WAcoustic Shards is Buckethead's second special release. It consists of acoustic recordings culled from tapes that were reportedly recorded on July 2, 1991, when Buckethead was 22 years of age. This album is considered more of a special release rather than his latest effort.
WBermuda Triangle is the eighth studio album by Buckethead. The album is primarily an electronica-based collaboration with Extrakd, who also produced and mixed the album.
WBolt on Neck is a collaboration album between guitarist Buckethead and That 1 Guy, collectively calling themselves Frankenstein Brothers. The album was originally only available on tour as of September 17, 2008 and sold at Buckethead shows, and released online at TDRS Music as of December 1.
WBucketheadland is the debut studio album by solo artist Buckethead. It was released on John Zornʼs Japanese record label, Avant, in 1992. It features several samples of the 1960s Japanese television series, Giant Robot, amongst guitar riffs and several fast, technical solos. The concept of the album is a tour around the construction of Bucketheadʼs fictional amusement park, “Bucketheadland”. Because of this, the album is divided into sections that relate to distinct areas of the park.
WBucketheadland 2 is the tenth studio album by guitarist Buckethead. Released in 2003, it is a sequel to his debut album, Bucketheadland, a concept album about his fictional "abusement" park. The album, in addition to featuring contributions from musicians Dan Monti, Bootsy Collins and Bryan Mantia, is one of Buckethead's most experimental works, containing abrupt tempo changes, spoken word segments, samples and distorted keyboard parts, as well as his usual guitar riffs and solos.
WColma is the fourth studio album by guitarist Buckethead. It was released on March 24, 1998, on CyberOctave records. The album was recorded for Buckethead's mother, who at the time was sick with colon cancer, and he wanted to make an album which she would enjoy listening to while recovering.
WCrime Slunk Scene is the eighteenth studio album by Buckethead, and his fourth tour-only album. It was originally only sold on his 2006 tour, but was later made available on Travis Dickerson's record label TDRS music, until it eventually went out of print.
WThe Cuckoo Clocks of Hell is the thirteenth studio album by American guitarist Buckethead. It was released on April 20, 2004 via Disembodied Records.
WThe Day of the Robot is the third studio album by Buckethead. It is often referred to as his "Jungle" album due to the presence of UK "Beat Scientist" DJ Ninj, an occasional Bill Laswell collaborateur. It is currently out of print, making it a valuable collector's item, but can be found in the download store of TDRS Music.
WDisembodied is Buckethead's second album under the name Death Cube K. It was released on July 22, 1997 by ION Records, and was produced by Bill Laswell.
WDreamatorium is Buckethead's first album under the anagram name Death Cube K. It was released on May 13, 1994, by Strata and again in 1995, including a graphics image generator software by Interactive Multimedia Corporation as the first track. The included software is fractint, a freeware fractal generator software that may be obtained as a standalone download from the fractint website free of charge.
WElectric Sea is the thirty-fifth studio album by guitarist Buckethead. It is the sequel to his 2002 release Electric Tears.
WElectric Tears is the ninth studio album by Buckethead. It is considered one of his most emotional and introspective albums, bearing many similarities to his previous release Colma. The entire album is played solely on acoustic and electric guitar.
WEnter the Chicken is the fourteenth studio album by musician Buckethead. The album was released on October 25, 2005 by Serj Tankian's label Serjical Strike. It has eleven songs, two of which are less than twenty seconds long. It contains appearances from such artists as Saul Williams, Maximum Bob, Efrem Schulz and Serj Tankian.
WFrom the Coop is Buckethead's third special release. It consists of songs from early demo tapes that Buckethead recorded when he was around 19 years old and just starting to get serious with his guitar playing. A final cassette was made with all 3 demo cassettes put together was made in 2000 for a CD release that wouldn't happen for another 8 years. As with Acoustic Shards, this album is more of a specialty release rather than his latest studio effort.
WGiant Robot is the second studio album by avant-garde guitarist Buckethead and loosely following the same "amusement park" concept as his previous album (Bucketheadland). It has some re-recorded songs from Buckethead's band Deli Creeps, as well his earlier demo tape Bucketheadland Blueprints. Giant Robot has a more professional sound than its predecessor in terms of recording and production value; the re-recorded tracks have lost their initial "basement" or "video game" sounding beats and guitar licks. As with Bucketheadland, the album was originally only released in Japan.
WIn Search of The is a set of thirteen albums by Buckethead, released on February 21, 2007. Each was initially personally numbered and monogrammed by Buckethead himself. No two sets were the same, as the covers were hand-drawn and unique from one another. It is considered a special release, making it the first of Buckethead's albums to be referred to as such.
WKaleidoscalp is the fifteenth studio album by avant-garde guitarist Buckethead. The album is notable for its use of circuit bent instruments and effects, creating an overall sound that is both bizarre and unique.
WMonsters and Robots is Buckethead's fifth studio album, released April 20, 1999, by Higher Octave records. A large part of the album was co-written with Les Claypool, who also plays bass on several tracks and lends his vocals to the track "The Ballad of Buckethead".
WPopulation Override is the twelfth studio album by Buckethead and his first full collaboration with keyboardist Travis Dickerson. The album is a tribute to the "great vinyl records of the '60s and '70s", with songs more often than not drifting into long jams.Almost all the music is just us communicating as we play. The songs started as a riff that either I or Bucket would start playing and then we would all go from there. On some of the tracks we worked out some cord [sic] changes but a lot of them were just made up as we went. We worked out a lot of stuff as overdubs and that helped give it structure. (...) We recorded the little guitar snippets just for what they were used for, track segues.
WThe Shores of Molokai is the 37th studio album by guitarist Buckethead, and the seventh installment of the Buckethead Pikes Series.
WSomewhere over the Slaughterhouse is the sixth studio album by Buckethead. To date it is his only solo album to be released as both a CD and LP and is currently out of print. Problems with rights ownership make a reissue unlikely. A download can be obtained at TDRS Music.