WCai Chusheng was a Chinese film director of the pre-Communist era, and was the first Chinese director to win an international film award at the Moscow International Film Festival. Best known for his progressive output in the 1930s, Cai Chusheng was later severely persecuted and died during the Cultural Revolution. His ashes are kept at the Babaoshan Revolutionary Cemetery in Beijing.
WEileen Chang, also known as Zhang Ailing or Chang Ai-ling, was a Chinese-born American essayist, novelist, and screenwriter. She is a women writer and feminism in Chinese literature in the 20th-century.
WJoan Chen is a Chinese-American actress, film director, screenwriter, and film producer. In China she performed in the 1979 film Little Flower ("小花") and came to the attention of western audiences for her performance in the 1987 film The Last Emperor. She is also known for her roles in Twin Peaks, Red Rose, White Rose, Saving Face, and The Home Song Stories, and for directing the feature film Xiu Xiu: The Sent Down Girl.
WChen Liting was a Chinese playwright, drama and film director, screenwriter, and film theorist. He was one of the most prominent film directors and screenwriters in pre-Communist China, together with Shi Dongshan, Cai Chusheng, and Zheng Junli. His most famous film was Women Side by Side (1949).
WPeng Xiaolian was a Chinese film director, scriptwriter and author. A graduate of the 1982 class of the Beijing Film Academy, she was a member of the Fifth Generation, although her style differed from the other members of this group. She is known for her series of films about Shanghai, including Once Upon a Time in Shanghai (1998), which won the Best Picture Award of the Huabiao Awards; Shanghai Story (2004), which won four Golden Rooster Awards including Best Director and Best Picture; and Shanghai Rumba (2006), based on the romance of the movie star couple Zhao Dan and Huang Zongying.
WWang Xiaoshuai is a Chinese film director, screenwriter and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China.. Like others in this generation, and in contrast with earlier Chinese filmmakers who produced mostly historical drama, Wang proposed a “new urban Chinese cinema [that] has been mainly concerned with bearing witness of a fast- paced transforming China and producing a localized critique of globalization.”
WWong Kar-wai is a Hong Kong film director. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. A pivotal figure of Hong Kong cinema, Wong has had a considerable influence on filmmaking with his trademark personal, unconventional approach. His films frequently appear on best-of lists domestically and internationally.
WZheng Zhengqiu was a Chinese filmmaker often considered a "founding father" of Chinese cinema.
WZhu Shouju, born Zhu Junbo, also known by his pen name Haishang Shuomengren, was a Chinese author and filmmaker based in Shanghai.