WLive coding, sometimes referred to as on-the-fly programming, just in time programming and conversational programming, makes programming an integral part of the running program.
WAn algorave is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world.
WJoanne Armitage is a composer, improviser and researcher based in Leeds, England, notable for her practice in live coded music, and research into haptics in music performance. She performs internationally using the SuperCollider language, including as half of live coding duo ALGOBABEZ with Shelly Knotts associated with the Algorave movement. Her music is often performed in a club setting, while embracing error and uncertainty. She is also known as advocate for diversity in music and technology, including through invited workshops. Armitage is a lecturer in Digital Media at the School of Media and Communication, University of Leeds, UK.
WBenoît and the Mandelbrots, named after French American mathematician Benoît Mandelbrot, is a Computer Music band formed in 2009 in Karlsruhe, Germany. They are known for their live coded and Algorave performances, the Digital Arts practice of improvising with programming languages that gradually dissolves the distinction between composer and performer.
WChucK is a concurrent, strongly timed audio programming language for real-time synthesis, composition, and performance, which runs on Linux, Mac OS X, Microsoft Windows, and iOS. It is designed to favor readability and flexibility for the programmer over other considerations such as raw performance. It natively supports deterministic concurrency and multiple, simultaneous, dynamic control rates. Another key feature is the ability to live code; adding, removing, and modifying code on the fly, while the program is running, without stopping or restarting. It has a highly precise timing/concurrency model, allowing for arbitrarily fine granularity. It offers composers and researchers a powerful and flexible programming tool for building and experimenting with complex audio synthesis programs, and real-time interactive control.
WCOLT is an ActionScript and JavaScript livecoding tool by Code Orchestra, available by subscription. As of 2019 it appears to be abandoned; the last activity in GitHub was 2015, and the domain name has been purchased by spammers.
WImpromptu is a Mac OS X programming environment for live coding. Impromptu is built around the Scheme language, which is a member of the Lisp family of languages. The source code of its core has been opened as the Extempore project.
WIxi lang is a programming language for live coding musical expression. It is taught at diverse levels of musical education and used in Algorave performances. Like many other live coding languages, such TidalCycles, ixi lang is a domain-specific language that embraces simplicity and constraints in design.
WShelly Knotts is a composer, performer and improvisor of live electronic, live coded and network music based in Newcastle upon Tyne, England. She performs internationally, often using Live coding techniques, and a range of styles including Noise, Drone and Algorave.
WSlub is an algorave group formed in 2000 by Adrian Ward and Alex McLean, joined by Dave Griffiths in 2005 and Alexandra Cardenas in 2017. They are known for making their music exclusively from their own generative software, projecting their screens so their audience can see their handmade interfaces. Their music is improvised, and advertised as falling within the ambient gabba genre.
WSonic Pi is a live coding environment based on Ruby, originally designed to support both computing and music lessons in schools, developed by Sam Aaron in the University of Cambridge Computer Laboratory in collaboration with Raspberry Pi Foundation.
WTidalCycles is a live coding environment designed for musical improvisation and composition. In particular, it is a domain-specific language embedded in Haskell, focused on the generation and manipulation of audible or visual patterns. It was originally designed for heavily percussive, polyrhythmic grid-based music, but now uses a flexible, functional reactive representation for patterns, using rational time. Tidal may therefore be applied to a wide range of musical styles, although its cyclic approach to time means that it affords use in repetitive styles such as Algorave.