
Johnny Cash at Folsom Prison is the first live album by American singer-songwriter Johnny Cash, released on Columbia Records on May 6, 1968. After his 1955 song "Folsom Prison Blues", Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The album consists of 15 songs from the first show and two from the second.

Johnny Cash at San Quentin is the 31st overall album by Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969, and released on June 16 of that same year. The concert was filmed by Granada Television, produced and directed by Michael Darlow. The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison (1968), På Österåker (1973), and A Concert Behind Prison Walls (1976).

Bertolome Zorzi was a Venetian nobleman, merchant, and troubadour. Like all Lombard troubadours, he composed in the Occitan language. Eighteen of his works survive.

A Concert: Behind Prison Walls is the fifty-fourth overall album and a live album recorded by Johnny Cash at the Tennessee State Prison in 1974. The album features a total of seven performances by Cash with his backing band the Tennessee Three. It also features a total of nine performances by Linda Ronstadt, Roy Clark and Foster Brooks.

Concert: Friday the 13th – Cook County Jail is a live split album recorded at Cook County Jail in October 1972 featuring performances by jazz organist Jimmy McGriff's Quintet with guitarists George Freeman and O'Donel Levy, and saxophonist Lucky Thompson's Quartet which was released on the Groove Merchant label.
The Escorts, also known as the Legendary Escorts, are an American R&B group formed in Rahway State Prison in 1970.

Willie Mae Thornton, better known as Big Mama Thornton, was an American rhythm-and-blues singer and songwriter. She was the first to record Leiber and Stoller's "Hound Dog", in 1952, which became her biggest hit, staying seven weeks at number one on the Billboard R&B chart in 1953 and selling almost two million copies. Thornton's other recordings included the original version of "Ball and Chain", which she wrote.

James "Iron Head" Baker and Moses "Clear Rock" Platt were African American traditional folk singers imprisoned in the Central State Prison Farm in Sugar Land, Texas. The men made a number of field recordings of convict work songs, Field hollers and other material with John Lomax for the Library of Congress Archive of American Folk Music in the 1930s.

Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer, musician, and songwriter notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In The Pines", "Goodnight, Irene", "Midnight Special", "Cotton Fields", and "Boll Weevil".

Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California.

Live at Soledad Prison is a live album by blues musician John Lee Hooker recorded at the Soledad State Prison in Monterey County, California on June 11, 1972 and released by the ABC label later that year. It is not available in its original form on compact disc, but in 1996, MCA Records released a compilation of Hooker's 1966 live album Live at Cafe Au Go Go with the last five songs of Live at Soledad Prison, under the title Live at the Café au Go-Go .

Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men. King's set list consisted mostly of slow blues songs, which had been hits earlier in his career. When King told ABC Records about the upcoming performance, he was advised to bring along press and recording equipment.

Johnny Cash på Österåker is a live album by country singer Johnny Cash released on Columbia Records in 1973, making it his 43rd overall release. The album features Cash's concert at the Österåker Prison in Sweden held on October 3, 1972. Its counterparts in concept are the more notable At Folsom Prison (1968), At San Quentin (1969), and A Concert Behind Prison Walls (1976). Unlike aforementioned, På Österåker does not contain any of Cash's most well-known songs; it does, however, include a version of Kris Kristofferson's "Me and Bobby McGee". "Orleans Parish Prison" was released as a single, faring rather poorly on the charts. Cash had previously recorded "I Saw a Man" for his 1959 album, Hymns by Johnny Cash.

Prison Bound is the second studio album by Social Distortion, released in 1988. It was the first album with bass guitarist John Maurer and drummer Christopher Reece. It expands the punk rock sound of the band's first album, Mommy's Little Monster (1983), by adding influences from country music and blues rock.

Robert Pete Williams was an American Louisiana blues musician. His music characteristically employed unconventional structures and guitar tunings, and his songs are often about the time he served in prison. His song "I've Grown So Ugly" has been covered by Captain Beefheart, on his album Safe as Milk (1967), and by The Black Keys, on Rubber Factory (2004).

Zomba Prison Project is a recording featuring music composed and performed by prisoners at the maximum-security Zomba Central Prison in Zomba, Malawi. The album I Have No Everything Here was produced by Ian Brennan, and nominated in the 2016 Grammy Award for Best World Music Album.