27 Dressage terminology

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

The phrases "on the bit", "behind the bit" and "above the bit" are equestrian terms used to describe a horse's posture relative to the reins and the bridle bit. A position on the bit is submissive to the rider's rein aids, given through the bit. When a horse is behind the bit, the head is tucked too far down and rearward. If above the bit, then the head is too high.

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

Collection occurs when a horse's center of gravity is shifted backwards. Energy is directed in a more horizontal trajectory with less forward movement. Biomechanical markers include: increased flexion in the lumbo-sacral joint, stifle, and hocks of the horse; increased engagement of the thoracic sling muscles resulting in the withers rising relative to the horse's scapula; and reduced ranges of limb protraction–retraction.

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm.

Haunches-in, also called travers or tête au mur, is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or croupe au mur, that is slightly more difficult. Both movements are four-track, meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the three-track shoulder-in.

Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed.

Lead refers to which set of legs, left or right, leads or advances forward to a greater extent when a quadruped animal is cantering, galloping, or leaping. The feet on the leading side touch the ground forward of its partner. On the "left lead", the animal's left legs lead. The choice of lead is of special interest in horse riding.

The leg-yield is a lateral movement in which a horse travels both forward and sideways at the same time. The horse is fairly straight through his body in the leg-yield, although he may have a slight bend opposite to the direction of travel. It is one of the "three initial movements leading up to true lateral work", the others being the turn on the forehand and the shoulder-fore.

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

The phrases "on the bit", "behind the bit" and "above the bit" are equestrian terms used to describe a horse's posture relative to the reins and the bridle bit. A position on the bit is submissive to the rider's rein aids, given through the bit. When a horse is behind the bit, the head is tucked too far down and rearward. If above the bit, then the head is too high.

A pas de deux is an equestrian performance using two horses. The horses perform dressage movements, usually mirroring each other, and almost always accompanied by music. Pas de deux are often performed in exhibitions at special events, and are also used by professional acts, particularly the Spanish Riding School.

The passage is a movement seen in upper-level dressage, in which the horse performs a highly elevated and extremely powerful trot. The horse is very collected and moves with great impulsion.

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

The piaffe is a dressage movement where the horse is in a highly collected and cadenced trot, in place or nearly in place. The center of gravity of the horse should be more towards the hind end, with the hindquarters slightly lowered and great bending of the joints in the hind legs. The front end of the horse is highly mobile, free, and light, with great flexion in the joints of the front legs, and the horse remains light in the hand. The horse should retain a clear and even rhythm, show great impulsion, and ideally should have a moment of suspension between the foot falls. As in all dressage, the horse should perform in a calm manner and remain on the bit with a round back.

A Pirouette is a French word for the Ballet reference, "to whirl about."

Quadrille is a choreographed dressage ride, commonly performed to music, which is often compared to an equestrian ballet or to a drill team. A minimum of four horses are used, although many times more, which perform movements together. Quadrille may be ridden as a performance, such as those given by the Spanish Riding School, or as a competitive test with judging. At the highest level, quadrille includes movements such as shoulder-in, travers, half-pass, passage, flying changes, and canter pirouettes.

Haunches-in, also called travers or tête au mur, is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or croupe au mur, that is slightly more difficult. Both movements are four-track, meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the three-track shoulder-in.

Riding aids are the cues a rider gives to a horse to communicate what they want the animal to do. Riding aids are broken into the natural aids and the artificial aids.

The Spanish walk is a trained movement performed by a horse. While at a walk, as the horse raises each foreleg off the ground, it lifts the leg in an exaggerated upward and forward manner. While the Spanish walk is loosely affiliated with the field of dressage, it is more of a trick or circus movement and not included in any modern dressage tests. It is often taught to horses of the Andalusian and Lusitano breeds and is considered a part of the horse culture in Spain. The action is said to benefit the horse by helping it learn to open up its shoulder movement.

In equestrianism, throughness is an absence of resistance in the horse to the rider's commands.