WBerlin Without Jews is a 1925 dystopian novel by Arthur Landsberger. It is written from the point-of-view of two German families friendly to each other; the Oppenheims are Jewish, and the Rudenbergs are Lutherans. In the events of the book, a right-wing nationalist political party takes power and expels German Jews. The other factions of German politics and society stand by, doing nothing, thinking the Jews matter little. The expulsion has unfortunate consequences for Germany. German life is poorer both culturally and economically without the Jews, and the novel ends with the government sheepishly inviting the German Jews back and welcoming them as valued members of society.
WDisorder and Early Sorrow is a 1925 novella written by Thomas Mann. It follows the fortunes of the Cornelius family through the perspective of Abel Cornelius, a 47-year-old professor at the local university, whose status in society was once highly respected but has diminished markedly. The Cornelius family is, in part, a reflection of Mann's own family. The novella explores the psychological and social impact of the Weimar Hyperinflation. It first appeared in a Festschrift celebrating Mann's 50th birthday in the publication Neue Rundschau. It was translated into English the following year by Mann's friend and colleague, the American Herman George Scheffauer, and first appeared in The Dial in two installments in 1926.
W"Fear" is a 1925 novella by the Austrian writer Stefan Zweig. It was adapted into a 1928 silent film, Angst, directed by Hans Steinhoff, a 1936 film, La Peur, directed by Victor Tourjansky, and a 1954 film, Fear, directed by Roberto Rossellini.
WFrau Sixta is a 1925 historical novel by the Swiss writer Ernst Zahn.
WJud Süß is a 1925 historical novel by Lion Feuchtwanger based on the life of Joseph Süß Oppenheimer.
WMetropolis is a 1925 science fiction novel by the German writer Thea von Harbou. The novel was the basis for and written in tandem with Fritz Lang's 1927 film Metropolis.
WThe Trial is a novel written by Franz Kafka between 1914 and 1915 and published posthumously in 1925. One of his best-known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's other novels, The Trial was never completed, although it does include a chapter which appears to bring the story to an intentionally abrupt ending.