
August Is a Wicked Month is the fourth novel by Edna O'Brien. It was published in 1965.

Borstal Boy is a 1958 autobiographical book by Brendan Behan. The story depicts a young, fervently idealistic Behan, who loses his naïveté over the three years of his sentence to a juvenile borstal, softening his radical Irish republican stance and warming to his British fellow prisoners. From a technical standpoint, the novel is chiefly notable for the art with which it captures the lively dialogue of the Borstal inmates, with all the variety of the British Isles' many subtly distinctive accents intact on the page. Ultimately, Behan demonstrated by his skillful dialogue that working class Irish Catholics and English Protestants actually had more in common with one another through class than they had supposed, and that alleged barriers of religion and ethnicity were merely superficial and imposed by a fearful middle class.

Brave New World is a dystopian social science fiction novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist. Huxley followed this book with a reassessment in essay form, Brave New World Revisited (1958), and with his final novel, Island (1962), the utopian counterpart. The novel is often compared to George Orwell's Nineteen Eighty-Four.

The Bulpington of Blup, a 1932 novel by H. G. Wells, is a character study analyzing the psychological sources of resistance to Wellsian ideology, and was influenced by Wells's acquaintance with Carl Gustav Jung and his ideas.

The Catcher in the Rye is a novel by J. D. Salinger, partially published in serial form in 1945–1946 and as a novel in 1951. It was originally intended for adults, but is often read by adolescents for its themes of angst and alienation, and as a critique on superficiality in society. It has been translated widely. Around one million copies are sold each year, with total sales of more than 65 million books. The novel's protagonist Holden Caulfield has become an icon for teenage rebellion. The novel also deals with complex issues of innocence, identity, belonging, loss, connection, sex, and depression.

The Country Girls is a trilogy by Irish author Edna O'Brien. It consists of three novels: The Country Girls (1960), The Lonely Girl (1962), and Girls in Their Married Bliss (1964). The trilogy was re-released in 1986 in a single volume with a revised ending to Girls in Their Married Bliss and addition of an epilogue. The Country Girls, both the trilogy and the novel, is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II and was adapted into a 1983 film. All three novels were banned by the Irish censorship board and faced significant public disdain in Ireland. O'Brien won the Kingsley Amis Award in 1962 for The Country Girls.

The Dark is the second novel by Irish writer John McGahern, published in 1965.

My Secret Garden: Women’s Sexual Fantasies is a 1973 book compiled by Nancy Friday, who collected women's fantasies through letters and taped and personal interviews. After including a female sexual fantasy in a novel she submitted for publishing, her editor objected, and Friday shelved the novel. After other women began writing and talking about sex publicly, Friday began thinking about writing a book about female sexual fantasies, first collecting fantasies from her friends, and then advertising in newspapers and magazines for more. She organized these narratives into "rooms", and each is identified by the woman's first name, except for the last chapter, "odd notes", which is presented as the "fleeting thoughts" of many anonymous women. The book revealed that women fantasize, just as men do, and that the content of the fantasies can be as transgressive, or not, as men's. The book, the first published compilation of women's sexual fantasies, refuted many previously accepted notions of female sexuality.