WDark fantasy is a subgenre of fantasy literary, artistic, and cinematic works that incorporate darker and frightening themes of fantasy. It often combines fantasy with elements of horror or has a gloomy dark tone or a sense of horror and dread.
WThe Cthulhu Mythos is a shared fictional universe, originating in the works of American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name Cthulhu derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
WThe fantastic is a subgenre of literary works characterized by the ambiguous presentation of seemingly supernatural forces.
WFantastique is a French term for a literary and cinematic genre that overlaps with science fiction, horror, and fantasy.
WA ghost story may be any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them. The "ghost" may appear of its own accord or be summoned by magic. Linked to the ghost is the idea of "hauntings", where a supernatural entity is tied to a place, object or person. Ghost stories are commonly examples of ghostlore.
WGiallo is the Italian term designating mystery fiction and thrillers. The word giallo is Italian for yellow. The term derives from a series of cheap paperback mystery and crime thriller novels with yellow covers that were popular in Italy.
WJapanese horror is horror fiction arising from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Mediums in which Japanese horror fiction is showcased include literature, anime and film, video games, and artwork. Japanese horror tends to focus on psychological horror, tension building (suspense), and supernatural horror, particularly involving ghosts (yūrei) and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and yōkai.
WIn works of art, the adjective macabre means "having the quality of having a grim or ghastly atmosphere". The macabre works to emphasize the details and symbols of death. The term also refers to works particularly gruesome in nature.
WMonster literature is a genre of literature that combines good and evil and intends to evoke a sensation of horror and terror in its readers by presenting the evil side in the form of a monster.
WPenny dreadfuls were cheap popular serial literature produced during the nineteenth century in the United Kingdom. The pejorative term is roughly interchangeable with penny horrible, penny awful, and penny blood. The term typically referred to a story published in weekly parts, each costing one penny. The subject matter of these stories was typically sensational, focusing on the exploits of detectives, criminals, or supernatural entities. First published in the 1830s, penny dreadfuls featured characters such as Sweeney Todd, Dick Turpin and Varney the Vampire. The Guardian described penny dreadfuls as "Britain’s first taste of mass-produced popular culture for the young."
WA splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake.
WSurvival horror is a subgenre of action-adventure and horror video games that focuses on survival of the character as the game tries to frighten players with either horror graphics or scary ambience. Although combat can be part of the gameplay, the player is made to feel less in control than in typical action games through limited ammunition or weapons, health, speed and vision, or through various obstructions of the player's interaction with the game mechanics. The player is also challenged to find items that unlock the path to new areas and solve puzzles to proceed in the game. Games make use of strong horror themes, like dark mazelike environments and unexpected attacks from enemies.
WTasmanian Gothic is a genre of Tasmanian literature that merges the traditions of Gothic fiction with the history and natural features of Tasmania, an island state south of the Australian continent. Tasmanian Gothic has inspired works in other artistic media, including theatre and film.
WUrban Gothic is a subgenre of Gothic fiction, film horror and television dealing with industrial and post-industrial urban society. It was pioneered in the mid-19th century in Britain, Ireland and the United States and developed in British novels such as Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), and Irish novels such as Oscar Wilde's The Picture of Dorian Gray (1890), and Bram Stoker's Dracula (1897). In the twentieth century, urban Gothic influenced the creation of the subgenres of Southern Gothic and suburban Gothic. From the 1980s, interest in the urban Gothic revived with books like Anne Rice's Vampire Chronicles and a number of graphic novels that drew on dark city landscapes, leading to adaptations in film including Batman (1989), The Crow (1994) and From Hell (2001), as well as influencing films like Seven (1995).
WWeird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, and H. P. Lovecraft. Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the labels of New Weird and Slipstream, which continues into the 21st century.
WWeird menace is the name given to a subgenre of horror fiction and detective fiction that was popular in the pulp magazines of the 1930s and early 1940s. The weird menace pulps, also known as shudder pulps, generally featured stories in which the hero was pitted against sadistic villains, with graphic scenes of torture and brutality.
WWerewolf fiction denotes the portrayal of werewolves and other shapeshifting man/woman-beasts, in the media of literature, drama, film, games, and music. Werewolf literature includes folklore, legend, saga, fairy tales, Gothic and Horror fiction, fantasy fiction and poetry. Such stories may be supernatural, symbolic or allegorical. A classic American cinematic example of the theme is The Wolf Man (1941) and in later films joins with Frankenstein's monster and Count Dracula, as one of the three famous icons of the modern day horror. However, werewolf fiction is an exceptionally diverse genre with ancient folkloric roots and manifold modern re-interpretations.
WThis is a list of fiction and media of all kinds of media featuring werewolves, lycanthropy and shape-shifting.