released on Westbound Records, released in July 1974.
WTales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976 on the Westbound record label. It was actually released after Funkadelic had left the label, in order to capitalize on Funkadelic's new-found fame. The tracks were outtakes recorded around the same time as Hardcore Jollies and given to Westbound by George Clinton as a contractual obligation. The tracks were belatedly thrown together by Westbound to form another album for release, Tales of Kidd Funkadelic. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
WToys is a compilation consisting of unreleased music by the funk band Funkadelic. It was released by Westbound Records in 2008 and consists of previously unreleased sessions recorded during the band's tenure for Westbound. The album was originally scheduled to be released in 2002, but was delayed numerous times, presumably due to legal issues. The CD also features a video clip of the song "Cosmic Slop", which can only be viewed on a PC.
WU.S. Music with Funkadelic is a self-titled album consisting of tracks recorded in the early 1970s by the band United Soul with input from members of Funkadelic. The album was released by Westbound Records in 2009, and was licensed by Ace Records for its European release.
WUncle Jam Wants You is the eleventh studio album by American funk band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did contribute some interior artwork. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
WThe Whole Funk & Nothing But the Funk is a 2005 compilation album by Funkadelic featuring songs recorded for Warner Bros. Records during the band's career with that label from 1976 to 1981. No Funkadelic recordings from any other record labels or time periods are included. The compilation includes two rarities: instrumental versions of "One Nation Under a Groove" and "The Electric Spanking of War Babies" that had originally appeared as B-sides.