33 Works by Diego Rivera

Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera, was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.

The Cárcamo de Dolores is a hydraulic structure located on the Second Section of Chapultepec Park, in Mexico City, comprising the building designed by architect Ricardo Rivas, inside the originally underwater mural Agua, el origen de la vida of Mexican muralist Diego Rivera, the art installation Cámara Lambdoma by Ariel Guzik, and in outside, the Tlaloc Fountain, also of Rivera.

The Detroit Industry Murals (1932-1933) are a series of frescoes by the Mexican artist Diego Rivera, consisting of twenty-seven panels depicting industry at the Ford Motor Company and in Detroit. Together they surround the interior Rivera Court in the Detroit Institute of Arts. Painted between 1932 and 1933, they were considered by Rivera to be his most successful work. On 23 April 2014, the Detroit Industry Murals were designated by the Department of Interior as a National Historic Landmark.

The History of Mexico is a mural in the stairwell of the National Palace in Mexico City by Diego Rivera. Produced between 1929 and 1935, the mural depicts Mexico's history from ancient times to the present, with particular emphasis on the struggles of the common Mexican people fighting against the Spanish, the French, and the dictators that controlled the country at different points in its history.

Man at the Crossroads (1934) was a fresco by Diego Rivera in New York City's Rockefeller Center. It was originally slated to be installed in the lobby of 30 Rockefeller Plaza, the main building of the center. Man at the Crossroads showed the aspects of contemporary social and scientific culture. As originally installed, it was a three-paneled artwork. A central panel depicted a worker controlling machinery. The central panel was flanked by two other panels, The Frontier of Ethical Evolution and The Frontier of Material Development, which respectively represented socialism and capitalism.

Museo Mural Diego Rivera is a museum in Mexico City where Diego Rivera's 1946-47 mural Sueño de una Tarde Dominical en la Alameda Central is located.

Sueño de una tarde dominical en la Alameda Central or Dream of a Sunday Afternoon in the Alameda Central is a mural created by Diego Rivera. It was painted between the years 1946 and 1947, and is the principal work of the Museo Mural Diego Rivera adjacent to the Alameda in the historic center of Mexico City.

Zapata (1932) is a lithograph by the Mexican artist Diego Rivera (1886–1957) that depicts the Mexican revolutionary Emiliano Zapata (1879–1919) as he holds the reins of a horse among a group of campesinos (peasants). The lithographic edition was created and printed twelve years after Zapata's assassination. Zapata is based on Agrarian Leader Zapata (1931), one of eight "portable" frescoes produced explicitly for Rivera's solo exhibition at the Museum of Modern Art (MoMA) in 1931, which was adapted from his previous Revolt panel from a fresco titled The History of Cuernavaca and Morelos (1929–30) painted in the Palace of Cortés, Cuernavaca. There were 100 original prints of the lithograph, many of which are in the collections of various art museums.