W24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993.
W26 October 1993 is an artwork created in 1993 as a collaboration between English artists Henry Bond and Sam Taylor-Wood, both of whom were involved in the Young British Artists scene of contemporary art. It is a pastiche or remaking of a well-known photographic portrait of John Lennon and Yoko Ono that was made by Annie Leibovitz a few hours before Lennon's murder.
WThe Artist as Hephaestus is a bronze statue by Sir Eduardo Paolozzi, created in 1987. It depicts a standing human figure, a self-portrait of Paolozzi 2.64 metres tall, with the left foot advanced as if walking, holding two pierced objects akin to sieves.
WBeyond the Deepening Shadow: The Tower Remembers was an artistic installation at the Tower of London in November 2018, to commemorate the centenary of the end of the First World War.
WBlood Swept Lands and Seas of Red was a public art installation created in the moat of the Tower of London, England, between July and November 2014. It commemorated the centenary of the outbreak of World War I and consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War. The ceramic artist was Paul Cummins, with conceptual design by the stage designer Tom Piper. The work's title was taken from the first line of a poem by an unknown soldier in World War I.
WThe Bristol Art Library (TBAL) is an art and performance project created in 1998 by British artist Annabel Other. It consists of handmade books in a library the size of a suitcase.
WBullet Hole is the title of a 1988 artwork by British artist Mat Collishaw. Despite the title, the work is a reproduction of an ice pick wound to the head, appropriated from a pathology manual and blown up over an interlocking grid of fifteen separate framed images that make up one single work. It first went on show in the exhibition Freeze, organized by Damien Hirst.
WCloud Gate is a public shiny kidney bean-shaped sculpture by Indian-born British artist Sir Anish Kapoor, that is the centerpiece of AT&T Plaza at Millennium Park in the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed "the Bean" because of its bean shape, a name Kapoor initially disliked, but later grew fond of. Made up of 168 stainless steel plates welded together, its highly polished exterior is smooth and has no visible seams. It measures 33 by 66 by 42 feet, and weighs 110 short tons.
WDocuments Series is the overall title of a series of eighty-three fine artworks made collaboratively by Henry Bond and Liam Gillick between 1990 and 1995. It has been suggested that the intention behind the work was to "examine the procedures behind news-gathering."
WShrouds of the Somme is an artwork by British artist Rob Heard which commemorates the 72,396 servicemen from the British Commonwealth with no known grave, whose names are recorded at Thiepval Memorial as missing presumed dead at the Battle of the Somme. It is estimated that more than three million men fought in the battle, and more than one million men were wounded or killed, making it one of the bloodiest battles in human history.
WTense is the title of an art installation made by Turner Prize nominee Anya Gallaccio in 1990. The work consists of printed rolls of wallpaper featuring an orange motif, "the paper was pasted on the walls, and on the floor Gallaccio made an oblong 'carpet' comprising one ton of Valencia oranges which gradually decayed over the duration of the show."
WThe Upper Room is an installation of 13 paintings of rhesus macaque monkeys by English artist Chris Ofili in a specially-designed room. It was bought by the Tate gallery in 2005 from the Victoria Miro Gallery and was the cause of a media furore after a campaign initiated by the Stuckist art group as Ofili was on the board of Tate trustees at the time of the purchase. In 2006 the Charity Commission censured the Tate for the purchase, but did not revoke it.